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Author: S. K. Heninger
Publisher: Penn State Press
ISBN: 9780271010717
Category : Poetry
Languages : en
Pages : 228
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Book Description
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
Author: S. K. Heninger
Publisher: Penn State Press
ISBN: 9780271010717
Category : Poetry
Languages : en
Pages : 228
Get Book Here
Book Description
During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.
Author: Peter Auger
Publisher: Oxford University Press
ISBN: 0192562835
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James' intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.
Author: Lee Morrissey
Publisher: University of Virginia Press
ISBN: 9780813918990
Category : Architecture
Languages : en
Pages : 200
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Book Description
Visiting Britain in the mid-18th century, Andre Rouquet wrote that ""in England more than in any other country, every man would fain be his own architect."" Not surprisingly, then, several of the most important 18th-century British authors were also practicing architects: John Vanbrugh, a playwrite, designed Blenheim Palace; the poet Alexander Pope offered architectural drawings for redesigning the houses of friends; and Horace Walpole claimed that the home he renovated, Strawberry Hill, inspired his Novel ""The Castle of Otranto"". The work of John Milton and Thomas Gray also exhibits an abiding interest in architecture. By examining the connections between literature and architecture in the work of these writers and by viewing architecture in literary terms, Lee Morissey traces a narrative of cultural change in the Augustan age and beyond. A literary scholar with a strong background in architectural theory and practice, Morissey examines architectural references made by these authors and architectural publications familiar to them. Each chapter establishes a connection with architecture in the careers of an author and then describes how a principal text - ""Paradise Lost"", ""The Provok'd Wife"", ""An Essay on Man"", ""Elegy Written in a Country Churchyard"", and ""The Castle of Otranto"" - focuses the literary and historical issues of the period in architectural terms. While some 20th-century architectural theorists have worried that treating architecture in literary terms robs it of its social function, Morrissey argues that architecture can be a language and still participate in political and social contexts, because language itself is political and social. The fruit of his argument is a unique intellectual history of late 17th- and early 18th-century Britain of use to scholars of architectural history and landscape architecture as well as of literature.
Author: Alan Udoff
Publisher: Rowman & Littlefield
ISBN: 0739176676
Category : Philosophy
Languages : en
Pages : 253
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Book Description
The essays focus on the work of Vladimir Jank l vitch as a moral philosopher, particularly that aspect of his work dealing with the question of forgiveness. They treat topics such as the place of moral philosophy in relation to his work as a whole, his relationship to contemporary French thought, and the backgrounds of classical Judaic tradition and world literature. The centerpiece of this tableau is Jank l vitch's book Le Pardon (Forgiveness). Chief among the distinguishing characteristics is its rigorous defense of what might be termed a forgiveness free of the entanglements that taint the common understanding of forgiveness--what Jank l vitch refers to as pseudo-forgiveness. The advocacy of forgiveness in the name of political or social expediency, as well as the psychological benefit for the victim, are similarly repudiated. In their place, Jank l vitch substitutes a radical forgiveness that is "initial, sudden, spontaneous"--not able to erase the past, but able to create a new future and, thereby, a new relationship to the past. He does not permit even this future, however, to serve as forgiveness's justification. For him, beyond all justifications, beyond justice itself, forgiveness is a gift akin to love.
Author: Gavin Alexander
Publisher:
ISBN: 0199591121
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
'Writing After Sidney' examines the literary response to Sir Philip Sidney, author of the 'Arcadia, Astrophil and Stella' and 'The Defence of Poesy', and the influential writer of the Elizabethan period.
Author: Brian R Bates
Publisher: Routledge
ISBN: 1317322274
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Wordsworth’s process of revision, his organization of poetic volumes and his supplementary writings are often seen as distinct from his poetic composition. Bates asserts that an analysis of these supplementary writings and paratexts are necessary to a full understanding of Wordsworth’s poetry.
Author: Reuben Sánchez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636800
Category : Language Arts & Disciplines
Languages : en
Pages : 278
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Book Description
Sanchez traces the movement in Milton's thought and self-presentation from dependence on public covenant to revaluation of public covenant as dependent on private covenant.
Author: Charlotte Gordon
Publisher: Little, Brown
ISBN: 0316028681
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
Though her work is a staple of anthologies of American poetry, Anne Bradstreet has never before been the subject of an accessible, full-scale biography for a general audience. Anne Bradstreet is known for her poem, To My Dear and Loving Husband, among others, and through John Berryman's Homage to Mistress Bradstreet. With her first collection, The Tenth Muse Lately Sprung Up in America, she became the first published poet, male or female, of the New World. Many New England towns were founded and settled by Anne Bradstreet's family or their close associates -- characters who appear in these pages.
Author: Deborah Solomon
Publisher: Taylor & Francis
ISBN: 1000828042
Category : History
Languages : en
Pages : 202
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Book Description
This book draws attention to the pervasive artistic rivalry between Elizabethan poetry and gardens in order to illustrate the benefits of a trans-media approach to the literary culture of the period. In its blending of textual studies with discussions of specific historical patches of earth, The Poem and the Garden demonstrates how the fashions that drove poetic invention were as likely to be influenced by a popular print convention or a particular garden experience as they were by the formal genres of the classical poets. By moving beyond a strictly verbal approach in its analysis of creative imitation, this volume offers new ways of appreciating the kinds of comparative and competitive methods that shaped early modern poetics. Noting shared patterns—both conceptual and material—in these two areas not only helps explain the persistence of botanical metaphors in sixteenth-century books of poetry but also offers a new perspective on the types of contrastive illusions that distinguish the Elizabethan aesthetic. With its interdisciplinary approach, The Poem and the Garden is of interest to all students and scholars who study early modern poetics, book history, and garden studies.
Author: Sugata Ray
Publisher: University of Washington Press
ISBN: 029574538X
Category : Art
Languages : en
Pages : 260
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Book Description
In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. In Climate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture. A groundbreaking contribution to the emerging field of eco–art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/climate-change-and-the-art-of-devotion
