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Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
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Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 570
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Author: John Dryden
Publisher: Forgotten Books
ISBN: 9780332509716
Category : Poetry
Languages : en
Pages : 466
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Excerpt from The Works of John Dryden, Vol. 1 of 2: In Verse and Prose, With a Life David Drlden. Or Dryden. Married the daughter of William Nicholson. Or Stafl'hlll, and was mg greatqreat-gmndt'ather or our poet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Dryden
Publisher: Forgotten Books
ISBN: 9781334445408
Category : Poetry
Languages : en
Pages : 466
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Excerpt from The Works of John Dryden, Vol. 1 of 2: In Verse and Prose That this compliment to Oxford was as sin cere as it was elegant, has been doubted or denied by Dryden's contemporaries; and he is accused of having ridiculed, among the wits in team, that learning which, on the Banks of Isis, he had mentioned with reverence and esteem; but the charge, I believe, is unfounded; amid the poetical and political squabbles, petty ia trigues, Iibels, lampoons, and satires of the time, it is not safe to take assertion for truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: George Saintsbury
Publisher:
ISBN: 9781330480489
Category : Drama
Languages : en
Pages : 458
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Excerpt from John Dryden, Vol. 1 of 2 This play, - for the two parts only constitute an entire drama betwixt them, - seems to have been a favourite with Dryden, as well as with the public. In the Essay upon Heroic Plays, as well as in the dedication, the character of Almanzor is dwelt upon with that degree of complacency which an author experiences in analyzing a successful effort of his genius. Unquestionably the gross improbability of a hero, by his single arm, turning the tide of battle as he lists, did not appear so shocking in the age of Dryden, as in ours. There is no doubt, that, while personal strength and prowess were of more consequence than military skill and conduct, the feats of a single man were sometimes sufficient to determine the fate of an engagement, more especially when exerted by a knight, sheathed in complete mail, against the heartless and half-armed mass, which constituted the feudal infantry. Those, who have perused Barbour's History of Robert Bruce, Geoffrey de Vinsauf's account of the wars of Richard C ur de Lion, or even the battles detailed by Froissart and Joinville, are familiar with instances of breaches defended, and battles decided, by the prowess of a single arm. The leader of a feudal army was expected by his followers not only to point out the path to victory, but to lead the way in person. It is true, that the military art had been changed in this particular long before the days of Dryden. Complete armour was generally laid aside; fire-arms had superseded the use of the lance and battle-axe; and, above all, the universal institution of standing armies had given discipline and military skill their natural and decisive superiority over untaught strength, and enthusiastic valour. But the memory of what had been, was still familiar to the popular mind, and preserved not only by numerous legends and traditions, but also by the cast of the fashionable works of fiction. It is, indeed, curious to remark, how many minute remnants of a system of ancient manners can be traced long alter it has become totally obsolete. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: John Dryden
Publisher: VM eBooks
ISBN:
Category : Literary Collections
Languages : en
Pages : 633
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Table of Contents Published by VM eBook CRITICAL ESTIMATE OF THE GENIUS AND POETICAL WORKS OF JOHN DRYDEN. CONTENTS. EPISTLES. ELEGIES AND EPITAPHS. SONGS, ODES, AND A MASQUE. PROLOGUES AND EPILOGUES. TALES FROM CHAUCER. DRYDEN'S POEMS. EPISTLES. EPISTLE I. TO MY HONOURED FRIEND SIR ROBERT HOWARD,[1] ON HIS EXCELLENT POEMS. FOOTNOTES: EPISTLE II TO MY HONOURED FRIEND DR CHARLETON, ON HIS LEARNED AND USEFUL WORKS; BUT MORE PARTICULARLY HIS TREATISE OF STONEHENGE,[6] BY HIM RESTORED TO THE TRUE FOUNDER. FOOTNOTES: EPISTLE III. TO THE LADY CASTLEMAIN,[11] UPON HER ENCOURAGING HIS FIRST PLAY. FOOTNOTES: EPISTLE IV. TO MR LEE, ON HIS "ALEXANDER." FOOTNOTES: EPISTLE V. TO THE EARL OF ROSCOMMON, ON HIS EXCELLENT ESSAY ON TRANSLATED VERSE. FOOTNOTES: EPISTLE VI. TO THE DUCHESS OF YORK, ON HER RETURN FROM SCOTLAND IN THE YEAR 1682. FOOTNOTES: EPISTLE VII. A LETTER TO SIR GEORGE ETHEREGE.[16] FOOTNOTES: EPISTLE VIII. TO MR SOUTHERNE, ON HIS COMEDY CALLED "THE WIVES' EXCUSE." FOOTNOTES: EPISTLE IX. TO HENRY HIGDEN,[18] ESQ., ON HIS TRANSLATION OF THE TENTH SATIRE OF JUVENAL. FOOTNOTES: EPISTLE X. TO MY DEAR FRIEND MR CONGREVE, ON HIS COMEDY CALLED "THE DOUBLE-DEALER." EPISTLE XI. TO MR GRANVILLE,[20] ON HIS EXCELLENT TRAGEDY CALLED "HEROIC LOVE." FOOTNOTES: EPISTLE XII. TO MY FRIEND MR MOTTEUX,[23] ON HIS TRAGEDY CALLED "BEAUTY IN DISTRESS." FOOTNOTES: EPISTLE XIII. TO MY HONOURED KINSMAN, JOHN DRYDEN,[24] OF CHESTERTON, IN THE COUNTY OF HUNTINGDON, ESQ. FOOTNOTES: EPISTLE XIV.[32] TO SIR GODFREY KNELLER, PRINCIPAL PAINTER TO HIS MAJESTY. FOOTNOTES: EPISTLE XV. TO HIS FRIEND THE AUTHOR, JOHN HODDESDON, ON HIS DIVINE EPIGRAMS. EPISTLE XVI. TO MY FRIEND MR J. NORTHLEIGH, AUTHOR OF "THE PARALLEL," ON HIS "TRIUMPH OF THE BRITISH MONARCHY." ELEGIES AND EPITAPHS. I. TO THE MEMORY OF MR OLDHAM.[33] FOOTNOTES: II. TO THE PIOUS MEMORY OF THE ACCOMPLISHED YOUNG LADY MRS ANNE KILLIGREW,[34] EXCELLENT IN THE TWO SISTER ARTS OF POESY AND PAINTING. AN ODE. 1685. I. II. III. IV. V. VI. VII. VIII. IX. X. FOOTNOTES: III. UPON THE DEATH OF THE EARL OF DUNDEE.[36] FOOTNOTES: IV. ELEONORA: A PANEGYRICAL POEM, DEDICATED TO THE MEMORY OF THE LATE COUNTESS OF ABINGDON. JOHN DRYDEN. FOOTNOTES: V. ON THE DEATH OF AMYNTAS. A PASTORAL ELEGY. MENALCAS. DAMON. MENALCAS. VI. ON THE DEATH OF A VERY YOUNG GENTLEMAN. VII. UPON YOUNG MR ROGERS OF GLOUCESTERSHIRE. VIII. ON THE DEATH OF MR PURCELL. SET TO MUSIC BY DR BLOW. IX. EPITAPH ON THE LADY WHITMORE. X. EPITAPH ON SIR PALMES FAIRBONE'S TOMB IN WESTMINSTER ABBEY. SACRED TO THE IMMORTAL MEMORY OF SIR PALMES FAIRBONE, KNIGHT, GOVERNOR OF TANGIER; IN EXECUTION OF WHICH COMMAND, HE WAS MORTALLY WOUNDED BY A SHOT FROM THE MOORS, THEN BESIEGING THE TOWN, IN THE FORTY-SIXTH YEAR OF HIS AGE. OCTOBER 24, 1680. XI. UNDER MR MILTON'S PICTURE, BEFORE HIS PARADISE LOST.[38] FOOTNOTES: XII ON THE MONUMENT OF A FAIR MAIDEN LADY[39], WHO DIED AT BATH, AND IS THERE INTERRED. FOOTNOTES: XIII. EPITAPH ON MRS MARGARET PASTON, OF BURNINGHAM IN NORFOLK. XIV. ON THE MONUMENT OF THE MARQUIS OF WINCHESTER.[40] FOOTNOTES: SONGS, ODES, AND A MASQUE I. THE FAIR STRANGER.[41] A SONG. FOOTNOTES: II ON THE YOUNG STATESMEN. WRITTEN IN 1680. FOOTNOTES: III. A SONG FOR ST CECILIA'S DAY,[43]1687. GRAND CHORUS. FOOTNOTES: IV. THE TEARS OF AMYNTA, FOR THE DEATH OF DAMON. A SONG. V. THE LADY'S SONG.[44] FOOTNOTES: VI. A SONG. VII. A SONG. VIII. RONDELAY. IX. A SONG. X. A SONG TO A FAIR YOUNG LADY, GOING OUT OF TOWN IN THE SPRING. XI. SONGS IN THE "INDIAN EMPEROR." I. II. XII. SONG IN THE "MAIDEN QUEEN." XIII. SONGS IN "THE CONQUEST OF GRANADA." I. II. XIV. SONG OF THE SEA-FIGHT, IN AMBOYNA. XV. INCANTATION IN OEDIPUS. XVI. SONGS IN ALBION AND ALBANIUS. I. II. III. IV. V. XVII. SONGS IN KING ARTHUR. I. II. MAN SINGS. CHORUS. WOMAN SINGS. CHORUS. III. IV. V. VI. XVIII. SONG OF JEALOUSY, IN LOVE TRIUMPHANT. XIX. SONG. FAREWELL, FAIR ARMIDA. XX. ALEXANDER'S FEAST; OR, THE POWER OF MUSIC. AN ODE, IN HONOUR OF ST CECILIA'S DAY. CHORUS. CHORUS. CHORUS. CHORUS. CHORUS. CHORUS. GRAND CHORUS. XXI THE SECULAR MASQUE.[45] FOOTNOTES: XXII. SONG OF A SCHOLAR AND HIS MISTRESS, WHO, BEING CROSSED BY THEIR FRIENDS, FELL MAD FOR ONE ANOTHER; AND NOW FIRST MEET IN BEDLAM. PROLOGUES AND EPILOGUES. I. PROLOGUE TO THE RIVAL LADIES. A SECOND PROLOGUE ENTERS. II. PROLOGUE TO THE INDIAN QUEEN. III. EPILOGUE TO THE INDIAN QUEEN. SPOKEN BY MONTEZUMA. IV. EPILOGUE TO THE INDIAN EMPEROR, BY A MERCURY. V. PROLOGUE TO SIR MARTIN MARR-ALL. VI. PROLOGUE TO THE TEMPEST. VII. PROLOGUE TO TYRANNIC LOVE. VIII. EPILOGUE TO THE WILD GALLANT, WHEN REVIVED. IX. PROLOGUE. SPOKEN THE FIRST DAY OF THE KING'S HOUSE ACTING AFTER THE FIRE OF LONDON. X. EPILOGUE TO THE SECOND PART OF THE CONQUEST OF GRANADA. XI. PROLOGUE TO AMBOYNA.[46] FOOTNOTES: XII. EPILOGUE TO AMBOYNA. XIII. PROLOGUE. SPOKEN AT THE OPENING OF THE NEW HOUSE, MARCH 26, 1674. FOOTNOTES: XIV. PROLOGUE TO THE UNIVERSITY OF OXFORD, 1674. SPOKEN BY MR HART. FOOTNOTES: XV. PROLOGUE TO "CIRCE," A TRAGIC OPERA; BY DR DAVENANT,[50] 1675. FOOTNOTES: XVI. EPILOGUE, INTENDED TO HAVE BEEN SPOKEN BY THE LADY HEN. MAR. WENTWORTH, WHEN "CALISTO"[51] WAS ACTED AT COURT. FOOTNOTES: XVII. PROLOGUE TO "AURENGZEBE." FOOTNOTES: XVIII. EPILOGUE TO "THE MAN OF MODE; OR, SIR FOPLING FLUTTER;" BY SIR GEORGE ETHEREGE, 1676. XIX. EPILOGUE TO "ALL FOR LOVE." XX. PROLOGUE TO "LIMBERHAM." XXI. EPILOGUE TO "MITHRIDATES, KING OF PONTUS;" BY NATHAN LEE, 1678. XXII. PROLOGUE TO "OEDIPUS." XXIII. EPILOGUE TO "OEDIPUS." XXIV. PROLOGUE TO "TROILUS AND CRESSIDA." SPOKEN BY MR BETTERTON, REPRESENTING THE GHOST OF SHAKSPEARE. XXV. PROLOGUE TO "CÆSAR BORGIA;"[54] BY NATHAN LEE, 1680. FOOTNOTES: XXVI. PROLOGUE TO "SOPHONISBA," ACTED AT OXFORD, 1680. WRITTEN BY NATHAN LEE. FOOTNOTES: XXVII. PROLOGUE TO "THE LOYAL GENERAL;" BY MR TATE, 1680. FOOTNOTES: XXVIII. PROLOGUE[57] TO THE UNIVERSITY OF OXFORD, FOOTNOTES: XXIX. PROLOGUE[58] TO HIS ROYAL HIGHNESS, UPON HIS FIRST APPEARANCE AT THE DUKE'S THEATRE, AFTER HIS RETURN FROM SCOTLAND, 1682. FOOTNOTES: XXX. PROLOGUE TO "THE EARL OF ESSEX; OR, THE UNHAPPY FAVOURITE;" BY MR J. BANKS, 1682. SPOKEN TO THE KING AND QUEEN AT THEIR COMING TO THE HOUSE. XXXI. EPILOGUE FOR "THE KING'S HOUSE."[59] FOOTNOTES: XXXII. PROLOGUE TO "THE LOYAL BROTHER; OR, THE PERSIAN PRINCE;"[60] BY MR SOUTHERN, 1682. FOOTNOTES: XXXIII. PROLOGUE TO "THE KING AND QUEEN."[63] UPON THE UNION OF THE TWO COMPANIES IN 1686. FOOTNOTES: XXXIV. PROLOGUE TO THE UNIVERSITY OF OXFORD, SPOKEN BY MR HART, AT THE ACTING OF "THE SILENT WOMAN." XXXV. EPILOGUE, SPOKEN BY THE SAME. XXXVI. EPILOGUE, SPOKEN AT OXFORD, BY MRS MARSHALL. FOOTNOTES: XXXVII. PROLOGUE TO THE UNIVERSITY OF OXFORD. XXXVIII. PROLOGUE TO THE UNIVERSITY OF OXFORD. XXXIX. PROLOGUE TO "ALBION AND ALBANIUS." XL. EPILOGUE TO "ALBION AND ALBANIUS." XLI. PROLOGUE TO "ARVIRGUS AND PHILICIA REVIVED." BY LODOWICK CARLELL, ESQ., 1690. SPOKEN BY MR HART. XLII. PROLOGUE TO "DON SEBASTIAN." SPOKEN BY A WOMAN. XLIII. PROLOGUE TO "THE PROPHETESS."[65] BY BEAUMONT AND FLETCHER. SPOKEN BY MR BETTERTON. 1690. FOOTNOTES: XLIV. PROLOGUE TO "THE MISTAKES." BY JOSEPH HARRIS, COMEDIAN, 1690. (WRITTEN BY SOME OTHER.) XLV. PROLOGUE TO "KING ARTHUR." SPOKEN BY MR BETTERTON. XLVI. PROLOGUE TO "ALBUMAZAR."[67] FOOTNOTES: XLVII. AN EPILOGUE. XLVIII. EPILOGUE TO "THE HUSBAND HIS OWN CUCKOLD." BY MR JOHN DRYDEN, JUN., 1696.[68] FOOTNOTES: XLIX. PROLOGUE TO "THE PILGRIM." BY BEAUMONT AND FLETCHER. REVIVED FOR OUR AUTHOR'S BENEFIT, ANNO 1700. FOOTNOTES: L. EPILOGUE TO "THE PILGRIM." FOOTNOTES: TALES FROM CHAUCER. TO HIS GRACE THE DUKE OF ORMOND. PREFACE. TO HER GRACE THE DUCHESS OF ORMOND,[71] WITH THE FOLLOWING POEM OF PALAMON AND ARCITE. MADAM, FOOTNOTES: PALAMON AND ARCITE: OR, THE KNIGHT'S TALE. BOOK I. BOOK II. BOOK III. THE COCK AND THE FOX: OR, THE TALE OF THE NUN'S PRIEST. THE MORAL. FOOTNOTES: THE FLOWER AND THE LEAF: OR, THE LADY IN THE ARBOUR.[74] A VISION. FOOTNOTES: THE WIFE OF BATH, HER TALE. FOOTNOTES: THE CHARACTER OF A GOOD PARSON.[80] FOOTNOTES:
Author: Sir Walter Scott
Publisher: Createspace Independent Publishing Platform
ISBN: 9781727689488
Category :
Languages : en
Pages : 402
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The Works of John Dryden Part 2 Volume 1 By Sir Walter Scott Few modern audiences would endure the absurd grossness of the deceit practised on Lord Nonsuch in the fourth act; nor is the plot of Lady Constance, to gain her lover, by marrying him in the disguise of a heathen divinity, more grotesque than unnatural.--Yet, in the under characters, some liveliness of dialogue is maintained; and the reader may be amused with particular scenes, though, as a whole, the early fate of the play was justly merited.
Author: John Dryden
Publisher: Legare Street Press
ISBN: 9781017061710
Category :
Languages : en
Pages : 0
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520021185
Category : Language Arts & Disciplines
Languages : en
Pages : 512
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Book Description
This volume contains the poems of Dryden extending from 1681 to 1684. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
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