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Author: Jon Robin Baitz
Publisher: Theatre Communications Group
ISBN: 1559368195
Category : Drama
Languages : en
Pages : 183
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Book Description
"Marked by the aching articulation, scathing wit and deep convictions of a mature artist with a complete vision."--Frank Rich, The New York Times "If Arthur Miller had married Noel Coward, their son would have been Robbie Baitz." --André Bishop, from the Preface Jon Rubin Baitz startled the theatrical world with the 1985 debut of The Film Society. A frank examination of the controlling forces behind a nearly bankrupt private school for boys in South Africa, The Film Society introduced a young playwright with an extraordinarily mature grasp of people, language and society. Baitz's recent works have fulfilled his early promise and enhanced his reputation. In The Substance of Fire (1991), a fiercely intellectual New York publisher struggles with his children for control of his business, and with the relentless pride which has made him previous to love. In The End of the Day (1992), an expatriate British doctor adapts to America by abandoning his ideals and succumbing to the twin lures of status and crime. About the Author: Jon Robin Baitz is the author of Three Hotels, The Film Society, Other Desert Cities, The End of the Day, and The Substance of Fire, which he adapted into a major motion picture. He was the showrunner on ABC’s Brothers & Sisters. He also wrote the screenplay for the upcoming film Stonewall directed by Roland Emmerich. He lives in New York.
Author: Jon Robin Baitz
Publisher: Theatre Communications Group
ISBN: 1559368195
Category : Drama
Languages : en
Pages : 183
Get Book
Book Description
"Marked by the aching articulation, scathing wit and deep convictions of a mature artist with a complete vision."--Frank Rich, The New York Times "If Arthur Miller had married Noel Coward, their son would have been Robbie Baitz." --André Bishop, from the Preface Jon Rubin Baitz startled the theatrical world with the 1985 debut of The Film Society. A frank examination of the controlling forces behind a nearly bankrupt private school for boys in South Africa, The Film Society introduced a young playwright with an extraordinarily mature grasp of people, language and society. Baitz's recent works have fulfilled his early promise and enhanced his reputation. In The Substance of Fire (1991), a fiercely intellectual New York publisher struggles with his children for control of his business, and with the relentless pride which has made him previous to love. In The End of the Day (1992), an expatriate British doctor adapts to America by abandoning his ideals and succumbing to the twin lures of status and crime. About the Author: Jon Robin Baitz is the author of Three Hotels, The Film Society, Other Desert Cities, The End of the Day, and The Substance of Fire, which he adapted into a major motion picture. He was the showrunner on ABC’s Brothers & Sisters. He also wrote the screenplay for the upcoming film Stonewall directed by Roland Emmerich. He lives in New York.
Author: Jon Robin Baitz
Publisher: Samuel French, Inc.
ISBN: 9780573692932
Category : Drama
Languages : en
Pages : 84
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Book Description
Full Length, Drama Characters: 3 male, 2 female 2 Interior Sets Isaac Geldhart, the imperious scion of a family owned publishing house, is under siege. A takeover is being engineered by his son Aaron, who sees the firm's profitability steadily declining and wants to publish a trashy novel to bring in the bucks. Isaac plans to go on publishing scholarly works such as a multi volume history of Nazi medical experiments. Aaron has the necessary yen from Japanese backers but he ne
Author: Robert J. Andreach
Publisher: University Press of America
ISBN: 0761864016
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation.
Author: Ray Bradbury
Publisher: Simon and Schuster
ISBN: 1451678193
Category : Fiction
Languages : en
Pages : 260
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Book Description
The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.
Author: Todd London
Publisher: Theatre Communications Group
ISBN: 1559367628
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Audition monologues from recent works by American playwrights.
Author: Jon Robin Baitz
Publisher: Samuel French, Inc.
ISBN: 9780573662294
Category :
Languages : en
Pages : 92
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Book Description
Author: Stieg Larsson
Publisher: Vintage
ISBN: 0307476154
Category : Blomkvist, Mikael (Fictitious character)
Languages : en
Pages : 738
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Book Description
When the reporters to a sex-trafficking exposé are murdered and computer hacker Lisbeth Salander is targeted as the killer, Mikael Blomkvist, the publisher of the exposé, investigates to clear Lisbeth's name.
Author: Peter Hook
Publisher: HarperCollins
ISBN: 0062308017
Category : Biography & Autobiography
Languages : en
Pages : 574
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Book Description
Includes full set lists not included in the physical edition. In this final installment of his internationally bestselling three-part memoir—including The Hacienda and Unknown Pleasures—British rocker Peter Hook focuses on the 1980s New Wave and Dance Punk scene and the rise of one of the most influential bands of the Second British Invasion: New Order. 1980. Resurrected from the ashes of Joy Division after the suicide of its lead singer, Ian Curtis, New Order would become one most critically acclaimed and important bands of the decade and beyond. With their hits "Bizarre Love Triangle", "Perfect Kiss", and "Blue Monday"—the biggest-selling 12-inch single of all time—Peter Hook and company quickly rose to the top of the alternative music scene. Widely regarded as the godfathers of electronic dance music, their sound would influence Moby, The Chemical Brothers, The Postal Service, The Killers, and other acts that followed in their wake. Hook tells the complete, unvarnished story of New Order’s founding and evolution; the band’s experiences in the New York City club scene and rapid rise to international fame, its impact on house music, techno, and rave; and its eventual rancorous dissolution. Full of Hook’s "gleefully profane" (Entertainment Weekly) humor and vivid, witty storytelling, Substance is the most important and certainly the most controversial part of his story, emanating with drugs, booze, and sex. Complete with timelines, discographies, gigographies and track-by-track analysis, and exclusive photographs and archival images from Hook’s personal collection, it is the definitive, comprehensive history of New Order and a compelling snapshot of the '80s cultural scene in all its neon-hued glory.
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Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 814
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Book Description
Author: Anne Lardeux
Publisher: Coach House Books
ISBN: 1770567089
Category : Fiction
Languages : en
Pages : 127
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Book Description
Squatters at a rural gas station try to find freedom and build something new on the ashes of our petrocivilization in this sensual novel. A community of outsiders takes over an abandoned gas station. They spend their days ripping up asphalt, drinking beer and eating hot dogs, and wandering through woods and towns in search of new ways of living. People come and go: a charismatic landscaper, Italian anarchists, a policewoman, travellers. A teenager drifts into homelessness. And The Girl With No Name keeps a journal of her attempts to meet new people and sleep with them, sex that is “not a sideline” but the motivating force in a story she is struggling to understand. Neighbors grow hostile. An investigation threatens the community. Tension builds between the surface violence of “normal life” and the attempt of these outsiders to experience freedom and build something new on the ashes of our oil-addicted society. With a character borrowed from Agnès Varda’s Vagabond and inspiration taken from Anne Boyer’s writings, Anne Lardeux’s highly original debut assembles elements of poetry, film, and visual arts into an exuberant choral novel, an ode to the daughters of fire and to the poetry of the body. Often funny, sometimes raunchy, consistently surprising, never flinching, The Second Substance heralds an important new voice in Quebec literature. "A revolutionary diary that parses the lines of sex and power, in language that pushes itself around on the page like paint. With echoes of Emma Goldman's if I can't dance, Lardeux's revolution has fucking at its core. The Second Substance is fleshy, cinematic, intuitive." -Tamara Faith Berger, author of Queen Solomon “A nomadic miscellany of gruff scavengers and would-be pioneers has commandeered the derelict filling station at 69 Rue Principale—an anonymous sensualist and moonlighting authoritarian among them—all jockeying for position at the nexus of self-determination and fate. In Anne Lardeux’s enigmatic debut, presented here in a translation by Pablo Strauss, the constant friction between societal strictures and communal revision spark a series of disorderly experiments, abstract epiphanies blasting off in every direction. The Second Substance is a novel about overriding our programming, rewriting our code in order to initiate an even more radical set of protocols for eroticism, destruction, and rebirth.” —Justin Walls, Bookshop.org
