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Author: Guido Mazzoni
Publisher: Harvard University Press
ISBN: 0674333721
Category : Education
Languages : en
Pages : 403
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Book Description
In his theory of the novel, Guido Mazzoni explains that novels consist of stories told in any way whatsoever about the experiences of ordinary men and women who exist as contingent beings within time and space. Novels allow readers to step into other lives and other versions of truth, each a small, local world, absolute in its particularity.
Author: Guido Mazzoni
Publisher: Harvard University Press
ISBN: 0674333721
Category : Education
Languages : en
Pages : 403
Get Book Here
Book Description
In his theory of the novel, Guido Mazzoni explains that novels consist of stories told in any way whatsoever about the experiences of ordinary men and women who exist as contingent beings within time and space. Novels allow readers to step into other lives and other versions of truth, each a small, local world, absolute in its particularity.
Author: Judith Ryan
Publisher: Columbia University Press
ISBN: 0231157436
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Novels began to incorporate literary theory in unexpected ways in the late twentieth century. Through allusion, parody, or implicit critique, theory formed an additional strand in fiction that raised questions about the nature of authorship and the practice of writing. Studying this phenomenon provides fresh insight into the recent development of the novel and the persistence of modern theory beyond the period of its greatest success. In this book, Judith Ryan opens these questions to a range of readers, drawing them into debates over the value of theory. Ryan investigates what prompted fiction writers to incorporate and respond to theory nearly thirty years ago. Designed for readers unfamiliar with the complexities of theory, Ryan’s book introduces the discipline’s major trends and controversies and notes the salient ideas of a carefully selected set of individual thinkers. Ryan follows novelists’ adaptation to and engagement with arguments drawn from theory as they translate abstract ideas into language, structure, and fictional strategy. At the core of her book is a fascinating microstudy of French poststructuralism in its dialogue with narrative fiction. Investigating theories of textuality, psychology, and society in the work of Don DeLillo, Thomas Pynchon, J. M. Coetzee, Margaret Atwood, W. G. Sebald, and Umberto Eco, as well as Monika Maron, Alain Robbe-Grillet, Marguerite Duras, Marilynne Robinson, David Foster Wallace, and Christa Wolf, Ryan identifies subtle negotiations between author and theory and the richness this dynamic adds to texts. Resetting the way we think and learn about literature, her book reads current literary theory while uniquely tracing its shaping of a genre.
Author: Lisa Zunshine
Publisher: Ohio State University Press
ISBN: 0814210287
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski's Crime and Punishment, and Austen s Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett s The Maltese Falcon. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.
Author: Philip Stevick
Publisher: Simon and Schuster
ISBN: 0029314909
Category : Art
Languages : en
Pages : 456
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Book Description
Comprehensive collections of theoretical essays on various facets of the novel.
Author: Katarzyna Bartoszyńska
Publisher: JHU Press
ISBN: 1421440644
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
"The author's comparative approach to studying literary form makes a forceful case for a more geographically and formally expansive vision of the novel"--
Author: Dorothy J. Hale
Publisher: Stanford University Press
ISBN: 0804733562
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined Jamess foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form. Social Formalismdemonstrates the persistence of Jamess theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of Jamess influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalismthus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.
Author: J. M. Bernstein
Publisher: U of Minnesota Press
ISBN: 0816613044
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Lukács's Theory of the novel has long been a key work in the philosophy but not the sociology of literature. J. M. Bernstein shows that Theory of the Novel must be seen in conjunction with History and Class Consciousness as a major contribution to a Marxist hermeneutics. He ties the philosophy of Lukács to Kant, Hegel, and Marx and contends that the categories structuring the novel are the central concepts of Kant's philosophy and that, therefore, the novel is marked by the same antinomies that infect Kant's system. Bernstein offers a concise account of dialectical theory and a telling analysis of Western (Hegelian) Marxism. He concludes with a critique of contemporary literary and critical practices, practices which only reinforce the antimonies already present in the novel. --From cover.
Author: Margaret Bradham Thornton
Publisher: HarperCollins
ISBN: 0062742728
Category : Fiction
Languages : en
Pages : 268
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Book Description
A follow-up to her successful debut Charleston and set in the world’s most glamorous landscapes, this moving new love story from Margaret Bradham Thornton draws on a metaphor of entanglement theory to ask: when two people collide, are they forever attached no matter where they are? Helen Gibbs, a British journalist on assignment on the west coast of Mexico, meets Christopher Delavaux, an intriguing half-French, half-American lawyer-turned-financier who has come alone to surf. Living lives that never stop moving, from their first encounter in Bermeja to marriage in London and travels to such places as Saint-Tropez, Tangier, and Santa Clara, Helen and Christopher must decide how much they exist for themselves and how much they exist for each other. In an effort to build his firm, Christopher leads a life full of speed and ambition with little time for Helen and even less when he suspects his business partner of illegal activity. Helen, a reluctant voyeur to Christopher’s world of power and position, searches far and wide for reporting work that will “take a bite out of her soul”—refugees in Calais, a mountain climber in Chamonix, an orphaned circus performer in Cuba. A Theory of Love captures the ambivalence at the center of human experience: does one reside in the familiar comforts of solitude or dare to open one’s heart and risk having it broken? Set in some of the most picturesque places in the world, this novel questions what it means to love someone and leaves us wondering—can nothing save us but a fall?
Author: Dan Edward Lloyd
Publisher: MIT Press
ISBN: 9780262621939
Category : Fiction
Languages : en
Pages : 380
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Book Description
An innovative theory of consciousness, drawing on the phenomenology of Edmund Husserl and supported by brain-imaging, presented in the form of a hardboiled detective story. Professor Grue is dead (or is he?). When graduate student/sleuth Miranda Sharpe discovers him slumped over his keyboard, she does the sensible thing--she grabs her dissertation and runs. Little does she suspect that soon she will be probing the heart of two mysteries, trying to discover what happened to Max Grue, and trying to solve the profound neurophilosophical problem of consciousness. Radiant Cool may be the first novel of ideas that actually breaks new theoretical ground, as Dan Lloyd uses a neo-noir (neuro-noir?), hard-boiled framework to propose a new theory of consciousness.In the course of her sleuthing, Miranda encounters characters who share her urgency to get to the bottom of the mystery of consciousness, although not always with the most innocent motives. Who holds the key to Max Grue's ultimate vision? Is it the computer-inspired pop psychologist talk-show host? The video-gaming geek with a passion for artificial neural networks? The Russian multi-dimensional data detective, or the sophisticated neuroscientist with the big book contract? Ultimately Miranda teams up with the author's fictional alter ego, "Dan Lloyd," and together they build on the phenomenological theories of philosopher Edmund Husserl (1859-1938) to construct testable hypotheses about the implementation of consciousness in the brain. Will the clues of phenomenology and neuroscience converge in time to avert a catastrophe? (The dramatic ending cannot be revealed here.) Outside the fictional world of the novel, Dan Lloyd (the author) appends a lengthy afterword, explaining the proposed theory of consciousness in more scholarly form. Radiant Cool is a real metaphysical thriller--based in current philosophy of mind--and a genuine scientific detective story--revealing a new interpretation of functional brain imaging. With its ingenious plot and its novel theory, Radiant Cool will be enjoyed in the classroom and the study for its entertaining presentation of phenomenology, neural networks, and brain imaging; but, most importantly, it will find its place as a groundbreaking theory of consciousness.
Author: Jami Bartlett
Publisher: University of Chicago Press
ISBN: 022636965X
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
A major contribution to the theory of realism, Jami Bartlett s book analyzes the processes by which literary language renders objects as real entities. Bartlett s approach is to apply theories of reference in the philosophy of language to interactions between characters and objects in nineteenth-century literature. She addresses a fundamental question of literary realism how can language evoke that which is not language? and the ways in which four key English authors answered that question. George Meredith, William Makepeace Thackeray, Elizabeth Gaskell, and Iris Murdoch probe the relationship between words and objects, and provide in their descriptions, characterizations, and plots allegories of language use. Bartlett shows, for example, how the daydreamers of Gaskell s novel "Cranford" confronted with objects that they will never have access to and lives they will never lead, build semantic associations between familiar and unfamiliar objects that enable them to understand references that they wouldn t otherwise. Concise and clearly written, "Object Lessons" is destined to become a key work in theory of the novel."
