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Author: Mary Lindeen
Publisher: Norwood House Press
ISBN: 1599539039
Category : Juvenile Nonfiction
Languages : en
Pages : 17
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Book Description
Some sounds are loud and some are soft, but all sounds come from movement and vibrations. This nonfiction Beginning-to-Read book contains high-frequency words and content vocabulary. Connecting Concepts pages include a word list along with activities to strengthen early science and literacy skills, such as understanding nonfiction text, science in the real world, science and academic language, fluency, and finding further information. Aligns with Next Generation Science Standards for Grades K-3.
Author: Mary Lindeen
Publisher: Norwood House Press
ISBN: 1599539039
Category : Juvenile Nonfiction
Languages : en
Pages : 17
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Book Description
Some sounds are loud and some are soft, but all sounds come from movement and vibrations. This nonfiction Beginning-to-Read book contains high-frequency words and content vocabulary. Connecting Concepts pages include a word list along with activities to strengthen early science and literacy skills, such as understanding nonfiction text, science in the real world, science and academic language, fluency, and finding further information. Aligns with Next Generation Science Standards for Grades K-3.
Author: Frederick R. Newman
Publisher: Random House Books for Young Readers
ISBN: 9780394855431
Category : Juvenile Nonfiction
Languages : en
Pages : 56
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Book Description
Explains how to utilize the mouth and voice in forming and imitating animal, musical instrument, and environmental sounds.
Author: Angela Royston
Publisher: Capstone
ISBN: 1543599982
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
This series introduces simple science topics using everyday objects and situations that readers can recognize in the world around them. This title looks at sound: how sounds are made, how they travel, how we hear them, what makes a sound high or low, loud or soft.
Author: Victoria Deiorio
Publisher: Bloomsbury Publishing
ISBN: 147425781X
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Emphasising the artistry behind the decisions made by theatrical sound designers, this guide is for anyone seeking to understand the nature of sound and how to apply it to the stage. Through tried-and-tested advice and lessons in practical application, The Art of Theatrical Sound Design allows developing artists to apply psychology, physiology, sociology, anthropology and all aspects of sound phenomenology to theatrical sound design. Structured in three parts, the book explores, theoretically, how human beings perceive the vibration of sound; offers exercises to develop support for storytelling by creating an emotional journey for the audience; considers how to collaborate and communicate as a theatre artist; and discusses how to create a cohesive sound design for the stage.
Author: Roderick P. Hart
Publisher: University of Chicago Press
ISBN: 9780226318134
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Why did Gerald Ford speak in public once every six hours during 1976? Why did no president spreak in Massachusetts during one ten-year period? Why did Jimmy Carter conduct public ceremonies four times more often than Harry Truman? Why are television viewers two-and-a-half times more likely to see a president speak on the nightly news than to hear him speak? The Sound of Leadership answers these questions and many more. Based on analysis of nearly 10,000 presidential speeches delivered between 1945 and 1985, this book is the first comprehensive examination of the ways in which presidents Truman through Reagan have used the powers of communication to advance their political goals. This communication revolution has produced, Roderick P. Hart argues, a new form of governance, one in which public speech has come to be taken as political action. Using a rhetorical appraoch, Hart details the features of this new American presidency by carefully examining when and where presidents spoke in public during the last four decades and what they said. Even though presidents have been speaking more and more, Hart reveals, they have been saying less and less. Rather than leading the nation, the modern president usually offers only the hollow "sound" of leadership. Written with great flair and acuteness, The Sound of Leadership will become a standard guide to the voices of modern presidential politics.
Author: Jane Grant
Publisher: Oxford University Press
ISBN: 0190274050
Category : Art
Languages : en
Pages : 625
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Book Description
Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. The Oxford Handbook of Sound Art surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the Handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged. By offering a set of thematic frameworks through which to understand these themes, this Handbook situates constellations of disparate thought and practice into recognized centers of activity.
Author: Linda O Keeffe
Publisher: CRC Press
ISBN: 1000620476
Category : Music
Languages : en
Pages : 318
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Book Description
The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.
Author: Steven Suskin
Publisher: Oxford University Press
ISBN: 0195309472
Category : Music
Languages : en
Pages : 673
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Book Description
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
Author: Maria-Josep Solé
Publisher: John Benjamins Publishing
ISBN: 9027248419
Category : Language Arts & Disciplines
Languages : en
Pages : 261
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Book Description
Examines advanced approaches to sound change from various theoretical and methodological perspectives, including articulatory variation and modeling, speech perception mechanisms and neurobiological processes, geographical and social variation, and diachronic phonology.
Author: Riccardo D. Wanke
Publisher: Routledge
ISBN: 1000430286
Category : Music
Languages : en
Pages : 142
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Book Description
What does a one hour contemporary orchestral piece by Georg Friedrich Haas have in common with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound that is found across several quite distinct genres of contemporary art music: the ecstatic-materialist perspective. Sound in the ecstatic-materialist perspective is considered as a material mass or element, unfolding in time, encountered by a listener, for whom the experience of that sound exceeds the purely sonic without becoming entirely divorced from its materiality. It is "material" by virtue of the focus on the texture, consistency, and density of sound; it is "ecstatic" in the etymological sense, that is to say that the experience of this sound involves an instability; an inclination to depart from material appearance, an ephemeral and transitory impulse in the very perception of sound to something beyond – but still related to – it. By examining musical pieces from spectralism to electroacoustic domains, from minimalism to glitch electronica and dubstep, this book identifies the key intrinsic characteristics of this musical perspective. To fully account for this perspective on sonic experience, listener feedback and interviews with composers and performers are also incorporated. Sound in the ecstatic-materialist perspective is the common territory where composers, sound artists, performers, and listeners converge.
