The Symbolist Home and the Tragic Home: Mallarmé and Oedipus PDF Download
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Author: Richard E. Goodkin
Publisher: John Benjamins Publishing
ISBN: 9027279985
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Tragedy as Symbolism It is the symbolic nature of Oedipus' quest which most centrally links the notions of Tragedy and Symbolism in the Oedipus Tyrannus, and that under the aegis of the concepts of home and homing.
Author: Richard E. Goodkin
Publisher: John Benjamins Publishing
ISBN: 9027279985
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Tragedy as Symbolism It is the symbolic nature of Oedipus' quest which most centrally links the notions of Tragedy and Symbolism in the Oedipus Tyrannus, and that under the aegis of the concepts of home and homing.
Author: Robert McGahey
Publisher: SUNY Press
ISBN: 9780791419410
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stéphane Mallarmé, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarmé's "Orphic Moment," when Orpheus's scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsche's The Birth of Tragedy.
Author: John D Lyons
Publisher: Northwestern University Press
ISBN: 0810137119
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
Author: David Kleinberg-Levin
Publisher: Lexington Books
ISBN: 0739177524
Category : Philosophy
Languages : en
Pages : 240
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Book Description
This book boldly ventures to cross some traditional academic boundaries, offering an original, philosophically informed argument regarding the nature of language by reading and interpreting the poetry of Wallace Stevens and the novels of Vladimir Nabokov. So it is a work both in literary criticism and in philosophy. The approach is strongly influenced by Walter Benjamin’s philosophy of language and Theodor Adorno’s aesthetic theory, but the philosophical thought of other philosophers—notably Plato, Kant, Hegel, Emerson, Heidegger, and Wittgenstein—figures significantly in the reading and interpretation. The essence of the argument is that, despite its damaged condition (standardization, commodification, staleness), language is, as such, by virtue of its very existence, the bearer of a utopian or messianic promise of happiness. Moreover, it is argued that, by reconciling the two senses of sense (sensuous sense and intelligible sense), showing the sheer power of words to create fictional worlds and destroy what they have just created, and redeeming the revelatory power of words—above all, the power to turn the familiar into something no longer familiar, something astonishing or perplexing—the two writers in this study sustain our hope for a world of reconciled antagonisms and contradictions, evoking in the way they freely play with the sounds and meanings of words, some intimations of a world—our world here, this very world, not some heavenly world—in which the promise of happiness would be fulfilled and redeemed. In the first part of the book, reflecting on the poetry of Stevens, Kleinberg-Levin argues that the poet defies the correspondence theory of truth to enable words to be faithful to truth as transformative and revelatory—what Heidegger calls “unconcealment”, translating the Greek. He also argues that in the pleasure we get from the sensuous play of words, there is an anticipation of the promise of happiness that challenges the theological doctrine of an otherworldly happiness and makes the religious experience seem like a paltry substitute. In the second part of the book, Kleinberg-Levin shows how Nabokov inherits Mallarmé’s conception of literature, causing with his word-plays the sudden reduction of the fictional world he has just so compellingly created to its necessary conditions of materiality: white paper, ink, print on the page. We thus see the novel as a work of fiction, as mere semblance; we see its conditions of possibility, created and destroyed before our very eyes. But the pleasure in seeing words doing this, and the pleasure in their sensuous materiality, are intimations of the promise of happiness that language bears. Using a Kantian definition of modernism, according to which a work is modernist if it reveals and questions the inherited assumptions about its necessary conditions of possibility, these studies show how and why both Stevens and Nabokov are exemplars of literary modernism.
Author: Rosemary H. Lloyd
Publisher: Cornell University Press
ISBN: 1501728210
Category : Biography & Autobiography
Languages : en
Pages : 287
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Book Description
Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
Author: James F. Gaines
Publisher: Bloomsbury Publishing USA
ISBN: 031307657X
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
Born Jean-Baptiste Poquelin in 1622, the French playwright Moli^D`ere became one of the most influential dramatists of the 17th century. His comedies shaped the development of theater in Europe, inspired his contemporaries in England, and left a lasting dramatic legacy after his death in 1673. Moli^D`re has also inspired a vast body of scholarship, and recent work has dispelled many of the myths surrounding his career. This reference provides English-speaking readers with a current and comprehensive guide to his life and works. Hundreds of A-Z entries cover topics related to his life, works, and theatrical career, including: Plays; Individual characters; Historical persons; Allusions; Influences; Cultural institutions; And much more. This scrupulously researched volume relies on verifiable facts, giving scant attention to the romantic fiction surrounding the playwright. Many of the entries list works for further reading. A chronology outlines the chief events of Moli^D`re's life and his contributions to the stage. The volume concludes with a bibliography.
Author: Vayos Liapis
Publisher: Cambridge Scholars Publishing
ISBN: 1527514676
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
Modern Greek national and cultural identities consist, to a considerable extent, of clusters of cultural memory, shaped by an ongoing dialogue with the classical past. Within this dialogue between modern Greece and classical antiquity, Greek tragedy takes pride of place. In this volume, ten scholars from Cyprus, Greece, the United Kingdom and the United States explore the various ways in which Greek tragedy and tragic myth have been reimagined and rewritten in modern Greek drama and poetry. The book’s extensive coverage includes major modern Greek authors, such as Cavafy, Seferis, and Ritsos, as well as less well-known, but equally rich and rewarding, 20th- and 21st-century texts.
Author: Stéphane Mallarmé
Publisher: Univ of California Press
ISBN: 0520268148
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this classic tale, Richard Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Author: Sylvie Romanowski
Publisher: Summa Publications, Inc.
ISBN: 9780917786983
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Author: Richard Warren
Publisher: Bloomsbury Publishing
ISBN: 1474298567
Category : Art
Languages : en
Pages : 229
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Book Description
Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns – sexuality, death and the nature of art – its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau's adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations. The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement's less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form.
