New Theatre Quarterly 31: Volume 8, Part 3 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521429429
Category : Drama
Languages : en
Pages : 100
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521429429
Category : Drama
Languages : en
Pages : 100
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Anne Rachel Leonard
Publisher: Smart Museum of Art, the University of C
ISBN: 9780935573497
Category : Art
Languages : en
Pages : 0
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Book Description
Catalogue published in conjunction with an exhibition held at the Smart Museum of Art, University of Chicago, Feb. 10-June 5, 2011.
Author: Jill Berk Jiminez
Publisher: Routledge
ISBN: 1135959145
Category : Social Science
Languages : en
Pages : 625
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Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 836
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Book Description
Author: James Redmond
Publisher: Cambridge University Press
ISBN: 9780521332088
Category : Drama
Languages : en
Pages : 280
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Book Description
Author: Rachel Brownstein
Publisher: Knopf
ISBN: 0307831825
Category : Biography & Autobiography
Languages : en
Pages : 487
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Book Description
Rachel Felix (1821-58), the homely daughter of poor Jewish peddlers, was the first stage actress to achieve international stardom - and the last person one would have expected to resurrect the cultural patrimony of France. Yet her passionate, startling performances of the works of Racine and Corneille saved them from almost certain obsolescence after the fall of Napoleon (who had relished classical French tragedy) and the emergence of Romanticism. Audiences in Paris, London, Boston, and Moscow thrilled to her voice, and devoured the rumors of her offstage promiscuity and extravagance. Her fame - equal parts popularity and notoriety - was so great that she could nonchalantly dispose of her last name. La grande Rachel virtually invented the role of the superstar, while remaining a symbol of the highest art and most serious cultural pursuits. Indeed, her identity was fraught with such contradictions - which intrigued the public all the more. From the moment she was discovered playing the guitar on the streets of Lyons, to her debut on the Parisian stage at the age of fifteen, to her critical and commercial triumphs as Camille, Phedre, and other tormented women, Rachel's career was exhaustively "managed." A series of theater gurus, influential reviewers, and impresarios - including her brash and opportunistic father - claimed the credit for her astonishing success. What this abundance of male managers has always obscured is Rachel's own decisiveness and control over her time and money - not only did she play her various champions (and high-profile lovers) against one another, she openly defied them. Some called her stubborn, even perverse; in these pages, we come to recognize her as a woman ahead of her time, a charismatic individual very much in charge of her own destiny. As her fascination with all things Napoleonic suggests, Rachel liked power - both personal and professional - and had the talent to command it.
Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1264
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Book Description
Author: Rosalyn Schanzer
Publisher: National Geographic Books
ISBN: 1426308698
Category : Good and evil
Languages : en
Pages : 148
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Book Description
Tells the story of the victims, the accused witches, and the scheming officials that turned a mysterious illness into a witch hunt.
Author: Alan Cameron
Publisher: Oxford University Press
ISBN: 0198038216
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know. A surprisingly large number of mythographic treatises survive from the early empire, and many papyrus fragments from lost works prove that they were in common use. In addition, author Alan Cameron identifies a hitherto unrecognized type of aid to the reading of Greek and Latin classical and classicizing texts--what might be called mythographic companions to learned poets such as Aratus, Callimachus, Vergil, and Ovid, complete with source references. Much of this book is devoted to an analysis of the importance evidently attached to citing classical sources for mythical stories, the clearest proof that they were now a part of learned culture. So central were these source references that the more unscrupulous faked them, sometimes on the grand scale.
Author: Boston Public Library. Barton Collection
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
