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Author: Lothar Hönnighausen
Publisher: Cambridge University Press
ISBN: 0521320631
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
Lother Hönnighausen's book examines the literature and the visual arts of English symbolism of the nineteenth and twentieth centuries.
Author: Lothar Hönnighausen
Publisher: Cambridge University Press
ISBN: 0521320631
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
Lother Hönnighausen's book examines the literature and the visual arts of English symbolism of the nineteenth and twentieth centuries.
Author: Arthur Symons
Publisher: BoD – Books on Demand
ISBN: 3752431997
Category : Fiction
Languages : en
Pages : 150
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Book Description
Reproduction of the original: The Symbolist Movement in Literature by Arthur Symons
Author: Lothar Hönninghausen
Publisher:
ISBN:
Category :
Languages : en
Pages : 349
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Book Description
Author: Edward Engelberg
Publisher: New York : Dutton
ISBN:
Category : English poetry
Languages : en
Pages : 358
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Book Description
Author: Michael Wachtel
Publisher: Univ of Wisconsin Press
ISBN: 9780299144500
Category : History
Languages : en
Pages : 270
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Book Description
Michael Wachtel explores here the art and development of Vyacheslav Ivanov (1866-1949), a poet and theorist who articulated a highly influential concept of Symbolism. The German writers Goethe and Novalis played a powerful part in Ivanov's vision and were, in his mind, powerful precursors in a proto-Symbolist pantheon. Their work not only influenced his writing but also, in maintaining the Symbolist creed of unity in art and life, altered his world perspective. Wachtel, in exploring Ivanov's relationship to Goethe and Novalis, illuminates the issues that lie at the core of Symbolism: the theory of the symbol, poetics, poetry as theurgy, the relationship between literary creation and "real life," and the theory and practice of translation.
Author: Arthur Symons
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 218
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Book Description
Author: Alice Walker
Publisher: Rutgers University Press
ISBN: 9780813520766
Category : Fiction
Languages : en
Pages : 240
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Book Description
Presents the text of Alice Walker's story "Everyday Use"; contains background essays that provide insight into the story; and features a selection of critical response. Includes a chronology and an interview with the author.
Author: Charlotte Brewer
Publisher: DS Brewer
ISBN: 1843843544
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer. Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love, friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.
Author: Arthur Symons
Publisher: Createspace Independent Publishing Platform
ISBN: 9781496096470
Category : French literature
Languages : en
Pages : 0
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Book Description
An excerpt from the INTRODUCTION: WITHOUT symbolism there can be no literature; indeed, not even language. What are words themselves but symbols, almost as arbitrary as the letters which compose them, mere sounds of the voice to which we have agreed to give certain significations, as we have agreed to translate these sounds by those combinations of letters? Symbolism began with the first words uttered by the first man, as he named every living thing; or before them, in heaven, when God named the world into being. And we see, in these beginnings, precisely what Symbolism in literature really is: a form of expression, at the best but approximate, essentially but arbitrary, until it has obtained the force of a convention, for an unseen reality apprehended by the consciousness. It is sometimes permitted to us to hope that our convention is indeed the reflection rather than merely the sign of that unseen reality. We have done much if we have found a recognisable sign. "A symbol," says Comte Goblet d'Alviella, in his book on The Migration of Symbols, "might be defined as a representation which does not aim at being a reproduction." Originally, as he points out, used by the Greeks to denote "the two halves of the tablet they divided between themselves as a pledge of hospitality," it came to be used of every sign, formula, or rite by which those initiated in any mystery made themselves secretly known to one another. Gradually the word extended its meaning, until it came to denote every conventional representation of idea by form, of the unseen by the visible. "In a Symbol," says Carlyle, "there is concealment and yet revelation: hence therefore, by Silence and by Speech acting together, comes a double significance." And, in that fine chapter of Sartor Resartus, he goes further, vindicating for the word its full value: "In the Symbol proper, what we can call a Symbol, there is ever, more or less distinctly and directly, some embodiment and revelation of the Infinite; the Infinite is made to blend itself with the Finite, to stand visible, and as it were, attainable there." It is in such a sense as this that the word Symbolism has been used to describe a movement which, during the last generation, has profoundly influenced the course of French literature. All such words, used of anything so living, variable, and irresponsible as literature, are, as symbols themselves must so often be, mere compromises, mere indications. Symbolism, as seen in the writers of our day, would have no value if it were not seen also, under one disguise or another, in every great imaginative writer. What distinguishes the Symbolism of our day from the Symbolism of the past is that it has now become conscious of itself, in a sense in which it was unconscious even in Gérard de Nerval, to whom I trace the particular origin of the literature which I call Symbolist, The forces which mould the thought of men change, or men's resistance to them slackens; with the change of men's thought comes a change of literature, alike in its inmost essence and in its outward form: after the world has starved its soul long enough in the contemplation and the re-arrangement of material things, comes the turn of the soul; and with it comes the literature of which I write in this volume, a literature in which the visible world is no longer a reality, and the unseen world no longer a dream.
Author: Ruth Zabriskie Temple
Publisher:
ISBN: 9781258043926
Category :
Languages : en
Pages : 352
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Book Description
