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Author: David A. Caccioli
Publisher: BRILL
ISBN: 9004172300
Category : Art
Languages : en
Pages : 253
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Book Description
The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
Author: David A. Caccioli
Publisher: BRILL
ISBN: 9004172300
Category : Art
Languages : en
Pages : 253
Get Book Here
Book Description
The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
Author: David Caccioli
Publisher: BRILL
ISBN: 9047425774
Category : Art
Languages : en
Pages : 252
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Book Description
The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
Author: Sinclair Bell
Publisher: John Wiley & Sons
ISBN: 1118352742
Category : Literary Criticism
Languages : en
Pages : 532
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Book Description
This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholars Offers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveries Reassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and more Counters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity
Author: Otto Brendel
Publisher: Yale University Press
ISBN: 0300064462
Category : Art
Languages : en
Pages : 361
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Book Description
This volume--the first serious book in English on Etruscan art--was hailed for its broad scope, thorough knowledge, and clear exposition when it was published almost twenty years ago. Now brought back into print with an updated bibliography and bibliographical essay by Francesca R. Serra Ridgway, it remains an essential introduction for anyone interested in ancient art, history, and civilization. Otto Brendel's exploration of the art, culture, and society of Etruria takes us through its four main periods of creativity: the Villanovan and Orientalizing era, the Archaic era, the Classical era, and the Hellenistic era, when Etruscan art became extinct. According to Brendel, the Etruscans were deeply influenced by Greek styles but used Greek forms and concepts to further their own purposes. Etruscan art is a private art, aristocratic and luxurious but centered in the life of the family and a continuing life in the tomb. Many of the art forms and objects discussed--ceramics, metalware, jewelry, sculpture, and wall painting--are known to us through the discovery of tombs. Most of these objects had a clearly defined function but were also designed, with a high degree of quality and craftsmanship, to be decorative. The beautiful art of the Etruscans, illustrated and explained in this book, sheds much light on a people about whom we know little.
Author: Richard Daniel De Puma
Publisher: Metropolitan Museum of Art
ISBN: 1588394859
Category : Art
Languages : en
Pages : 360
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Book Description
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : un
Pages : 1124
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Book Description
Annual bulletin of classical archaeology.
Author:
Publisher: BRILL
ISBN: 9789004059320
Category : Art
Languages : en
Pages : 140
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Book Description
Based on the author's thesis, University of Oxford.
Author: John Franklin Hall
Publisher: Indiana University Press
ISBN: 9780842523349
Category : History
Languages : en
Pages : 458
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Book Description
Livy describes the Etruscans as filling the whole of ancient Italy with their power and influence. While Etruscan rule throughout large parts of the Italian peninsula endured for but a few centuries, Etruscan influence was so extensive that in some respects it continues into the present. Outside the Etruscan heartland, Rome itself was perhaps the best preserver of things Etruscan. The fourteen essays comprising this volume explore Etruscan Italy and examine the influence exerted by Etruscan civilization upon the cultures of Italy in Roman and post-Roman times. Represented are contributions from various disciplines which converge to employ multiple methodologies in a comprehensive approach to delineating the enduring themes of Etruscan Italy.
Author: Larissa Bonfante
Publisher: University of Michigan Press
ISBN: 0472119893
Category : Art
Languages : en
Pages : 409
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Book Description
A comprehensive presentation of the ancient and diverse artifacts from the American Academy in Rome's collection.
Author: Lauren Elizabeth Talalay
Publisher: Kelsey Museum Publications
ISBN: 9780990662334
Category : Antiquities
Languages : en
Pages : 0
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Book Description
Passionate Curiosities explores the collections held in the University of Michigan's Kelsey Museum of Archaeology through the lens of the people whose intellectual interests, financial backing, and social networks brought artifacts to Ann Arbor from the 1880s to the 1990s. Through purchases and expeditions, these individuals shaped the Museum's internationally recognized antiquities from the ancient civilizations of Greece, Rome, North Africa, Egypt, and the Near East, extensive photographic documentation of these regions from the early 1900s, and significant assemblages of early Christian and Islamic visual culture. An intriguing array of personalities--from archaeologists, missionaries, and diplomats to industrialists, bankrollers, and inventors--weave through these pages. They include Ernst Herzfeld, the eminent Orientalist who helped forge antiquities legislation in Iran; Luigi Cesnola, the rapacious harvester of Cypriot sites; Esther Van Deman, the pioneering feminist and scholar of Roman construction techniques; and Samuel Goudsmit, the renowned nuclear physicist and avid Egyptologist. World-famous dealers who established standards in antiquities connoisseurship likewise populate these sagas. Readers will encounter Edgar J. Banks, a swashbuckling purveyor of Mesopotamian antiquities and entrepreneur of biblical documentary films; Maurice Nahman, the "lion of Cairo"; and the colorful members of the Tano dealer dynasty in Egypt. This copiously illustrated book will interest general readers as well as scholars curious about the holdings of the Kelsey, early collectors and dealers, and the history of museums.
