Author: David Kirby
Publisher: LSU Press
ISBN: 0807182974
Category : Poetry
Languages : en
Pages : 258
Book Description
The Winter Dance Party lays out, not someone’s entire life, but that person’s life as a poet. This enthralling, career-spanning book by the National Book Award finalist David Kirby is made up mainly of new poems along with a generous number of older ones alternating with one another in nine sections that proceed, not chronologically, but more like chapters in a surreal memoir, with long poems followed by short poems, exploratory formats next to more traditional ones, straightforward poems cheek by jowl with ones that are more allusive.
The Winter Dance Party
The Day the Music Died: The Last Tour of Buddy Holly, the Big Bopper, and Ritchie Valens
Author: Larry Lehmer
Publisher: Schirmer Trade Books
ISBN: 0857127519
Category : Biography & Autobiography
Languages : en
Pages : 462
Book Description
The Last Tour of Buddy Holly, the 'Big Bopper' and Ritchie Valens. The tragic deaths of these three fifties Rock n Roll stars was immortalised in Don McLean's classic hit American Pie. The poignant story of the build-up to, events of, and the fall-out from the infamous 'Day The Music Died' are told here in painstaking chronological detail. A must for any serious rock n roll fan or student.
Publisher: Schirmer Trade Books
ISBN: 0857127519
Category : Biography & Autobiography
Languages : en
Pages : 462
Book Description
The Last Tour of Buddy Holly, the 'Big Bopper' and Ritchie Valens. The tragic deaths of these three fifties Rock n Roll stars was immortalised in Don McLean's classic hit American Pie. The poignant story of the build-up to, events of, and the fall-out from the infamous 'Day The Music Died' are told here in painstaking chronological detail. A must for any serious rock n roll fan or student.
Dance Party Countdown (Groovy Joe #2)
Author: Eric Litwin
Publisher: Scholastic Inc.
ISBN: 1338184660
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Knock! Knock! Groovy Joe, the fun-lovin', guitar-strummin' easy goin' doggy is back and ready for a dance party with you . . . and a whole new math-lovin' doggy crew ! Groovy Joe is totally fun.He's a tail-wagging, song singing party of one!And he rocks like this:Disco party bow wow!#1 New York Times bestsellers-Eric Litwin (Pete the Cat: I Love My White Shoes) and Tom Lichtenheld (Goodnight, Goodnight, Construction Site) are back in another groovy story that will have little ones singing, dancing, and learning math to a whole new beat. In his second book, Groovy Joe has a dance party. But Oh no! More and more doggies are knocking on his door, asking to come in. Will there be enough room for everyone? Joe knows just what to do, and soon enough, he has everyone moving and grooving -- the party has only just begun! Signature rhyme, repetition, and musical writing style, combined with wild and witty illustrations infused and gentle math concepts, come together to create an unforgettable new Groovy Joe story all about positivity, creativity, math, and kindness. Groovy Joe is back, ready to get groovy!
Publisher: Scholastic Inc.
ISBN: 1338184660
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Knock! Knock! Groovy Joe, the fun-lovin', guitar-strummin' easy goin' doggy is back and ready for a dance party with you . . . and a whole new math-lovin' doggy crew ! Groovy Joe is totally fun.He's a tail-wagging, song singing party of one!And he rocks like this:Disco party bow wow!#1 New York Times bestsellers-Eric Litwin (Pete the Cat: I Love My White Shoes) and Tom Lichtenheld (Goodnight, Goodnight, Construction Site) are back in another groovy story that will have little ones singing, dancing, and learning math to a whole new beat. In his second book, Groovy Joe has a dance party. But Oh no! More and more doggies are knocking on his door, asking to come in. Will there be enough room for everyone? Joe knows just what to do, and soon enough, he has everyone moving and grooving -- the party has only just begun! Signature rhyme, repetition, and musical writing style, combined with wild and witty illustrations infused and gentle math concepts, come together to create an unforgettable new Groovy Joe story all about positivity, creativity, math, and kindness. Groovy Joe is back, ready to get groovy!
Winter Dance
Author: Marion Dane Bauer
Publisher: Houghton Mifflin Harcourt
ISBN: 0544313348
Category : Juvenile Fiction
Languages : en
Pages : 43
Book Description
A fox wonders how he should prepare for the coming winter, but what other animals advise will not work for him until another fox comes to his aid.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544313348
Category : Juvenile Fiction
Languages : en
Pages : 43
Book Description
A fox wonders how he should prepare for the coming winter, but what other animals advise will not work for him until another fox comes to his aid.
Winterdance
Author: Gary Paulsen
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156001458
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Paulsen and his team of dogs endured snowstorms, frostbite, dogfights, moose attacks, sleeplessness, and hallucinations in the relentless push to go on. Map and color photographs.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156001458
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Paulsen and his team of dogs endured snowstorms, frostbite, dogfights, moose attacks, sleeplessness, and hallucinations in the relentless push to go on. Map and color photographs.
Remembering Popular Musics Past
Author: Lauren Istvandity
Publisher: Anthem Press
ISBN: 1783089709
Category : Music
Languages : en
Pages : 256
Book Description
Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.
Publisher: Anthem Press
ISBN: 1783089709
Category : Music
Languages : en
Pages : 256
Book Description
Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.
The Winter Dance Party Murders
Author: Greg Herriges
Publisher:
ISBN: 9781877655265
Category : Rock musicians
Languages : en
Pages : 0
Book Description
One-hit wonder Rudy Keen is talking at last, and what he has to say about the seedy underside of the rock & roll world of the 50s & 60s will shake, rattle, and roll the recording industry down to its core, and shock die-hard fans. Rock legends Sam Cooke, Eddie Cochram, Gene Vincent, Ritchie Valens, the Big Bopper, Brian Jones, all murdered! But hold the presses for the really big news -- Buddy Holly survived that airplane crash in 1959.
Publisher:
ISBN: 9781877655265
Category : Rock musicians
Languages : en
Pages : 0
Book Description
One-hit wonder Rudy Keen is talking at last, and what he has to say about the seedy underside of the rock & roll world of the 50s & 60s will shake, rattle, and roll the recording industry down to its core, and shock die-hard fans. Rock legends Sam Cooke, Eddie Cochram, Gene Vincent, Ritchie Valens, the Big Bopper, Brian Jones, all murdered! But hold the presses for the really big news -- Buddy Holly survived that airplane crash in 1959.
Rock and Roll Fantasy?
Author: Ronnie Phillips,
Publisher: Springer Science & Business Media
ISBN: 1461459001
Category : Business & Economics
Languages : en
Pages : 144
Book Description
We are in an era where developments in both technology and musical style have coalesced to produce the greatest period of change in the music industry since the invention of recorded sound. Globalization, the Internet, and digital technology are now opening up possibilities for more artists to be innovative and financially successful. But new music requires new ways of doing business. For more artists to be better off requires new business models to replace those that dominated the 20th century. Integrating insights from economics, management, and intellectual property law, the author explores the dynamics of entrepreneurship and innovation in the music industry, and offers such provocative assessments as these: · The Beatles might never have broken up if they had the kind of two-tier contracts – as band members and as solo artists – that are common in the music industry today. · Buddy Holly would likely have avoided his tragic death in a plane crash at age 22 if his 1959 tour had been sponsored by a company like Coca Cola because today’s corporatized tours are vastly better financed and organized than the haphazard efforts of the 1950s. · The economic value of albums by the likes of Elvis and Michael Jackson has risen significantly since their deaths – the ironic byproduct of the way their behavior tarnished their own brands while they were alive. · Diana Ross might never have quit The Supremes if she had known that one-third of the artists in the 1960s who quit the group had charting careers of only one year. · Thomas Edison’s invention of the phonograph led to the modern record industry, but he is really the godfather of computer programs like Garageband which have created home recording studios. The collapse of the Soviet Union threatened the sound of rock and roll but an American entrepreneur saved the day.
Publisher: Springer Science & Business Media
ISBN: 1461459001
Category : Business & Economics
Languages : en
Pages : 144
Book Description
We are in an era where developments in both technology and musical style have coalesced to produce the greatest period of change in the music industry since the invention of recorded sound. Globalization, the Internet, and digital technology are now opening up possibilities for more artists to be innovative and financially successful. But new music requires new ways of doing business. For more artists to be better off requires new business models to replace those that dominated the 20th century. Integrating insights from economics, management, and intellectual property law, the author explores the dynamics of entrepreneurship and innovation in the music industry, and offers such provocative assessments as these: · The Beatles might never have broken up if they had the kind of two-tier contracts – as band members and as solo artists – that are common in the music industry today. · Buddy Holly would likely have avoided his tragic death in a plane crash at age 22 if his 1959 tour had been sponsored by a company like Coca Cola because today’s corporatized tours are vastly better financed and organized than the haphazard efforts of the 1950s. · The economic value of albums by the likes of Elvis and Michael Jackson has risen significantly since their deaths – the ironic byproduct of the way their behavior tarnished their own brands while they were alive. · Diana Ross might never have quit The Supremes if she had known that one-third of the artists in the 1960s who quit the group had charting careers of only one year. · Thomas Edison’s invention of the phonograph led to the modern record industry, but he is really the godfather of computer programs like Garageband which have created home recording studios. The collapse of the Soviet Union threatened the sound of rock and roll but an American entrepreneur saved the day.
Everybody's Heard about the Bird
Author: Rick Shefchik
Publisher: U of Minnesota Press
ISBN: 1452949743
Category : Music
Languages : en
Pages : 465
Book Description
If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.
Publisher: U of Minnesota Press
ISBN: 1452949743
Category : Music
Languages : en
Pages : 465
Book Description
If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.
Hey Buddy
Author: Gary W. Moore
Publisher: Savas Beatie
ISBN: 1611210631
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
The “thoroughly fun . . . [and] crazy good” memoir about one man’s life and how it was changed by the legacy of a rockabilly legend (Chicago Sun-Times). Buddy Holly, icon: black horn-rimmed glasses, blue jeans, a white T-shirt, white socks, loafers, and “Peggy Sue.” Not so much to Gary W. Moore. Admitting he “grew up in a Rock & Roll vacuum,” Gary favored jazz. He couldn’t name a single Buddy Holly song. Buddy Rich? Yes. But that changed in a single evening when Gary was dragged along to a Winter Dance Party in Cedar Falls, Iowa—a tribute to Buddy’s final, tragic 1959 tour. It was headlined by musician extraordinaire John Mueller, whose uncanny recreation of the legend was hailed by Buddy’s own brother Travis as “the best I’ve ever seen.” It took just one song to seize Gary’s heart and soul. From then on, for Gary, it was everything Buddy. In this inspiring “rock-and-rollercoaster of a read”, Moore shares his personal journey to learn more about Buddy’s life, music, his influence, his impact, and the times in which he lived (Bill Guertin, author of Reality Sells). He’d meet Buddy’s friends and family, celebrities, Buddy Holly fans, and make a new friend himself in John Mueller. The result is “as American as apple pie and as compelling as Don McLean’s legendary hit about The Day the Music Died” (James Riordan, New York Times–bestselling author).
Publisher: Savas Beatie
ISBN: 1611210631
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
The “thoroughly fun . . . [and] crazy good” memoir about one man’s life and how it was changed by the legacy of a rockabilly legend (Chicago Sun-Times). Buddy Holly, icon: black horn-rimmed glasses, blue jeans, a white T-shirt, white socks, loafers, and “Peggy Sue.” Not so much to Gary W. Moore. Admitting he “grew up in a Rock & Roll vacuum,” Gary favored jazz. He couldn’t name a single Buddy Holly song. Buddy Rich? Yes. But that changed in a single evening when Gary was dragged along to a Winter Dance Party in Cedar Falls, Iowa—a tribute to Buddy’s final, tragic 1959 tour. It was headlined by musician extraordinaire John Mueller, whose uncanny recreation of the legend was hailed by Buddy’s own brother Travis as “the best I’ve ever seen.” It took just one song to seize Gary’s heart and soul. From then on, for Gary, it was everything Buddy. In this inspiring “rock-and-rollercoaster of a read”, Moore shares his personal journey to learn more about Buddy’s life, music, his influence, his impact, and the times in which he lived (Bill Guertin, author of Reality Sells). He’d meet Buddy’s friends and family, celebrities, Buddy Holly fans, and make a new friend himself in John Mueller. The result is “as American as apple pie and as compelling as Don McLean’s legendary hit about The Day the Music Died” (James Riordan, New York Times–bestselling author).