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Author: Eavan O'Brien
Publisher: Boydell & Brewer
ISBN: 1855662221
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Zayas's prose through a gynocentric lens. María de Zayas y Sotomayor published two volumes of novellas, Novelas amorosas y ejemplares [1637] and Desengaños amorosos [1647], which enjoyed immense popularity in her day. She has recently been reinstated as a major figure of the Spanish Golden Age. This study examines Zayas's prose through a gynocentric lens. Drawing on an extensive array of primary and secondary sources, and referring to the ideas of Irigaray, Kristeva, Cixous, Raymond and Genette, O'Brien reflects on the interactions of Zayas's women in such relationships as friendship, sisterhood, and motherhood, analyzing these interactions through the collections as a whole, and connecting the novellas with the frame stories, an aspect of Zayas's writing which has often been overlooked by critics. EAVAN O'BRIEN is a Lecturer in Hispanic Studies at Trinity College Dublin.
Author: Sara N. Colburn-Alsop
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
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Book Description
Author: Eavan O'Brien
Publisher: Boydell & Brewer
ISBN: 1855662221
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
Zayas's prose through a gynocentric lens. María de Zayas y Sotomayor published two volumes of novellas, Novelas amorosas y ejemplares [1637] and Desengaños amorosos [1647], which enjoyed immense popularity in her day. She has recently been reinstated as a major figure of the Spanish Golden Age. This study examines Zayas's prose through a gynocentric lens. Drawing on an extensive array of primary and secondary sources, and referring to the ideas of Irigaray, Kristeva, Cixous, Raymond and Genette, O'Brien reflects on the interactions of Zayas's women in such relationships as friendship, sisterhood, and motherhood, analyzing these interactions through the collections as a whole, and connecting the novellas with the frame stories, an aspect of Zayas's writing which has often been overlooked by critics. EAVAN O'BRIEN is a Lecturer in Hispanic Studies at Trinity College Dublin.
Author: Christopher D. Gascón
Publisher: Bucknell University Press
ISBN: 9780838756478
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Some writers present her as a representative of the symbolic order: invested with sacred powers and ultimate authority, she rebukes transgressors and negotiates their return to God's grace and lawful society."--Jacket.
Author: Margaret Greer
Publisher: Penn State Press
ISBN: 0271041218
Category : Literary Criticism
Languages : en
Pages : 486
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Book Description
María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 632
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Book Description
Abstracts of dissertations available on microfilm or as xerographic reproductions.
Author: Nicholas Spadaccini
Publisher: Vanderbilt University Press
ISBN: 9780826514998
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years
Author: Julio Baena
Publisher: Rutgers University Press
ISBN: 1684483700
Category : History
Languages : en
Pages : 175
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Book Description
Shipwreck in the Early Modern Hispanic World examines portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck's symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates.
Author: María de Zayas
Publisher: State University of New York Press
ISBN: 1438400667
Category : Fiction
Languages : en
Pages : 420
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Book Description
The Disenchantments of Love, published in Spain in 1647 by María de Zayas, is a stunning collection of stories about women's amorous experiences in a patriarchal and imperialistic society during the turbulent seventeenth century. Now available for the first time in English translation, the ten examplary novellas are set within an encompassing frame story that continues from the first collection, The Enchantments of Love: Amorous and Exemplary Novels, published in 1637. Both collections of love stories were immediately popular because of the novelty of their plots and the gender of their author. What is new in the disenchantments is the deliberately feminist purpose stated in the rules for telling stories: only women are to narrate "true cases intended to disenchant women about men's deceptions," pointedly denying men the opportunity to dominate the storytelling. In the frame, however, the subtly ironic commentaries on the stories highlight the differences between masculine and feminine points of view. The conclusion of the frame reiterates the exemplary message that women are safe from men's physical and psychological abuse only in the sisterhood of the convent. These ten sensational and bizarre tales focus on the ways lovers deceive women in order to "get their way," through magic, cross dressing as women, and rape—to the torture and murder of innocent women at the hands of their protectors—their fathers, brothers, and husbands. The graphic depictions of women's mutilated bodies are unprecedented in Western literature, as is the meticulous description of domestic violence that has traditionally remained private and hidden. A fascinating dimension of these fast-paced narratives is what they suggest through omission, silence, and ambiguous detail: the untold story that fires the reader's imagination.
Author: Frédéric Conrod
Publisher: Peter Lang
ISBN: 9781433104978
Category : Literary Collections
Languages : en
Pages : 270
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Book Description
The Baroque imagination has its roots in Ignatius of Loyola's Spiritual Exercises (1547), which defined for the Counter-Reformation era the parameters in which Catholic believers must confront the Enemy and the temporal corruption he embodies in order to enter a state of grace and obtain salvation. Through complex interactions of different imaginative functions, Loyola's text is able to superpose a variety of simultaneous narrative levels. In order to reformulate the «greater narrative» (the Magisterium) of the Roman faith beyond what is revealed in Scripture, the Spiritual Exercises require their exercitant to become an active participant in this narrative through constant visual contact with «orders of corruption», that is, spaces in which virtue can be confronted with physical decay and sin. Through these spaces Counter-Reformation Rome (La Roma Ignaziana) would redefine the economy of salvation and diffuse the visual dynamics of the Spiritual Exercises throughout the Catholic world. In their writings, Spanish Golden Age authors Miguel de Cervantes and Baltasar Gracián use the rising modernity of the novel to transform Loyola's notion of «orders of corruption» by adapting it to the secular world. Their encoded criticism of Loyolan imagination contributed to the epistemological crisis that marks the Baroque age, but also prepared the way for the crucial debates that would take place during the Enlightenment (such as the deconstruction of the Catholic «greater narrative» reflected in Loyola). This book concludes with a discussion of the eventual negation of Loyolan imagination in the novels of the Marquis de Sade, which undermine the Roman faith by parodying the Baroque forms of spiritual visual experience and negate the Loyolan projection into «orders of corruption».
Author: Veronica Menaldi
Publisher: Routledge
ISBN: 1000422518
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic—which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters—Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.
