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Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Book Description
Author: Margaret Steele Anderson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 392
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Book Description
Author: MARGARET STEELE ANDERSON
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Author: Margaret Steele Anderson
Publisher: Palala Press
ISBN: 9781357187729
Category :
Languages : en
Pages : 390
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Alicia Volk
Publisher: Univ of California Press
ISBN: 0520259521
Category : Art
Languages : en
Pages : 323
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Book Description
"Volk's impressive study rethinks the East-West binary often reiterated in discussions of Japanese modernism by reinserting local aspects into the universalizing tendencies of modernism itself. The book makes an important contribution to the growing literature on modern Japanese art history by providing an alternative comparative framework for understanding the global development of modernism that decenters Euro-America. Rigorously historical in her critique, Volk destabilizes our understanding of the Japanese experience of modernity through the prism of Yorozu's singular vision of the self, leaving us questioning conventional wisdom and contented to wobble."--Gennifer Weisenfeld, Duke University "In Volk's affectingly stunning and deeply reflective study of the Japanese artist Yorozu Tetsugorō's work between 1910-1930, we have a profoundly historical reminder of how modernism everywhere struggled to meet the demands of the new with the readymades of received artistic practices. In this study of Yorozu's utopian universalist project, Volk has imaginatively broadened our understanding of the modernist moment and perceptively captured its global program to unify art and life, contemporary culture and history."--Harry Harootunian, author of Overcome by Modernity: History, Culture and Community in Interwar Japan
Author: Margaret Steele Anderson
Publisher: Forgotten Books
ISBN: 9781330365007
Category : Art
Languages : en
Pages : 395
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Book Description
Excerpt from The Study of Modern Painting The aim of this book is to find out, and to set down as briefly as possible, the various currents or trends of modern painting, showing each one of these trends as illustrated by the work of a few eminent men. It is addressed to laymen in general, and primarily to the reader who knows something of famous work - something, let us say, of Titian, Watteau, Corot, Turner, and even of a few American painters - but who knows very little as to the various tendencies of modern art and is not yet familiar with the names of its leaders. To this layman I have endeavored to bring the movements and the significance of modern painting, together with some idea of the work of the great men who stand for it. As America is still too young for any variety of movements, I have considered her art by forms and not by currents, taking, first, landscape painting, the form peculiar to the American genius, and then, in due order, figure-painting, portraiture, the idyl, and mural decoration. The argument of the book is three-fold. It maintains, first, that the particular achievement of nineteenth century painting is its solving of the problem of light, its conquest of the secrets of the air. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Mary Acton
Publisher: Psychology Press
ISBN: 9780415238113
Category : Art
Languages : en
Pages : 392
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Book Description
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Author: Kim Grant
Publisher: Penn State Press
ISBN: 0271079495
Category : Art
Languages : en
Pages : 295
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Book Description
In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.
Author: Frank Rutter
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 159
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Book Description
