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Author: Euripides
Publisher: Greek Tragedy in New Translations
ISBN: 9780195045536
Category : Drama
Languages : en
Pages : 100
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Book Description
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.
Author: Euripides
Publisher: Greek Tragedy in New Translations
ISBN: 9780195045536
Category : Drama
Languages : en
Pages : 100
Get Book Here
Book Description
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.
Author: Aeschylus
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
Author: Aeschylus
Publisher: Faber & Faber
ISBN: 0571341608
Category : Drama
Languages : en
Pages : 65
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Book Description
If we help, we invite trouble. If we don't, we bring shame.Fifty women board a boat in North Africa. They flee across the Mediterranean, leaving everything behind. They are escaping forced marriage in their home and seeking asylum in Greece.Written 2,500 years ago, The Suppliant Women is one of the world's oldest plays. It's about the plight of refugees, about moral and human rights, civil war, democracy and ultimately the triumph of love. It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology. It explores fundamental questions of humanity: who are we, where do we belong and, if all goes wrong, who will take us in?Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the Lyceum Theatre, Edinburgh, in October 2016, in a production by ATC.
Author: Geoffrey W. Bakewell
Publisher: University of Wisconsin Pres
ISBN: 0299291731
Category : Drama
Languages : en
Pages : 227
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Book Description
As Athenians of the classical era became increasingly aware of their own collective identity, they sought to define themselves and exclude others. They created a formal legal status to designate the free noncitizens living among them, calling them metics and calling their status metoikia. When Aeschylus dramatized the mythical flight of the Danaids from Egypt in his play Suppliant Women, he did so in light of his own time and place. Throughout the play, directly and indirectly, he casts the newcomers as metics and their stay in Greece as metoikia. Bakewell maps the manifold anxieties that metics created in classical Athens, showing that although citizens benefited from the many immigrants in their midst, they also feared the effects of immigration in political, sexual, and economic realms. Bakewell finds metoikia was a deeply flawed solution to the problem of large-scale immigration.
Author: Pär Sandin
Publisher: Pär Sandin
ISBN: 9162864017
Category : Danaus
Languages : en
Pages : 261
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Book Description
Author: James C. Hogan
Publisher: University of Chicago Press
ISBN: 9780226348438
Category : Drama
Languages : en
Pages : 346
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Book Description
"Classical scholar James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He draws on a vast range of scholarship and criticism to give modern readers the most accurate picture possible of what ancient audiences saw and understood in the spectacle of Greek tragedy. Hogan places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law, athletic contests, relations with neighboring states, beliefs about the underworld, demons, omens, and divination, and countless other details of Hellenic life. He clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as the author has kept in mind the need of modern readers to visualize the drama in order to understand the text. Though little is known about Greek choreography and music, Hogan stresses their central role and provides notes on entrances and exits, the use of extras, costuming, tableaux, masks, the use of a stage, the interaction of chorus and actors, tone, gesture, style of acting, and spectacle."--Back cover
Author: Aeschylus
Publisher: BoD – Books on Demand
ISBN: 3387321066
Category : Fiction
Languages : en
Pages : 237
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Aeschylus
Publisher: Simon and Schuster
ISBN: 1625589212
Category : Drama
Languages : en
Pages : 101
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Book Description
In the play, the Danaids, the fifty daughters of Danaus, founder of Argos, flee a forced marriage to their cousins in Egypt. They turn to King Pelasgus of Argos for protection, but Pelasgus refuses until the people of Argos weigh in on the decision, a distinctly democratic move on the part of the king. The people decide that the Danaids deserve protection, and they are allowed within the walls of Argos despite Egyptian protests.
Author: Aeschylus
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Aeschylus
Publisher: Aris & Phillips
ISBN: 1908343788
Category : Drama
Languages : en
Pages : 379
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Book Description
Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature.A.J.Bowen is an Emeritus Fellow of Jesus College, Cambridge. From 1993 to 2007 he was Orator of the University.
