Author: Vernon Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
The Virgin of the Seven Daggers
Author: Vernon Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
Book Description
The Virgin of the Seven Daggers
Author: Vernon Lee
Publisher: Penguin UK
ISBN: 0141900172
Category : Fiction
Languages : en
Pages : 173
Book Description
He lusts and kills in equal measure. The brutal Don Juan – an unrepentant sinner – makes a pact with the Virgin of the Seven Daggers. He promises to forever proclaim her supreme beauty and asks that in return she save him from damnation. Emboldened by the deal and driven by insatiable greed, he embarks on a necromantic journey to an enchanted palace beneath the Alhambra. In an orgy of beasts, demons and slumbering infantas Don Juan is called upon to uphold his side of the bargain and in doing so lose everything his lustful heart desires.
Publisher: Penguin UK
ISBN: 0141900172
Category : Fiction
Languages : en
Pages : 173
Book Description
He lusts and kills in equal measure. The brutal Don Juan – an unrepentant sinner – makes a pact with the Virgin of the Seven Daggers. He promises to forever proclaim her supreme beauty and asks that in return she save him from damnation. Emboldened by the deal and driven by insatiable greed, he embarks on a necromantic journey to an enchanted palace beneath the Alhambra. In an orgy of beasts, demons and slumbering infantas Don Juan is called upon to uphold his side of the bargain and in doing so lose everything his lustful heart desires.
The Encyclopedia of Fantasy
Author: John Clute
Publisher: Macmillan
ISBN: 9780312198695
Category : Art
Languages : en
Pages : 1110
Book Description
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
Publisher: Macmillan
ISBN: 9780312198695
Category : Art
Languages : en
Pages : 1110
Book Description
Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.
Hauntings and Other Fantastic Tales
Author: Vernon Lee
Publisher: Broadview Press
ISBN: 9781551115788
Category : Fiction
Languages : en
Pages : 384
Book Description
Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.
Publisher: Broadview Press
ISBN: 9781551115788
Category : Fiction
Languages : en
Pages : 384
Book Description
Vernon Lee writes in the Preface to Hauntings, “My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.
The Cambridge History of Twentieth-Century English Literature
Author: Laura Marcus
Publisher: Cambridge University Press
ISBN: 9780521820776
Category : Literary Criticism
Languages : en
Pages : 912
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521820776
Category : Literary Criticism
Languages : en
Pages : 912
Book Description
Publisher Description
The Shape of Fear
Author: Susan Jennifer Navarette
Publisher: University Press of Kentucky
ISBN: 0813147948
Category : Social Science
Languages : en
Pages : 327
Book Description
During the last decades of the nineteenth century, Charles Darwin, Thomas Henry Huxley, Walter Pater and others changed the nature of thought concerning the human body and the physical environment that had shaped it. In response, the 1890s saw the publication of a series of remarkable literary works that had their genesis in the intense scientific and aesthetic activity of those preceding decades—texts that emphasized themes of degeneration and were themselves stylistically decompositive, with language both a surrogate for physical deformity and a source of anxiety. Susan J. Navarette examines the ways in which scientific and cultural concerns of late nineteenth-century England are coded in the horror literature of the period. By contextualizing the structural, stylistic, and thematic systems developed by writers seeking to reenact textually the entropic forces they perceived in the natural world, Navarette reconstructs the late Victorian mentalité. She analyzes aesthetic responses to trends in contemporary science and explores horror writers' use of scientific methodologies to support their perception that a long-awaited period of cultural decline had begun. In her analysis of the classics Turn of the Screw and Heart of Darkness, Navarette shows how James and Conrad made artistic use of earlier "scientific" readings of the body. She also considers works by lesser-known authors Walter de la Mare, Vernon Lee, and Arthur Machen, who produced fin de siècle stories that took the form of "hybrid literary monstrosities." To underscore the fascination with bodily decay and deformation that these writers explored, The Shape of Fear is enhanced with prints and line drawings by Victor Hugo, James Ensor, and other artists of the day. This elegantly written book formulates a new canon of late Victorian fiction that will intrigue scholars of literature and cultural history.
Publisher: University Press of Kentucky
ISBN: 0813147948
Category : Social Science
Languages : en
Pages : 327
Book Description
During the last decades of the nineteenth century, Charles Darwin, Thomas Henry Huxley, Walter Pater and others changed the nature of thought concerning the human body and the physical environment that had shaped it. In response, the 1890s saw the publication of a series of remarkable literary works that had their genesis in the intense scientific and aesthetic activity of those preceding decades—texts that emphasized themes of degeneration and were themselves stylistically decompositive, with language both a surrogate for physical deformity and a source of anxiety. Susan J. Navarette examines the ways in which scientific and cultural concerns of late nineteenth-century England are coded in the horror literature of the period. By contextualizing the structural, stylistic, and thematic systems developed by writers seeking to reenact textually the entropic forces they perceived in the natural world, Navarette reconstructs the late Victorian mentalité. She analyzes aesthetic responses to trends in contemporary science and explores horror writers' use of scientific methodologies to support their perception that a long-awaited period of cultural decline had begun. In her analysis of the classics Turn of the Screw and Heart of Darkness, Navarette shows how James and Conrad made artistic use of earlier "scientific" readings of the body. She also considers works by lesser-known authors Walter de la Mare, Vernon Lee, and Arthur Machen, who produced fin de siècle stories that took the form of "hybrid literary monstrosities." To underscore the fascination with bodily decay and deformation that these writers explored, The Shape of Fear is enhanced with prints and line drawings by Victor Hugo, James Ensor, and other artists of the day. This elegantly written book formulates a new canon of late Victorian fiction that will intrigue scholars of literature and cultural history.
Rome in the Nineteenth Century
Author: Charlotte Anne Waldie Eaton
Publisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 500
Book Description
The Spirit of the English Magazines
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 502
Book Description
Spirit of the English Magazines
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
Art and the Transitional Object in Vernon Lee's Supernatural Tales
Author: Patricia Pulham
Publisher: Routledge
ISBN: 1351957104
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
In her persuasively argued study, Patricia Pulham astutely combines psychoanalytic theory with socio-historical criticism to examine a selection of fantastic tales by the female aesthete and intellectual Vernon Lee (Violet Paget, 1856-1935). Lee's own definition of the supernatural in the preface to Hauntings questions the nature of the 'genuine ghost', and argues that this figure is not found in the Society of Psychical Research but in our own psyches, where it functions as a mediator between past and present. Using D.W. Winnicott's 'transitional object' theory, which maintains that adults transfer their childhood engagement with toys to art and cultural artifacts, Pulham argues that the prevalence of the past in Lee's tales signifies not only an historical but a psychic past. Thus the 'ghosts' that haunt Lee's supernatural fiction, as well as her aesthetic, psychological, and historical writings, held complex meanings for her that were fundamental to her intellectual development and allowed her to explore alternative identities that permit the expression of transgressive sexualities.
Publisher: Routledge
ISBN: 1351957104
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
In her persuasively argued study, Patricia Pulham astutely combines psychoanalytic theory with socio-historical criticism to examine a selection of fantastic tales by the female aesthete and intellectual Vernon Lee (Violet Paget, 1856-1935). Lee's own definition of the supernatural in the preface to Hauntings questions the nature of the 'genuine ghost', and argues that this figure is not found in the Society of Psychical Research but in our own psyches, where it functions as a mediator between past and present. Using D.W. Winnicott's 'transitional object' theory, which maintains that adults transfer their childhood engagement with toys to art and cultural artifacts, Pulham argues that the prevalence of the past in Lee's tales signifies not only an historical but a psychic past. Thus the 'ghosts' that haunt Lee's supernatural fiction, as well as her aesthetic, psychological, and historical writings, held complex meanings for her that were fundamental to her intellectual development and allowed her to explore alternative identities that permit the expression of transgressive sexualities.