Author: Randy Pausch
Publisher:
ISBN: 9780340978504
Category : Cancer
Languages : en
Pages : 0
Book Description
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
The Last Lecture
Author: Randy Pausch
Publisher:
ISBN: 9780340978504
Category : Cancer
Languages : en
Pages : 0
Book Description
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Publisher:
ISBN: 9780340978504
Category : Cancer
Languages : en
Pages : 0
Book Description
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1040
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1040
Book Description
Author: T. Joyner Drolsum
Publisher: AuthorHouse
ISBN: 1434300374
Category :
Languages : en
Pages : 365
Book Description
"All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness" (2 Tim. 3: 16). According to this verse, the bible is a divinely inspired moral guide. However, the critical analysis of Scripture that comprises the contents of this book clearly demonstrates that this claim is invalid for a number of reasons. For example, the multiple contradictions and absurdities contained in the bible confer an unreliability upon it that undermines its function as a guide for anything, let alone moral decision making. Furthermore, many of the ideas it promotes are actually spiritually harmful. And unless the misogyny, violence, intolerance, injustice and cruelty can be removed, then it is difficult to view the Scriptures as even remotely resembling an unassailable divine guide to ethical conduct. Moreover, the many errors that it contains, including those about the natural world, obviates the claim that the bible is divinely inspired. In the course of using the verses themselves in discussing such topics as biblical errancy, bible-based morality, the nature of the biblical god, the nature of a religion based on the bible, and the bible's stance on science, nature and truth, it will be shown that any belief that it is either divinely inspired or a trustworthy guide to right living is both misguided and delusional. In addition, the insights of such thinkers as Nietzsche, Feuerbach, Spinoza, Shakespeare, Euripides, Dostoyevsky, Camus, Sartre, Maugham, Augustine, Aquinas, Twain, Chaucer, Einstein, Freud, Ingersoll, Mencken, and others will be used to illuminate the true character of the bible, that it is a far more profane thansacred book.
Publisher: AuthorHouse
ISBN: 1434300374
Category :
Languages : en
Pages : 365
Book Description
"All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness" (2 Tim. 3: 16). According to this verse, the bible is a divinely inspired moral guide. However, the critical analysis of Scripture that comprises the contents of this book clearly demonstrates that this claim is invalid for a number of reasons. For example, the multiple contradictions and absurdities contained in the bible confer an unreliability upon it that undermines its function as a guide for anything, let alone moral decision making. Furthermore, many of the ideas it promotes are actually spiritually harmful. And unless the misogyny, violence, intolerance, injustice and cruelty can be removed, then it is difficult to view the Scriptures as even remotely resembling an unassailable divine guide to ethical conduct. Moreover, the many errors that it contains, including those about the natural world, obviates the claim that the bible is divinely inspired. In the course of using the verses themselves in discussing such topics as biblical errancy, bible-based morality, the nature of the biblical god, the nature of a religion based on the bible, and the bible's stance on science, nature and truth, it will be shown that any belief that it is either divinely inspired or a trustworthy guide to right living is both misguided and delusional. In addition, the insights of such thinkers as Nietzsche, Feuerbach, Spinoza, Shakespeare, Euripides, Dostoyevsky, Camus, Sartre, Maugham, Augustine, Aquinas, Twain, Chaucer, Einstein, Freud, Ingersoll, Mencken, and others will be used to illuminate the true character of the bible, that it is a far more profane thansacred book.
House documents
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1160
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1160
Book Description
The Musician
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 812
Book Description
Miscellaneous Documents
Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1160
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1160
Book Description
Best Loved Songs of the American People
Author: Denes Agay
Publisher: Barnes & Noble Publishing
ISBN: 9780760717295
Category : Songs
Languages : en
Pages : 428
Book Description
Popular songs sung by the American people from colonial days to our time are presented in chronological sequence. Includes words, music, and guitar chords.
Publisher: Barnes & Noble Publishing
ISBN: 9780760717295
Category : Songs
Languages : en
Pages : 428
Book Description
Popular songs sung by the American people from colonial days to our time are presented in chronological sequence. Includes words, music, and guitar chords.
Alex Sweet's Texas
Author: Alexaner Edwin Sweet
Publisher: University of Texas Press
ISBN: 0292786956
Category : History
Languages : en
Pages : 225
Book Description
Alexander Edwin Sweet (1841-1901) is Texas's own "Sifter," whose humorous columns appeared in the Galveston Daily News in the late 1870s and early 1880s. In his wickedly funny, tongue-in-cheek sketches, readers learned of an astonishing variety of frontier phenomena, some familiar, others downright odd. For example, there was the typical nineteenth-century custom of New Year's Day receptions for bachelor guests only, with refreshments consisting largely of strong drink and equally strong fruitcake. Imbibing a bit more cheer at each stop, according to Sweet, the bachelors brought the last prospective sweethearts they visited New Year's greetings as incoherent as they were heartfelt. At times Sweet parodied the Yankee image of the typical Texan, whom he described as "half alligator, half human," eating raw buffalo and toting an arsenal of weaponry like a "perambulating gun-rack." But he also did as much as any writer to establish and enlarge upon the national image of Texas and Texans. Even the irascible red ant and the other "critters" in Sweet's column were Texas big and Texas-fabulous! In 1881 Sweet co-founded Texas Siftings, a humor magazine that moved from Austin to New York to become one of the most popular periodicals of its kind in the United States. From Texas Siftings, from Sweet's two published books (one called by John Jenkins in Basic Texas Books the "best volume of 19th century Texas humor"), and from many never-before-collected newspaper columns, editor Virginia Eisenhour has assembled an Alex Sweet sampler that presents the very best of the timeless humorist's work. The result—Alex Sweet's Texas—clearly demonstrates why the New York Journal pronounced Sweet "second to no living writer in freshness, originality, sparkling wit, and refined humor." A century later, that wit still sparkles and is guaranteed to delight Texans present as it once did Texans past.
Publisher: University of Texas Press
ISBN: 0292786956
Category : History
Languages : en
Pages : 225
Book Description
Alexander Edwin Sweet (1841-1901) is Texas's own "Sifter," whose humorous columns appeared in the Galveston Daily News in the late 1870s and early 1880s. In his wickedly funny, tongue-in-cheek sketches, readers learned of an astonishing variety of frontier phenomena, some familiar, others downright odd. For example, there was the typical nineteenth-century custom of New Year's Day receptions for bachelor guests only, with refreshments consisting largely of strong drink and equally strong fruitcake. Imbibing a bit more cheer at each stop, according to Sweet, the bachelors brought the last prospective sweethearts they visited New Year's greetings as incoherent as they were heartfelt. At times Sweet parodied the Yankee image of the typical Texan, whom he described as "half alligator, half human," eating raw buffalo and toting an arsenal of weaponry like a "perambulating gun-rack." But he also did as much as any writer to establish and enlarge upon the national image of Texas and Texans. Even the irascible red ant and the other "critters" in Sweet's column were Texas big and Texas-fabulous! In 1881 Sweet co-founded Texas Siftings, a humor magazine that moved from Austin to New York to become one of the most popular periodicals of its kind in the United States. From Texas Siftings, from Sweet's two published books (one called by John Jenkins in Basic Texas Books the "best volume of 19th century Texas humor"), and from many never-before-collected newspaper columns, editor Virginia Eisenhour has assembled an Alex Sweet sampler that presents the very best of the timeless humorist's work. The result—Alex Sweet's Texas—clearly demonstrates why the New York Journal pronounced Sweet "second to no living writer in freshness, originality, sparkling wit, and refined humor." A century later, that wit still sparkles and is guaranteed to delight Texans present as it once did Texans past.
Louise Erdrich's Love Medicine
Author: Hertha Dawn Wong
Publisher: Oxford University Press, USA
ISBN: 0195127226
Category : Historical fiction, American
Languages : en
Pages : 244
Book Description
This is a casebook on Louise Erdrich's first novel, Love Medicine, which came out in 1984 to instant national acclaim, winning a National Book Circle Critics Award and launching a tetralogy which it would take Erdrich ten years to complete.
Publisher: Oxford University Press, USA
ISBN: 0195127226
Category : Historical fiction, American
Languages : en
Pages : 244
Book Description
This is a casebook on Louise Erdrich's first novel, Love Medicine, which came out in 1984 to instant national acclaim, winning a National Book Circle Critics Award and launching a tetralogy which it would take Erdrich ten years to complete.
Shakespeare's Folktale Sources
Author: Charlotte Artese
Publisher: Rutgers University Press
ISBN: 1644530449
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Shakespeare’s Folktale Sources argues that seven plays—The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, and Cymbeline—derive one or more of their plots directly from folktales. In most cases, scholars have accepted one literary version of the folktale as a source. Recognizing that the same story has circulated orally and occurs in other medieval and early modern written versions allows for new readings of the plays. By acknowledging that a play’s source story circulated in multiple forms, we can see how the playwright was engaging his audience on common ground, retelling a story that may have been familiar to many of them, even the illiterate. We can also view the folktale play as a Shakespearean genre, defined by source as the chronicle histories are, that spans and traces the course of Shakespeare’s career. The fact that Shakespeare reworked folktales so frequently also changes the way we see the history of the literary folk- or fairy-tale, which is usually thought to bypass England and move from Italian novella collections to eighteenth-century French salons. Each chapter concludes with a bibliography listing versions of each folktale source as a resource for further research and teaching. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644530449
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Shakespeare’s Folktale Sources argues that seven plays—The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, and Cymbeline—derive one or more of their plots directly from folktales. In most cases, scholars have accepted one literary version of the folktale as a source. Recognizing that the same story has circulated orally and occurs in other medieval and early modern written versions allows for new readings of the plays. By acknowledging that a play’s source story circulated in multiple forms, we can see how the playwright was engaging his audience on common ground, retelling a story that may have been familiar to many of them, even the illiterate. We can also view the folktale play as a Shakespearean genre, defined by source as the chronicle histories are, that spans and traces the course of Shakespeare’s career. The fact that Shakespeare reworked folktales so frequently also changes the way we see the history of the literary folk- or fairy-tale, which is usually thought to bypass England and move from Italian novella collections to eighteenth-century French salons. Each chapter concludes with a bibliography listing versions of each folktale source as a resource for further research and teaching. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.