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Author:
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 604
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Book Description
Author: Ann Eatwell
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
The definative guide to the work of this highly respected, contemporary ceramic designer. The major achievements from her prolific career are discussed. Includes sixteen comprehensive authoritative.
Author: William Hurrell Mallock
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Book Description
Author: Anthony Alofsin
Publisher: University of Chicago Press
ISBN: 9780226013664
Category : Architecture
Languages : en
Pages : 428
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Book Description
New definition to the little-known work Wright produced during this period, which he describes as Wright's primitivist phase. He traces this influence in his art through Wright's explorations of primitivist sources, innovations in sculpture, and an intensification of the architect's use of ornament. Less tangible, but as important, was Wright's view of himself, his art, and society, and Alofsin uncovers the European impact on the architect's image of himself as a.
Author:
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 202
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Book Description
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 870
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Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 420
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Book Description
Author: Hannelore Hägele
Publisher: Cambridge Scholars Publishing
ISBN: 1443852651
Category : Art
Languages : en
Pages : 369
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Book Description
This book introduces the reader to the art of sculpture across five millennia up to the present, and from the Near East to the west. In each of the eleven chapters, a number of selected works are discussed to exemplify the circumstances and conditions for making pieces of sculpture – objects peculiar to place, time and context. Within each cultural framework, characteristics are observable that suggest various reasons for the use of colour in sculpture. These encompass local preferences, customs or cultural requirements; and others point to an impulse to enhance the expression of the phenomenal. Whether colour is really necessary or even essential to sculpted works of art is a question especially pertinent since the Renaissance. Surface finishes of sculptural representations may allude to the sensory world of colour without even having pigment applied to them. What makes polychromy so special is that it functions as an overlay of another dimension that sometimes carries further encoded meaning. In nature, the colour is integral to the given object. What the present survey suggests is that the relationship between colour and sculpture is a matter of intentional expression, even where the colour is intrinsic – as in the sculptor’s materials.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 814
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Book Description
