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Author: Zoe Lehmann Imfeld
Publisher: Springer
ISBN: 3319302191
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism – as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James.
Author: Zoe Lehmann Imfeld
Publisher: Springer
ISBN: 3319302191
Category : Literary Criticism
Languages : en
Pages : 197
Get Book Here
Book Description
This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism – as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James.
Author: Zoe Lehmann Imfeld
Publisher: Palgrave Macmillan
ISBN: 9783319302188
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism – as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James.
Author: J. Jeffrey Franklin
Publisher: Cornell University Press
ISBN: 1501715461
Category : History
Languages : en
Pages : 287
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Book Description
Orthodox Christianity, scientific materialism, and alternative religions -- The evolution of occult spirituality in Victorian England and the representative case of Edward Bulwer-Lytton -- Anthony Trollope's religion : the orthodox/heterodox boundary -- The influences of Buddhism and comparative religion on Matthew Arnold's theology -- Interpenetration of religion and national politics in Great Britain and Sri Lanka : William Knighton's Forest life in Ceylon -- Identity, genre, and religion in Anna Leonowens' The English governess at the Siamese court -- Ancient Egyptian religion in late-Victorian England -- The economics of immortality : the demi-immortal Oriental, Enlightenment vitalism, and political economy in Bram Stoker's Dracula -- Conclusion : from Victorian occultism to new age spiritualities
Author: Emily Alder
Publisher: Springer Nature
ISBN: 3030326527
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This book explores how nineteenth-century science stimulated the emergence of weird tales at the fin de siècle, and examines weird fiction by British writers who preceded and influenced H. P. Lovecraft, the most famous author of weird fiction. From laboratory experiments, thermodynamics, and Darwinian evolutionary theory to psychology, Theosophy, and the ‘new’ physics of atoms and forces, science illuminated supernatural realms with rational theories and practices. Changing scientific philosophies and questioning of traditional positivism produced new ways of knowing the world—fertile borderlands for fictional as well as real-world scientists to explore. Reading Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886) as an inaugural weird tale, the author goes on to analyse stories by Arthur Machen, Edith Nesbit, H. G. Wells, William Hope Hodgson, E. and H. Heron, and Algernon Blackwood to show how this radical fantasy mode can be scientific, and how sciences themselves were often already weird.
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
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Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Author: Jonathan Greenaway
Publisher: Bloomsbury Publishing USA
ISBN: 150135180X
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.
Author: Brandon R. Grafius
Publisher: Lexington Books
ISBN: 1978707991
Category : Religion
Languages : en
Pages : 252
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Book Description
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
Author: Zoë Lehmann Imfeld
Publisher: Bloomsbury Publishing
ISBN: 0567680177
Category : Religion
Languages : en
Pages : 201
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Book Description
This volume collects an international body of voices, as a timely response to a rapidly advancing field of the natural sciences. The contributors explore how the disciplines of theology, earth and space sciences contribute to the debate on constantly expanding ethical challenges, and the prospect of humanity's future. The discussions offered in this volume see the 'community' as central to a sustainable and ethical approach to earth and space sciences, examining the role of theology in this communal approach, but also recognizing theology itself as part of a community of humanity disciplines. Examining the necessity for interaction between disciplines, this collection draws on voices from biodiversity studies, geology, aesthetics, literature, astrophysics, and others, to illustrate precisely why a constructive and sustainable dialogue is needed within the current scientific climate.
Author: Garrick V. Allen
Publisher: SCM Press
ISBN: 0334055261
Category : Religion
Languages : en
Pages : 247
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Book Description
Drawing upon the pioneering work of the British theologian David Brown who argues for a non-static, ‘moving text’ that reaches beyond the biblical canon, this volume brings together twelve interdisciplinary essays, as well as a response from Brown. With essays ranging from New Testament textual criticism to the fiction of David Foster Wallace, The Moving Text provides an introduction to Brown and the Bible that will be of interest to undergraduate and postgraduate students, as well as specialists in a wide range of fields. Contributions include: Ian Boxall (The Catholic University of America) "From the Magi to Pilate's Wife: David Brown, Tradition and the Reception of Matthew's Text," Robert MacSwain (The University of the South) "David Brown and Eleonore Stump on Biblical Interpretation," Aaron Rosen (Rocky Mountain College) "Revisions of Sacrifice: Abraham in Art and Interfaith Dialogue," Dennis F. Kinlaw III (Houston Baptist University) "The Forms of Faith in Contemporary American Fiction".
Author: Alison Milbank
Publisher: Oxford University Press
ISBN: 019255784X
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.
