The Technique and Spirit of the English Historical Novel from Its Origins to Scott ... PDF Download
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Author: Lincoln Lorenz
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 690
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Book Description
Author: Lincoln Lorenz
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 690
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Book Description
Author: Stanford University
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 908
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Book Description
Author: Stanford University
Publisher:
ISBN:
Category :
Languages : en
Pages : 1228
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Book Description
Contains annual financial report, reports of schools, departments, committees, other administrative offices, and publications of the faculty.
Author: Stanford University
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
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Book Description
1913/15 contains reports of chancellor and treasurer; 1919/24, reports of treasurer and comptroller; 1924- reports of treasurer, comptroller, departments, committees and the publications of the faculty.
Author: Stanford University
Publisher:
ISBN:
Category :
Languages : en
Pages : 787
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Book Description
Contains annual financial report, reports of schools, departments, committees, other administrative offices, and publications of the faculty.
Author: Laurence F. McNamee
Publisher: New York : Bowker
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1148
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Book Description
Author: Stanford University
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 666
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Book Description
Author: G. A. Rosso
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633762
Category : Literary Collections
Languages : en
Pages : 308
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Book Description
This work is a compilation of twelve essays on romantic literature by practitioners of a resurgent historical criticism sharing the common assumption that no aspect of the object of literary study escapes the conditioning power of historical change.
Author: Tom Bragg
Publisher: Routledge
ISBN: 1317052064
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Demonstrating that nineteenth-century historical novelists played their rational, trustworthy narrators against shifting and untrustworthy depictions of space and place, Tom Bragg argues that the result was a flexible form of fiction that could be modified to reflect both the different historical visions of the authors and the changing aesthetic tastes of the reader. Bragg focuses on Scott, William Harrison Ainsworth, and Edward Bulwer Lytton, identifying links between spatial representation and the historical novel's multi-generic rendering of history and narrative. Even though their understanding of history and historical process could not be more different, all writers employed space and place to mirror narrative, stimulate discussion, interrogate historical inquiry, or otherwise comment beyond the rational, factual narrator's point of view. Bragg also traces how landscape depictions in all three authors' works inculcated heroic masculine values to show how a dominating theme of the genre endures even through widely differing versions of the form. In taking historical novels beyond the localized questions of political and regional context, Bragg reveals the genre's relevance to general discussions about the novel and its development. Nineteenth-century readers of the novel understood historical fiction to be epic and serious, moral and healthful, patriotic but also universal. Space and Narrative in the Nineteenth-Century British Historical Novel takes this readership at its word and acknowledges the complexity and diversity of the form by examining one of its few continuous features: a flexibly metaphorical valuation of space and place.
Author: Ian Duncan
Publisher: Princeton University Press
ISBN: 1400884306
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
