The Talkies PDF Download
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Author: Donald Crafton
Publisher: Univ of California Press
ISBN: 9780520221284
Category : Business & Economics
Languages : en
Pages : 656
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Book Description
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Author: Donald Crafton
Publisher: Univ of California Press
ISBN: 9780520221284
Category : Business & Economics
Languages : en
Pages : 656
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Book Description
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
Author: Allardyce Nicoll
Publisher: Read Books Ltd
ISBN: 1473358345
Category : Art
Languages : en
Pages : 44
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Harry M. Geduld
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
From the Preface: Few if any events have had greater impact on the history of film than the coming of the talkies, film historians have paid relatively little attention to how and why the transition from silent to sound cinema came about. It is hoped that the present work will provide the factual groundwork for repairing that neglect. Its emphasis is on the history of American contributions to the evolution of the sound film, but significant foreign achievements have not been overlooked. The book surveys the events that led from the invention of the phonograph in 1877 to that momentous evening in 1927 when an audience at the Warner's Theatre in New York City saw and heard Al Jolson speak from the screen. It also considers the effects of the sound revolution on Hollywood and Hollywood film production during the transitional years 1928-29. The published sources on which this study was based have all been indicated in the notes, and the reader is advised to consult that original material whenever he requires additional technical or factual information.
Author: Rémi Fournier Lanzoni
Publisher: A&C Black
ISBN: 9780826416001
Category : Social Science
Languages : en
Pages : 498
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Book Description
To a large extent the story of French filmmaking is the story of moviemaking. From the earliest images through the silent era, Surrealist influence, the Nazi Occupation, New Wave and presently, Lanzonu examines a considerable number fo the world's most beloved films from each era, providing insight into our favourite films.
Author: Heidi Wilkins
Publisher: Edinburgh University Press
ISBN: 1474406904
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
Author: Michael Temple
Publisher: Amsterdam University Press
ISBN: 9789053564561
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work. Its key focus is the eight-part magnum opus Histoire(s) du cinma (1988-1998), an extraordinary experiment in film history that attempts to tell 'all the stories of cinema' whilst remaining true to the specificity of what 'the cinema alone' contributed to twentieth-century culture. The Cinema Alone features contributors from France, Britain and America who discuss Godard's recent work both in the context of his earlier corpus and in relation to subjects such as literature, art history, philosophy, silent cinema, European culture, film theory, video and digital technology. The collection will make an important contribution to critical debates on the past, present and future of Film and Media Studies as cinema enters its second century.
Author: Charles O’Brien
Publisher: Indiana University Press
ISBN: 9780253217202
Category : Music
Languages : en
Pages : 222
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Book Description
A groundbreaking look at the transition to sound in the French Cinema.
Author: Eric L. Flom
Publisher: McFarland
ISBN: 078644052X
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Charles Chaplin's sound films have often been overlooked by historians, despite the fact that in these films the essential character of Chaplin more overtly asserted itself in his screen images than in his earlier silent work. Each of Chaplin's seven sound films--City Lights (1931), Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), Limelight (1952), A King in New York (1957), and A Countess from Hong Kong (1967)--is covered in a chapter-length essay here. The comedian's inspiration for the film is given, along with a narrative that describes the film and offers details on behind-the-scenes activities. There is also a full discussion of the movie's themes and contemporary critical reaction to it.
Author: Alice Maurice
Publisher: U of Minnesota Press
ISBN: 145293939X
Category : Art
Languages : en
Pages : 385
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Book Description
The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
Author: Bernd Herzogenrath
Publisher: McFarland
ISBN: 0786434473
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
As a director, actor, writer and producer, Tod Browning was one of the most dynamic Hollywood figures during the birth of commercial cinema. Known for his fantastic collaborations with Lon Chaney in numerous silents, and for directing the horror classic Dracula and the still-controversial Freaks, Browning has been called "the Edgar Allan Poe of the cinema." Despite not entering the profession until he began acting in his early thirties, he went on to helm more than 60 films in a 25-year career. His work continues to influence directors such as David Lynch, John Waters, and Alejandro Jodorowsky. These essays critically explore such topics as the connection between Browning, Poe and Kant; Browning's cinematic techniques; disability; masochism; sound and suspense; duality; parenthood; narrative and cinematic trickery; George Melford; surrealism; and the occult. A Browning filmography is included.
