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Author: Leonard Neidorf
Publisher: Cornell University Press
ISBN: 1501708279
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of Beowulf, Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation? Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem’s transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem’s written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf’s analysis reveals that the scribes earnestly attempted to standardize and modernize the text’s orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien’s Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien’s general views on the transmission of Beowulf and evaluates his position on various textual issues.
Author: Leonard Neidorf
Publisher: Cornell University Press
ISBN: 1501708279
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of Beowulf, Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation? Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem’s transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem’s written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf’s analysis reveals that the scribes earnestly attempted to standardize and modernize the text’s orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien’s Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien’s general views on the transmission of Beowulf and evaluates his position on various textual issues.
Author: Leonard Neidorf
Publisher:
ISBN: 9781501705113
Category : Beowulf
Languages : en
Pages : 0
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Book Description
Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of Beowulf, Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation? Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem's written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf's analysis reveals that the scribes earnestly attempted to standardize and modernize the text's orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien's Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien's general views on the transmission of Beowulf and evaluates his position on various textual issues.
Author: Leonard Neidorf
Publisher: Cornell University Press
ISBN: 1501766910
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
In The Art and Thought of the Beowulf Poet, Leonard Neidorf explores the relationship between Beowulf and the legendary tradition that existed prior to its composition. The Beowulf poet inherited an amoral heroic tradition, which focused principally on heroes compelled by circumstances to commit horrendous deeds: fathers kill sons, brothers kill brothers, and wives kill husbands. Medieval Germanic poets relished the depiction of a hero's unyielding response to a cruel fate, but the Beowulf poet refused to construct an epic around this traditional plot. Focusing instead on a courteous and pious protagonist's fight against monsters, the poet creates a work that is deeply untraditional in both its plot and its values. In Beowulf, the kin-slayers and oath-breakers of antecedent tradition are confined to the background, while the poet fills the foreground with unconventional characters, who abstain from transgression, display courtly etiquette, and express monotheistic convictions. Comparing Beowulf with its medieval German and Scandinavian analogues, The Art and Thought of the Beowulf Poet argues that the poem's uniqueness reflects one poet's coherent plan for the moral renovation of an amoral heroic tradition. In Beowulf, Neidorf discerns the presence of a singular mind at work in the combination and modification of heroic, folkloric, hagiographical, and historical materials. Rather than perceive Beowulf as an impersonally generated object, Neidorf argues that it should be read as the considered result of one poet's ambition to produce a morally edifying, theologically palatable, and historically plausible epic out of material that could not independently constitute such a poem.
Author: Thomas Meyer
Publisher: punctum books
ISBN: 9780615612652
Category : American poetry
Languages : en
Pages : 297
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Book Description
A stunning experimental translation of the Old English poem "Beowulf," over 30 decades old and woefully neglected, by the contemporary poet Thomas Meyer, who studied with Robert Kelly at Bard, and emerged from the niche of poets who had been impacted by the brief moment of cross-pollination between U.K. and U.S. experimental poetry in the late 1960s and early 1970s, a movement inspired by Ezra Pound, fueled by interactions among figures like Ed Dorn, J.H. Prynne, and Basil Bunting, and quickly overshadowed by the burgeoning Language Writing movement. Meyer's translation -- completed in 1972 but never before published -- is sure to stretch readers' ideas about what is possible in terms of translating Anglo-Saxon poetry, as well as provide new insights on the poem itself. According to John Ashberry, Meyer's translation of this thousand-year-old poem is a "wonder," and Michael Davidson hails it as a "major accomplishment" and a "vivid" recreation of this ancient poem's "modernity."
Author:
Publisher: Courier Corporation
ISBN: 0486111105
Category : Fiction
Languages : en
Pages : 70
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Book Description
Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.
Author: Richard North
Publisher: OUP Oxford
ISBN: 0191525731
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.
Author: Leonard Neidorf
Publisher: Boydell & Brewer Ltd
ISBN: 1843843870
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general.
Author: Andy Orchard
Publisher: Boydell & Brewer Ltd
ISBN: 9781843840299
Category : Literary Collections
Languages : en
Pages : 424
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Book Description
This is a complete guide to the text and context of the most famous Old English poem. In this book, the specific roles of selcted individual characters, both major and minor, are assessed.
Author: Thomas Streissguth
Publisher:
ISBN: 9781560068617
Category : Beowulf
Languages : en
Pages : 0
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Book Description
Discusses the authorship, character analysis, historical background, plot, and themes of Beowulf.
Author: Tom Clark
Publisher: Peter Lang Publishing
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 308
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Book Description
This book examines irony in the Old English poem Beowulf. It synthesises an argument that the poetics of Beowulf are fundamentally contrastive. Contrastiveness is a feature of expression that enables the presence of irony, although it does not guarantee it. Using a definition that emphasises contextual rather than absolute readings of irony, this study shows how irony is created in Beowulf by contrastive techniques such as the dichotomy of words and deeds, the use of juxtaposition in its development of characters, and the use of litotes. The author devotes particular attention to the epithets of Beowulf, examined as both an attributive phrase and the concomitant amplification of that phrase through its poetic context. Close readings of the poem's epithets reveal many ironies and many different types of irony. The systematic coherence of those types shows Beowulf in a new light, as a thoroughly ironic poem.
