Author: Charlotte M. Brame
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 69
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Book Description
Charlotte M. Brame's 'The Tragedy of the Chain Pier' is a poignant novel that delves into themes of love, loss, and the consequences of societal expectations on individuals. Set against the backdrop of the Chain Pier in Brighton, the book masterfully combines elements of romance and tragedy, making it a compelling read for fans of Victorian literature. Brame's descriptive prose and vivid storytelling transport the reader to a bygone era, immersing them in the emotional journey of the characters as they navigate the complexities of their relationships and aspirations. The novel's exploration of class dynamics and gender roles adds depth to the narrative, showcasing Brame's keen understanding of the social context of her time. Charlotte M. Brame, also known as Bertha M. Clay, was a prolific Victorian author with a keen eye for human emotions and interpersonal relationships. Her own experiences and observations of societal norms likely influenced her writing, as seen in the nuanced portrayals of characters in 'The Tragedy of the Chain Pier'. Brame's ability to capture the nuances of human behavior and emotions sets her apart as a skilled storyteller who brings depth and authenticity to her narratives. I highly recommend 'The Tragedy of the Chain Pier' to readers who enjoy classic Victorian literature with a focus on love, loss, and social dynamics. Brame's evocative storytelling and compelling characters make this novel a timeless exploration of the human experience that resonates with readers across generations.
Author: Charlotte Mary Brame
Publisher: Library of Alexandria
ISBN: 1465604642
Category : Fiction
Languages : en
Pages : 96
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Book Description
ÊMost visitors to Brighton prefer the new pier; it is altogether a more magnificent affair. It is in the fashionable town, for fashion will go westward; it is larger, more commodious, more frequented. Go to the West Pier when you will, there is always something to see; beautiful women, pretty girls, fashionable belles promenade incessantly. There are times when it is crowded, and there is even a difficulty in making room for all who come. No wonder the elite of Brighton like the West Pier; it is one of the most enjoyable spots in England; every luxury and comfort is there; a good library, plenty of newspapers, elegant little shops, excellent refreshment rooms, fine music; and then the lovely blue, dimpling sea, the little boats with their white sails, like white-winged birds on the water, the grand stretch of the waves, the blue sky overhead, and the town, with its fine, tall houses shining in the sunlight, the line of white cliff and the beach where the children are at play. You go down to the wonderful jetty, which, to me, was one of the most mysterious and romantic of places. There the water is of the deepest, choicest emerald green, and it washes the wonderful net-work of poles with a soft, lapping sound beautiful to hear. You can stand there with only a rail between you and the green, deep water, watching the fisher-boats out on the deep; watching, perhaps, the steamer with its load of passengers, or looking over the wide sunlit waves, dreamingÑdreams born of the seaÑout of the world; alone in the kingdom of fancy; there is always something weird in the presence of deep, silent, moving waters. There is always plenty of life, gayety and fashion on the West Pier. It is a famous place, not for love-making but for flirtation; a famous place for studying human nature; a famous place for passing a pleasant hour. You may often meet great celebrities on the West Pier; faces familiar at the House of Lords, familiar at Court, familiar at the opera, are to be seen there during the season; beautiful faces that have grown pale and worn with the excitement of a London campaign, and here, as they are bent thoughtfully over the green waters, the bracing air brings sweet roses, the lines fade, the eyes brighten; there is no such beautifier as a sea breeze, no bloom so radiant and charming as that brought by the wind from the sea. On the West Pier you will find all the beauty, rank and fashion of Brighton; you will see costumes a ravir, dresses that are artistic and elegant; you will see faces beautiful and well-known; you will hear a charming ripple of conversation; you will witness many pleasant and piquant adventures; but if you want to dream; if you want to give up your whole heart and soul to the poetry of the sea; if you want to listen to its voice and hear no other; if you want to shut yourself away from the world; if you want to hear the music of the winds, their whispers, their lullabies, their mad dashes, their frantic rages, you must go to the Old Chain Pier. As a rule you will find few there, but you may know they are a special few; you will see the grave, quiet face of the thinker, who has chosen that spot because he does not want to be disturbed by the frou-frou of ladies' dresses, or the music of their happy voices; he wants to be alone with the sea and the wind.
Author: Charlotte M. Brame
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Charlotte M. Braeme
Publisher: BoD – Books on Demand
ISBN: 3734096189
Category : Fiction
Languages : en
Pages : 58
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Reproduction of the original: The Tragedy of the Chain Pier by Charlotte M. Braeme
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 646
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Author: Carolyn W. de la L. Oulton
Publisher: Liverpool University Press
ISBN: 1800855281
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
In the first hundred years of the UK rail network, the seaside figures as a nerve centre, managing and making visible the period’s complex interplay between health, death, gender and sexuality. This monograph discusses around 130 novels of the railway age to show how the seaside infiltrates a diverse range of literature, subverting the boundaries between high and low literary culture. The seaside holiday galvanises innovative literary forms, including early twentieth-century holiday crime and romance fiction, which has its origins in the sensational strategies of mid-nineteenth-century authors. Where reading takes place is at least as important as what is read, and case studies on literary Brighton and Dickensian Kent explore the occasionally fraught relationship between seaside towns and the metropolis, as London visitors are represented in – and are the target audience for – literary accounts of the seaside holiday. The act of reading by the sea is itself overdetermined and problematic, a dilemma that is managed in part through the development of text-free literary tourism in the late nineteenth century. Deploying strategies from literary criticism, histories of reading, libraries and the book, and literary tourism, this book recovers ‘seaside reading’ as both a literary sub-genre and a deeply contested mode of engagement.
Author: Thompson Cooper
Publisher: London : G. Bell
ISBN:
Category : Biography
Languages : en
Pages : 1230
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Author: Suzanne Rintoul
Publisher: Springer
ISBN: 1137491124
Category : Fiction
Languages : en
Pages : 192
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Book Description
Suzanne Rintoul identifies an important contradiction in Victorian representations of abuse: the simultaneous compulsion to expose and to obscure brutality towards women in intimate relationships. Through case studies and literary analysis, this book illustrates how intimate violence was both spectacular and unspeakable in the Victorian period.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 370
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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