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Author:
Publisher:
ISBN:
Category : Newspapers in microform
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category : Newspapers in microform
Languages : en
Pages : 28
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Book Description
Author: Carol Smith
Publisher:
ISBN:
Category : Underground press
Languages : en
Pages : 32
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Book Description
Author: Arthur James Wells
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1704
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Book Description
Author: Chris Atton
Publisher: SAGE
ISBN: 9780761967712
Category : History
Languages : en
Pages : 184
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Book Description
Drawing examples from the UK and the US, this volume offers an introduction to alternative media. It includes radical media as well as newer cultural forms such as zines, fanzines, and personal Web sites.
Author: John McMillian
Publisher: Oxford University Press
ISBN: 0199717796
Category : History
Languages : en
Pages : 304
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Book Description
How did the New Left uprising of the 1960s happen? What caused millions of young people-many of them affluent and college educated-to suddenly decide that American society needed to be completely overhauled? In Smoking Typewriters, historian John McMillian shows that one answer to these questions can be found in the emergence of a dynamic underground press in the 1960s. Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young people across the country launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New, cheaper printing technologies democratized the publishing process and by the decade's end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many of those who produced and sold them-on street-corners, at poetry readings, gallery openings, and coffeehouses-became targets of harassment from local and federal authorities. With writers who actively participated in the events they described, underground newspapers captured the zeitgeist of the '60s, speaking directly to their readers, and reflecting and magnifying the spirit of cultural and political protest. McMillian pays special attention to the ways underground newspapers fostered a sense of community and played a vital role in shaping the New Left's highly democratic "movement culture." Deeply researched and eloquently written, Smoking Typewriters captures all the youthful idealism and vibrant tumult of the 1960s as it delivers a brilliant reappraisal of the origins and development of the New Left rebellion.
Author: Wade Matthews
Publisher: BRILL
ISBN: 9004253076
Category : Political Science
Languages : en
Pages : 338
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Book Description
In The New Left, National Identity, and the Break-Up of Britain Wade Matthews charts the nexus between socialism and national identity in the work of key New Left intellectuals, E.P. Thompson, Raymond Williams, Stuart Hall, Perry Anderson, and Tom Nairn. Matthews considers these New Left thinkers’ response to Britain’s various national questions, including decolonization and the End of Empire, the rise of European integration and separatist nationalisms in Scotland and Wales, and to the national and nationalist implications of Thatcherism, Cold War and the fall of communism. Matthews establishes a contestatory dialogue around these issues throughout the book based around different New Left perspectives on what has been called “the break-up of Britain.” He demonstrates that national questions where crucial to New Left debates.
Author: Christoph Grunenberg
Publisher: Liverpool University Press
ISBN: 9780853239192
Category : History
Languages : en
Pages : 392
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Book Description
Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it.
Author: Ian Peddie
Publisher: Bloomsbury Publishing USA
ISBN: 1501345389
Category : Music
Languages : en
Pages : 616
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Book Description
The Bloomsbury Handbook of Popular Music and Social Class is the first extensive analysis of the most important themes and concepts in this field. Encompassing contemporary research in ethnomusicology, sociology, cultural studies, history, and race studies, the volume explores the intersections between music and class, and how the meanings of class are asserted and denied, confused and clarified, through music. With chapters on key genres, traditions, and subcultures, as well as fresh and engaging directions for future scholarship, the volume considers how music has thought about and articulated social class. It consists entirely of original contributions written by internationally renowned scholars, and provides an essential reference point for scholars interested in the relationship between popular music and social class.
Author: Linda Jean Kenix
Publisher: A&C Black
ISBN: 1849665419
Category : Social Science
Languages : en
Pages : 225
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Book Description
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Historically, alternative media have been viewed as fundamental, albeit at times culturally peripheral, forces in social change. In this book, however, Kenix argues that these media do not uniformly subvert the hierarchies of access that are so central to mainstream media - in fact, their journalistic norms and routines have always been based on the professional standards of the mainstream. Kenix goes on to posit the perception of 'mainstream' and 'alternative' as a misconception. She argues that, although alternative media can - and do - construct distinct alternative communications, they have always existed on the same continuum as the mainstream and the two will continue to converge. Through comparative analysis, this book argues that many alternative and mainstream media are merging to create a continuous spectrum rooted in commercial ideology. Indeed, much of what is now considered alternative media actually draws very little from principles of the independent press, whereas many contemporary mainstream media now use communication techniques more commonly associated with media that do not operate for financial gain. This book puts forward a controversial but convincing argument around the relationship between alternative and mainstream media, drawing on examples from the UK, US, Australia and New Zealand to strengthen and develop the central premise.
Author: John D. H. Downing
Publisher: SAGE
ISBN: 1452238243
Category : Language Arts & Disciplines
Languages : en
Pages : 441
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Book Description
This is an entirely new edition of the author′s 1984 study (originally published by South End Press) of radical media and movements. The first and second sections are original to this new edition. The first section explores social and cultural theory in order to argue that radical media should be a central part of our understanding of media in history. The second section weaves an historical and international tapestry of radical media to illustrate their centrality and diversity, from dance and graffiti to video and the internet and from satirical prints and street theatre to culture-jamming, subversive song, performance art and underground radio. The section also includes consideration of ultra-rightist media as a key contrast case. The book′s third section provides detailed case-studies of the anti-fascist media explosion of 1974-75 in Portugal, Italy′s long-running radical media, radio and access video in the USA, and illegal media in the dissolution of the former Soviet bloc dictatorships.
