The Word, the Pen, and the Pistol

The Word, the Pen, and the Pistol PDF Author: Robert Nicole
Publisher: SUNY Press
ISBN: 9780791447406
Category : Literary Criticism
Languages : en
Pages : 244

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Book Description
This postcolonial study explores the Western myth of Tahiti as a paradise, as well as the complex and diverse ways the Maohi people have responded to this myth.

The Word, the Pen, and the Pistol

The Word, the Pen, and the Pistol PDF Author: Robert Nicole
Publisher: SUNY Press
ISBN: 9780791447390
Category : Literary Criticism
Languages : en
Pages : 244

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Book Description
This postcolonial study explores the Western myth of Tahiti as a paradise, as well as the complex and diverse ways the Maohi people have responded to this myth.

The Word, the Pen, and the Pistol

The Word, the Pen, and the Pistol PDF Author: Robert Nicole
Publisher: SUNY Press
ISBN: 9780791447406
Category : Literary Criticism
Languages : en
Pages : 244

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Book Description
This postcolonial study explores the Western myth of Tahiti as a paradise, as well as the complex and diverse ways the Maohi people have responded to this myth.

The English Dialect Dictionary, Being the Complete Vocabulary of All Dialect Words Still in Use, Or Known to Have Been in Use During the Last Two Hundred Years: M-Q

The English Dialect Dictionary, Being the Complete Vocabulary of All Dialect Words Still in Use, Or Known to Have Been in Use During the Last Two Hundred Years: M-Q PDF Author: Joseph Wright
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 702

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Book Description


The Gun, the Ship, and the Pen

The Gun, the Ship, and the Pen PDF Author: Linda Colley
Publisher: National Geographic Books
ISBN: 1324092386
Category : History
Languages : en
Pages : 0

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Book Description
A work of extraordinary range and striking originality, The Gun, the Ship, and the Pen traces the global history of written constitutions from the 1750s to the twentieth century, modifying accepted narratives and uncovering the close connections between the making of constitutions and the making of war. In the process, Linda Colley both reappraises famous constitutions and recovers those that have been marginalized but were central to the rise of a modern world. She brings to the fore neglected sites, such as Corsica, with its pioneering constitution of 1755, and tiny Pitcairn Island in the Pacific, the first place on the globe permanently to enfranchise women. She highlights the role of unexpected players, such as Catherine the Great of Russia, who was experimenting with constitutional techniques with her enlightened Nakaz decades before the Founding Fathers framed the American constitution. Written constitutions are usually examined in relation to individual states, but Colley focuses on how they crossed boundaries, spreading into six continents by 1918 and aiding the rise of empires as well as nations. She also illumines their place not simply in law and politics but also in wider cultural histories, and their intimate connections with print, literary creativity, and the rise of the novel. Colley shows how—while advancing epic revolutions and enfranchising white males—constitutions frequently served over the long nineteenth century to marginalize indigenous people, exclude women and people of color, and expropriate land. Simultaneously, though, she investigates how these devices were adapted by peoples and activists outside the West seeking to resist European and American power. She describes how Tunisia generated the first modern Islamic constitution in 1861, quickly suppressed, but an influence still on the Arab Spring; how Africanus Horton of Sierra Leone—inspired by the American Civil War—devised plans for self-governing nations in West Africa; and how Japan’s Meiji constitution of 1889 came to compete with Western constitutionalism as a model for Indian, Chinese, and Ottoman nationalists and reformers. Vividly written and handsomely illustrated, The Gun, the Ship, and the Pen is an absorbing work that—with its pageant of formative wars, powerful leaders, visionary lawmakers and committed rebels—retells the story of constitutional government and the evolution of ideas of what it means to be modern.

Judicial and Statutory Definitions of Words and Phrases

Judicial and Statutory Definitions of Words and Phrases PDF Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1034

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Book Description


The English Dialect Dictionary

The English Dialect Dictionary PDF Author: Joseph Wright
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1514

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Book Description


To Regulate Commerce in Firearms

To Regulate Commerce in Firearms PDF Author: United States. Congress. Senate. Committee on Commerce
Publisher:
ISBN:
Category : Firearms
Languages : en
Pages : 162

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Book Description


Junius

Junius PDF Author: Junius
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 550

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Book Description


Junius: including letters by the same writer, under other signatures ... Second edition

Junius: including letters by the same writer, under other signatures ... Second edition PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 542

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Book Description


Bible of the Gun

Bible of the Gun PDF Author: Jonathan Cottam
Publisher: Xlibris Corporation
ISBN: 1450061060
Category : Fiction
Languages : en
Pages : 217

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Book Description
Bible of the Gun is a collection of stories, from the novel of the title, to the novella of Bathory and the State, to the long shorts of The Destructive Urge and The Rose of John Hamlet. The stories have several things in common. The first of these is brevity; none of the stories have anything that is inessential, not a single line that the author did not enjoy writing that was not a curiosity or a puzzle to be solved. The second is surrealism. All the stories are surrealist in one sense or another, all steal something from dreams, and all try to unlock something of the animal from the Id. The author aligns himself with Bizarro, because the work clearly is, however, it is also seriously surrealist. Thirdly, violence in all the authors work is never treated morally, but let loose, you dont have to read the stories from the point of view of a good person being shown bad things, which fascinate, and yet you are never allowed to be a part of, but just as if you were in a dream or were a child, you have no moral compass and are lead into violence without condemnation, are told to identify with it, even when its source is apparently evil. To go back to surrealism before we discuss the actual stories. I, the author, am a surrealist anarchist, and a surrealist creator, for three reasons. One is a fascination with dreams, their strangeness and wonder, where they come from, their unrestrained adventures. Two is a political interest, from the point of view that the super ego, the restraints of the opinions of society, therefore, the opinions of the state through all aspects of media and coercion, is a cowardly internalised source that restricts our freedom and makes everyone slaves. Thirdly, is an attempt to unpeel this onion even further, let out the Id, the creativity, the desires, without the restraints of ego and super ego, to see the core of who we are, even if this is bad, I want to find good, but I do not want to find it at the bottom of being afraid because I do not want to consent to the pressures of every one and thing I despise, even if I am instead lead to evil that I despise more, and yet I find as a child, or in a dream, I am rarely lead to evil through lack of social inhibitions, in my work, I often am., but then, I have had a very violent life. Most of these stories however are rather more restrained than the earlier works of Unrequited Zombie and Urban Book of the Dead, except for The Destructive Urge, also the most surreal here and the most recent. Bathory and the State is from an earlier period, and a little primitive, which only means it is eighteen months old. Bible of the Gun is a story about a man, who after strange events of a dream like and schizophrenic nature, goes to see a female psychiatrist. I was lying on the leather couch, so much like a dental chair, the smell of leather had a clinical effect on the memories she extracted, as the sense of smell alerted me to smells from the past. Light fell on the couches black leather in shiny checks from the window light as the warm rays that read my mind with their heat signatures fell on us, they made the plant on the coffee table, with its lush green leaves, burble to me happily in a language I could not understand. Like pulling teeth she grasped each memory, examined it through her glasses leaning forward, she tapped each one with her pen looking for rottenness, tore it painfully from its protective flesh. Her mobile phone sat on the coffee table. Dismantled at my request, slim, orange and black, a Sonny Ericsson 880i, it had its spying guts removed. That is; its battery lay at its side so that the secret services or who ever they were could not pick up through its microphone, my conversation with my psychiatrist. My psychiatrist sat in a swiveling chair; I looked down at her red shoes, the sharp heels pointing from one side and then the other as she turned the chair from side to side with her long legs, occasionally