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Author: Eric Gordon
Publisher: UPNE
ISBN: 1584658037
Category : Photography
Languages : en
Pages : 242
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Book Description
How conceptions of the American city changed in response to new media technologies
Author: Eric Gordon
Publisher: UPNE
ISBN: 1584658037
Category : Photography
Languages : en
Pages : 242
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Book Description
How conceptions of the American city changed in response to new media technologies
Author: Dana Brand
Publisher: Cambridge University Press
ISBN: 9780521362078
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Dana Brand traces the origin of the flaneur to seventeenth-century English literature and to nineteenth-century American literature.
Author: Martin Aurand
Publisher:
ISBN: 9780822942887
Category : Architecture
Languages : en
Pages : 232
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Book Description
The Spectator and the Topographical City examines Pittsburgh’s built environment as it relates to the city’s unique topography. Martin Aurand explores the conditions present in the natural landscape that led to the creation of architectural forms; man’s response to an unruly terrain of hills, hollows, and rivers. From its origins as a frontier fortification to its heyday of industrial expansion; through eras of City Beautiful planning and urban Renaissance to today’s vision of a green sustainable city; Pittsburgh has offered environmental and architectural experiences unlike any other place. Aurand adopts the viewpoint of the spectator to study three of Pittsburgh’s “terrestrial rooms”: the downtown Golden Triangle; the Turtle Creek Valley with its industrial landscape; and Oakland, the cultural and university district. He examines the development of these areas and their significance to our perceptions of a singular American city, shaped to its topography.
Author: P.D. Smith
Publisher: Bloomsbury Publishing USA
ISBN: 1608197069
Category : History
Languages : en
Pages : 403
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Book Description
For the first time in the history of the planet, more than half the population - 3.3 billion people - are now living in cities. Two hundred years ago only 3 per cent of the world's population were urbanites, a figure that had remained fairly stable (give or take the occasional plague) for about 1000 years. By 2030, 60 per cent of us will be urban dwellers. City is the ultimate handbook for the archetypal city and contains main sections on 'History', 'Customs and Language', 'Districts', 'Transport', 'Money', 'Work', 'Tourist Sites', 'Shops and markets', 'Nightlife', etc., and mini-essays on anything and everything from Babel, Tenochtitlán and Ellis Island to Beijing, Mumbai and New York, and from boulevards, suburbs, shanty towns and favelas, to skylines, urban legends and the sacred. Drawing on a wide range of examples from cities across the world and throughout history, it explores the reasons why people first built cities and why urban populations are growing larger every year. City is illustrated throughout with a range of photographs, maps and other illustrations.
Author: Wendy Bellion
Publisher: UNC Press Books
ISBN: 080783890X
Category : Art
Languages : en
Pages : 384
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Book Description
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
Author: Debbie Lelekis
Publisher: Lexington Books
ISBN: 1498506364
Category : Literary Criticism
Languages : en
Pages : 127
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Book Description
American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy—the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually. This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd's vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.
Author: Zhen Zhang
Publisher: Duke University Press
ISBN: 9780822340744
Category : Performing Arts
Languages : en
Pages : 468
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Book Description
DIVAn anthology that explores film works by the "urban generation,"--filmmakers who operate outside of "mainstream" (officially sanctioned) Chinese cinema -- whose impact has been enormous./div
Author: Jacqueline Najuma Stewart
Publisher: Univ of California Press
ISBN: 9780520936409
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.
Author: Benjamin Fraser
Publisher: Bucknell University Press
ISBN: 1611485746
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio López has long cultivated a reputation for impressive urban scenes—but it is urban time that is his real subject. Going far beyond mere artist biography, Benjamin Fraser explores the relevance of multiple disciplines to an understanding of the painter’s large-scale canvasses. Weaving selected images together with their urban referents—and without ever straying too far from discussion of the painter’s oeuvre, method and reception by critics—Fraser pulls from disciplines as varied as philosophy, history, Spanish literature and film, cultural studies, urban geography, architecture, and city planning in his analyses. The book begins at ground level with one of the artist’s most recognizable images, the Gran Vía, which captures the urban project that sought to establish Madrid as an emblem of modernity. Here, discussion of the artist’s chosen painting style—one that has been referred to as a ‘hyperrealism’—is integrated with the central street’s history, the capital’s famous literary figures, and its filmic representations, setting up the philosophical perspective toward which the book gradually develops. Chapter two rises in altitude to focus on Madrid desde Torres Blancas, an urban image painted from the vantage point provided by an iconic high-rise in the north-central area of the city. Discussion of the Spanish capital’s northward expansion complements a broad view of the artist’s push into representations of landscape and allows for the exploration of themes such as political conflict, social inequality, and the accelerated cultural change of an increasingly mobile nation during the 1960s. Chapter three views Madrid desde la torre de bomberos de Vallecas and signals a turn toward political philosophy. Here, the size of the artist’s image itself foregrounds questions of scale, which Fraser paints in broad strokes as he blends discussions of artistry with the turbulent history of one of Madrid’s outlying districts and a continued focus on urban development and its literary and filmic resonance. Antonio López García’s Everyday Urban Worlds also includes an artist timeline, a concise introduction and an epilogue centering on the artist’s role in the Spanish film El sol del membrillo. The book’s clear style and comprehensive endnotes make it appropriate for both general readers and specialists alike.
Author: Xiaojing Zhou
Publisher: University of Washington Press
ISBN: 0295805420
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Asian American literature abounds with complex depictions of American cities as spaces that reinforce racial segregation and prevent interactions across boundaries of race, culture, class, and gender. However, in Cities of Others, Xiaojing Zhou uncovers a much different narrative, providing the most comprehensive examination to date of how Asian American writers - both celebrated and overlooked - depict urban settings. Zhou goes beyond examining popular portrayals of Chinatowns by paying equal attention to life in other parts of the city. Her innovative and wide-ranging approach sheds new light on the works of Chinese, Filipino, Indian, Japanese, Korean, and Vietnamese American writers who bear witness to a variety of urban experiences and reimagine the American city as other than a segregated nation-space. Drawing on critical theories on space from urban geography, ecocriticism, and postcolonial studies, Zhou shows how spatial organization shapes identity in the works of Sui Sin Far, Bienvenido Santos, Meena Alexander, Frank Chin, Chang-rae Lee, Karen Tei Yamashita, and others. She also shows how the everyday practices of Asian American communities challenge racial segregation, reshape urban spaces, and redefine the identity of the American city. From a reimagining of the nineteenth-century flaneur figure in an Asian American context to providing a framework that allows readers to see ethnic enclaves and American cities as mutually constitutive and transformative, Zhou gives us a provocative new way to understand some of the most important works of Asian American literature.
