The Woman Question in Nineteenth-Century English, German and Russian Literature PDF Download
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Author: Kathryn L. Ambrose
Publisher: BRILL
ISBN: 9004304843
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Kathryn Ambrose offers a new literary critical approach to the Woman Question in nineteenth-century English, German and Russian literature, based on feminist theory, post-structuralism and the semiotics of barriers.
Author: Kathryn L. Ambrose
Publisher: BRILL
ISBN: 9004304843
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Kathryn Ambrose offers a new literary critical approach to the Woman Question in nineteenth-century English, German and Russian literature, based on feminist theory, post-structuralism and the semiotics of barriers.
Author: Amy Mandelker
Publisher: Ohio State University Press
ISBN: 0814206131
Category : English fiction
Languages : en
Pages : 246
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Book Description
Mandelker's revisionist analysis begins with the contention that Anna Karenina rejects the textual conventions of realism and the stereo-typical representation of women, especially in Victorian English fiction. In Anna Karenina, Tolstoy uses the theme of art and visual representation to articulate an aesthetics freed from gender bias and class discrimination.
Author: Wendy Rosslyn
Publisher: Open Book Publishers
ISBN: 1906924651
Category : History
Languages : en
Pages : 262
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Book Description
"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.
Author: John B. Lyon
Publisher: Camden House (NY)
ISBN: 1640140093
Category : History
Languages : en
Pages : 267
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Book Description
Assesses the relevance of the works of Fontane, perhaps the foremost German novelist between Goethe and Mann, for the twenty-first century.
Author: Rosalind J. Marsh
Publisher: Cambridge University Press
ISBN: 9780521552585
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
A 1996 overview of key issues in Russian women's writing and of important representations of women by men, from 1600 onwards.
Author: Marian Aguiar
Publisher: Springer Nature
ISBN: 3030270726
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This is the first book dedicated to literary and cultural scholars’ engagement with mobilities scholarship. As such, the volume both advances new theoretical approaches to the study of culture and furthers the recent “humanities turn” in mobilities studies. The book’s scholarship is deeply informed by cultural geography’s vision of a mobilised reconceptualisation of space and place, but also by the contribution of literary scholars in articulating questions of travel, technologies of transport, (post)colonialism and migration through a close engagement with textual materials. A comprehensive introduction maps pre-histories and emerging directions of this exciting interdisciplinary endeavor while taking up the theoretical and methodological challenges of the burgeoning subfield. Contributions range across geographical and disciplinary boundaries to address questions of embodied subjectivities, mobility and the nation, geopolitics of migration, and mobilities futures.
Author: Katherine Bowers
Publisher: University of Toronto Press
ISBN: 1487526946
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
Author: Svetlana Grenier
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Gender-oriented studies of 19th-century Russian literature have struggled with how to determine the feminism or misogyny of particular authors. This book argues that in order to make this determination, we need to engage with the poetics of the text rather than rely on the author's stated views. By focusing on the character type of the ward, or young female dependent, this book examines the narrative strategies used by such writers as Pushkin, Zhukova, Tolstoy, Herzen, and Dostoevsky to represent socially marginal women in their works. Drawing on the theories of Bakhtin, the volume analyzes the degree to which female characters are presented as subjects who actively think and perceive, rather than as passive objects who are thought of and perceived by men. In a polyphonic novel, authors enter into dialogic relationships with their characters; they depict them as unfinalizable persons, unfathomable and unpredictable, capable of the full range of human activity and emotion. The extent to which this polyphony incorporates women's voices is an accurate gauge of the feminism or misogyny of individual writers.
Author: Petra S. McGillen
Publisher: Bloomsbury Publishing USA
ISBN: 1501351575
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Winner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures (Awarded by the MLA) With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other "paper tools," such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned "writing" into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century.
Author: Elizabeth K. Helsinger
Publisher: Manchester University Press
ISBN: 9780719009860
Category : Feminism
Languages : en
Pages : 184
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Book Description
