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Author: J.-K. Huysmans
Publisher: University Press of Kentucky
ISBN: 0813194687
Category : Fiction
Languages : en
Pages : 217
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Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: J.-K. Huysmans
Publisher: University Press of Kentucky
ISBN: 0813194687
Category : Fiction
Languages : en
Pages : 217
Get Book Here
Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: J.-K. Huysmans
Publisher: University Press of Kentucky
ISBN: 0813163471
Category : Fiction
Languages : en
Pages : 183
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Book Description
Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K. Huysmans' second novel. Huysmans abandoned poetry and turned to the novel at a time when the works of Emile Zola were intensely controversial; Les Soeurs Vatard is dedicated to Zola by "his fervent admirer and devoted friend." In it, Huysmans vividly depicts the scene that for his generation of French writers stood for the contemporary world: the brutal, teeming life of the industrial quarters of Paris in the 1870s. Huysmans' Vatard sisters are "Désirée, an urchin of fifteen, a brunette with large, pale eyes that were somewhat crossed, plump without being fat, attractive and clean; and Céline, the carouser, a big girl with clear eyes and hair the color of straw, a solid, vigorous girl whose blood raced and danced in her veins." The two are part of that "bizarre race of young women" who work as bookbinders, whose lives revolve around the gaslighted bindery works, the gaudy shop windows, and cheap wineshops that Huysmans describes with minute and colorful detail. His precisely observed sketches show that Naturalism as practiced by Buysmans had none of Zola' s emphasis on "scientific" determinism, but centered primarily on the faithful rendering of what he described as "living persons in real milieus." The Vatard Sisters is the first English translation of Les Soeurs Vatard.
Author: Paul Signac
Publisher: Metropolitan Museum of Art
ISBN: 0870999982
Category : Neo-impressionism (Art)
Languages : en
Pages : 354
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Book Description
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Author: Elisabeth M. Donato
Publisher: Peter Lang
ISBN: 9780820455785
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This investigation of J.-K. Huysmans' representation of temporality sheds light on the complex and paradoxical nature of this late-nineteenth-century novelist and art critic, who was a modernist steeped in nostalgia as well as a nostalgic steeped in modernity. To unveil and understand the mechanisms and logic of this paradox, Elisabeth M. Donato examines Huysmans' characters' dealings with measured time and schedules, investigates the failure of des Esseintes' aesthetic experiment, and relates the novelist's construct of «spiritualist naturalism» to his increasingly frequent and intense longings for his own medieval utopia. Donato's new perspective onto the intricate relationship between modernity and nostalgia underscores Huysmans' firm and very modern stance à rebours of commonality in his never ending search for a solution to his dilemma.
Author: Wintle Justin
Publisher: Routledge
ISBN: 1134094531
Category : History
Languages : en
Pages : 906
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Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salmon Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida, Julia Kristeva with Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Robert Ziegler
Publisher: University of Delaware Press
ISBN: 9780874138733
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Using a multidisciplinary approach, this book argues that the operation of art-as-mirror is the key to the hidden unity of Huysmans' fiction. The author claims that only the elimination of Huysmans' stylistic distortions enabled his art finally to become faithful and clear.
Author: J.-K. Huysmans
Publisher: SCB Distributors
ISBN: 1910213640
Category : Fiction
Languages : en
Pages : 85
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Book Description
The misfortunes of Jean Folantin, a downtrodden clerk working for the Ministry of the Interior in Paris, form the subject of J.-K. Huysmans’ blackly comic novella, Drifting (À vau-l’eau). At first glance, Folantin’s problems seem to be a world away from those of Jean Floressas des Esseintes, the aristocratic anti-hero of Huysmans’ Decadent classic Against Nature, written just two years later in 1884. But the two men share more than just a first name: like des Esseintes, Folantin is in the throes of an existential crisis: alienated from a Paris undergoing rapid modernisation, the pace of social change leaves him feeling out of place, impotent, a small cog in an impersonal commercial world. Through the distorting lens of Huysmans’ dark sense of humour, the dyspeptic Folantin is transformed into a modern-day Ulysses, and his tortuous quest through the streets of Haussmann’s Paris to find a capable housekeeper and a decent meal reaches its conclusion in one of the most daring anti-climaxes – literally speaking – in the whole of nineteenth century fiction. This new translation by Brendan King includes, for the first time in English, a contemporary profile of Huysmans’ life and work in which the author plays both interviewer and interviewee, and which was published pseudonymously for the journal, Les Hommes d’aujourd’hui (Men of Today) in 1885. “[The] Iliad of indigestion.” James Huneker, Unicorns
Author: DK
Publisher: Penguin
ISBN: 0593847652
Category : Biography & Autobiography
Languages : en
Pages : 1328
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Book Description
Explore the fascinating lives and loves of the greatest novelists, poets, and playwrights. Lavishly illustrated with photographs and paintings of writers’ homes, studies, and personal artifacts—along with pages from original manuscripts, first editions, and their correspondence—Writers Who Changed History introduces the key ideas, themes, and literary techniques of each writer, revealing the imaginations and personalities behind some of the world’s greatest novels, short stories, poems, and plays. Introduced with a stunning portrait of each featured novelist, playwright, or poet, biographical entries trace the friendships, loves, and rivalries that inspired each individual and influenced their work, revealing insights into the larger-than-life characters, plots, and evocative settings that they created. Each entry explains how the person’s writing developed during their lifetime and sets it in context, conveying a powerful sense of the place and the period of history in which they lived. Covering an eclectic range of authors from the Middle Ages to the present day, Writers Who Changed History provides a compelling glimpse of the lives and loves of each great writer.
Author: DK
Publisher: Penguin
ISBN: 1465483489
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
Explore the fascinating lives and loves of the greatest novelists, poets, and playwrights. From William Shakespeare and Jane Austen to Gabriel García Márquez and Toni Morrison, Writers explores more than 100 biographies of the world's greatest writers. Each featured novelist, playwright, or poet is introduced by a stunning portrait, followed by photography and illustrations of locations and artifacts important in their lives - along with pages from original manuscripts, first editions, and their correspondence. Trace the friendships, loves, and rivalries that inspired each individual and affected their writing, revealing insights into the larger-than-life characters, plots, and evocative settings that they created. You will also uncover details each writer's most famous pieces and understand the times and cultures they lived in - see how the world influenced them and how their works influenced the world. Writers introduces key ideas, themes, and literary techniques of each figure, revealing the imaginations and personalities behind some of the world's greatest novels, short stories, poems, and plays. A diverse variety of authors are covered, from the Middle Ages to present day, providing a compelling glimpse into the lives of the people behind the page.
Author: Temma Balducci
Publisher: Routledge
ISBN: 1351819836
Category : Art
Languages : en
Pages : 287
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Book Description
Charles Baudelaire’s flâneur, as described in his 1863 essay "The Painter of Modern Life," remains central to understandings of gender, space, and the gaze in late nineteenth-century Paris, despite misgivings by some scholars. Baudelaire’s privileged and leisurely figure, at home on the boulevards, underlies theorizations of bourgeois masculinity and, by implication, bourgeois femininity, whereby men gaze and roam urban spaces unreservedly while women, lacking the freedom to either gaze or roam, are wedded to domesticity. In challenging this tired paradigm and offering fresh ways to consider how gender, space, and the gaze were constructed, this book attends to several neglected elements of visual and written culture: the ubiquitous male beggar as the true denizen of the boulevard, the abundant depictions of well-to-do women looking (sometimes at men), the popularity of windows and balconies as viewing perches, and the overwhelming emphasis given by both male and female artists to domestic scenes. The book’s premise that gender, space, and the gaze have been too narrowly conceived by a scholarly embrace of Baudelaire’s flâneur is supported across the cultural spectrum by period sources that include art criticism, high and low visual culture, newspapers, novels, prescriptive and travel literature, architectural practices, interior design trends, and fashion journals.
