Author:
Publisher: New York Review of Books
ISBN: 9781590171912
Category : Poetry
Languages : en
Pages : 172
Book Description
A New York Review Books Original A master anthology of Russia’s most important poetry, newly collected and never before published in English In the years before the 1917 Russian Revolution, the Stray Dog cabaret in St. Petersburg was the haunt of poets, artists, and musicians, a place to meet, drink, read, brawl, celebrate, and stage performances of all kinds. It has since become a symbol of the extraordinary literary ferment of that time. It was then that Alexander Blok composed his apocalyptic sequence “Twelve”; that the futurists Velimir Khlebnikov and Vladimir Mayakovsky exploded language into bold new forms; that the lapidary lyrics of Osip Mandelstam and plangent love poems of Anna Akhmatova saw the light; that the electrifying Marina Tsvetaeva stunned and dazzled everyone. Boris Pasternak was also of this company, putting together his great youthful hymn to nature, My Sister, Life. It was a transforming moment—not just for Russian but for world poetry—and a short-lived one. Within little more than a decade, revolution and terror were to disperse, silence, and destroy almost all the poets of the Stray Dog cabaret.
The Stray Dog Cabaret
The Same Solitude
Author: Catherine Ciepiela
Publisher: Cornell University Press
ISBN: 1501727001
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
"Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."—Boris Pasternak to Marina TsvetaevaOne of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s.Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage."
Publisher: Cornell University Press
ISBN: 1501727001
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
"Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."—Boris Pasternak to Marina TsvetaevaOne of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s.Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage."
Russian Silver Age Poetry
Author: Sibelan Elizabeth S. Forrester
Publisher:
ISBN: 9781618113702
Category : Modernism (Literature)
Languages : en
Pages : 0
Book Description
Russian Silver Age writers were full participants in European literary debates and movements. Today some of these poets, such as Akhmatova, Mandelstam, Mayakovsky, Pasternak, and Tsvetaeva, are known around the world. This volume introduces Silver Age poetry with its cultural ferment, the manifestos and the philosophical, religious, and aesthetic debates, the occult references and sexual experimentation, and the emergence of women, Jews, gay and lesbian poets, and peasants as part of a brilliant and varied poetic environment. After a thorough introduction, the volume offers brief biographies of the poets and selections of their work in translation--many of them translated especially for this volume--as well as critical and fictional texts (some by the poets themselves) that help establish the context and outline the lively discourse of the era and its indelible moral and artistic aftermath.
Publisher:
ISBN: 9781618113702
Category : Modernism (Literature)
Languages : en
Pages : 0
Book Description
Russian Silver Age writers were full participants in European literary debates and movements. Today some of these poets, such as Akhmatova, Mandelstam, Mayakovsky, Pasternak, and Tsvetaeva, are known around the world. This volume introduces Silver Age poetry with its cultural ferment, the manifestos and the philosophical, religious, and aesthetic debates, the occult references and sexual experimentation, and the emergence of women, Jews, gay and lesbian poets, and peasants as part of a brilliant and varied poetic environment. After a thorough introduction, the volume offers brief biographies of the poets and selections of their work in translation--many of them translated especially for this volume--as well as critical and fictional texts (some by the poets themselves) that help establish the context and outline the lively discourse of the era and its indelible moral and artistic aftermath.
No Love Is Not Dead
Author: Chris McCabe
Publisher: Chambers
ISBN: 9781529338539
Category :
Languages : en
Pages : 0
Book Description
A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets. No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love,this most extreme of human emotions. With influential,award-winning poets including Kim Hyesoon and Warsan Shire,and languages ranging from Amharic,Akkadian and Ancient Greek to Yankunytjatjara,Yiddish and Yoruba,this unique anthology engages the reader in reflective tales of 'Unlikely Love Stories' and 'Impossible Love', 'Love in a Time of Politics',surrealist love,visual love and free love, offering an intuitive insight into both historical and present-day perceptions of love across cultures. Including over 50 poets,writing on each of the world's continents,this new anthology of poems about love features a diverse range of original poems written in a variety of languages - modern,ancient, endangered and constructed, accompanied by English translations and commentaries. Poets included in the book: Apollinaire; Nicole Brossard; Augusto de Campos; Catullus; Chaucer; Dante; Robert Desnos; Ali Cobby Eckermann; Goethe; Kim Hyesoon; Louise Labé; Federico Garcia Lorca; Vladimir Mayakovsky; Miklós Radnóti; Kutti Ravathi; Sappho; Warsan Shire; Laura Tohe; Marina Tsvetaeva. Languages included in the book: Akkadian; Amharic; Ancient Greek; Faroese; French; German; Hungarian; Italian; Japanese; Latvian; Maori; Persian; Polari; Portuguese; Russian; Sanskrit; Scots; Scottish Gaelic; Serbian; Somali; Spanish; Urdu; Welsh; Yoruba.
Publisher: Chambers
ISBN: 9781529338539
Category :
Languages : en
Pages : 0
Book Description
A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets. No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love,this most extreme of human emotions. With influential,award-winning poets including Kim Hyesoon and Warsan Shire,and languages ranging from Amharic,Akkadian and Ancient Greek to Yankunytjatjara,Yiddish and Yoruba,this unique anthology engages the reader in reflective tales of 'Unlikely Love Stories' and 'Impossible Love', 'Love in a Time of Politics',surrealist love,visual love and free love, offering an intuitive insight into both historical and present-day perceptions of love across cultures. Including over 50 poets,writing on each of the world's continents,this new anthology of poems about love features a diverse range of original poems written in a variety of languages - modern,ancient, endangered and constructed, accompanied by English translations and commentaries. Poets included in the book: Apollinaire; Nicole Brossard; Augusto de Campos; Catullus; Chaucer; Dante; Robert Desnos; Ali Cobby Eckermann; Goethe; Kim Hyesoon; Louise Labé; Federico Garcia Lorca; Vladimir Mayakovsky; Miklós Radnóti; Kutti Ravathi; Sappho; Warsan Shire; Laura Tohe; Marina Tsvetaeva. Languages included in the book: Akkadian; Amharic; Ancient Greek; Faroese; French; German; Hungarian; Italian; Japanese; Latvian; Maori; Persian; Polari; Portuguese; Russian; Sanskrit; Scots; Scottish Gaelic; Serbian; Somali; Spanish; Urdu; Welsh; Yoruba.
Love Goes to Buildings on Fire
Author: Will Hermes
Publisher: Macmillan
ISBN: 0374533547
Category : History
Languages : en
Pages : 385
Book Description
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Publisher: Macmillan
ISBN: 0374533547
Category : History
Languages : en
Pages : 385
Book Description
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Explodity
Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
The Modernist Masquerade
Author: Colleen McQuillen
Publisher: University of Wisconsin Pres
ISBN: 029929613X
Category : History
Languages : en
Pages : 299
Book Description
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
Publisher: University of Wisconsin Pres
ISBN: 029929613X
Category : History
Languages : en
Pages : 299
Book Description
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
The Boy Who Talked to Dogs
Author: Martin McKenna
Publisher: Skyhorse
ISBN: 1629148806
Category : Pets
Languages : en
Pages : 216
Book Description
When Martin McKenna was growing up in Garryowen, Ireland, in the 1970s, he felt the whole world knew him as just “that stupid boy.” Badly misunderstood by his family and teachers, Martin escaped from endless bullying by running away from home and eventually adopting—or being adopted by—six street dogs. Camping out in barns, escaping from farmers, and learning to fend for himself by caring for his new friends, Martin discovered a different kind of language, strict laws of behavior, and strange customs that defined the world of dogs. More importantly, his canine companions helped him understand the vital importance of family, courage, and self-respect—and that he wasn’t stupid after all. Their lessons helped Martin make a name for himself as the “Dog Man” in Australia, where he now lives and dispenses his hard-earned wisdom to dog owners who are sometimes baffled by what their four-legged friends are trying to tell them. An emotional and poignant story seasoned with plenty of Frank McCourt–style humor, The Boy Who Talked to Dogs is an inspiration to anyone who’s ever been told he or she won’t amount to anything. It’s also a unique, fascinating look into canine behavior. In these pages, Martin shows how modern life has conditioned dogs to act around humans, in some ways helpful, but in other ways unnatural to their true instincts, and how he has benefited enormously from learning to “talk dog.”
Publisher: Skyhorse
ISBN: 1629148806
Category : Pets
Languages : en
Pages : 216
Book Description
When Martin McKenna was growing up in Garryowen, Ireland, in the 1970s, he felt the whole world knew him as just “that stupid boy.” Badly misunderstood by his family and teachers, Martin escaped from endless bullying by running away from home and eventually adopting—or being adopted by—six street dogs. Camping out in barns, escaping from farmers, and learning to fend for himself by caring for his new friends, Martin discovered a different kind of language, strict laws of behavior, and strange customs that defined the world of dogs. More importantly, his canine companions helped him understand the vital importance of family, courage, and self-respect—and that he wasn’t stupid after all. Their lessons helped Martin make a name for himself as the “Dog Man” in Australia, where he now lives and dispenses his hard-earned wisdom to dog owners who are sometimes baffled by what their four-legged friends are trying to tell them. An emotional and poignant story seasoned with plenty of Frank McCourt–style humor, The Boy Who Talked to Dogs is an inspiration to anyone who’s ever been told he or she won’t amount to anything. It’s also a unique, fascinating look into canine behavior. In these pages, Martin shows how modern life has conditioned dogs to act around humans, in some ways helpful, but in other ways unnatural to their true instincts, and how he has benefited enormously from learning to “talk dog.”
Other Worlds
Author: Teffi
Publisher: New York Review of Books
ISBN: 1681375397
Category : Fiction
Languages : en
Pages : 305
Book Description
Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.
Publisher: New York Review of Books
ISBN: 1681375397
Category : Fiction
Languages : en
Pages : 305
Book Description
Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.
The Stuffed Owl
Author: D.B. Wyndham Lewis
Publisher: New York Review of Books
ISBN: 9781590170380
Category : Poetry
Languages : en
Pages : 324
Book Description
The editors of this legendary and hilarious anthology write: "It would seem at a hasty glance that to make an anthology of Bad Verse is on the whole a simple matter . . . On the contrary . . . Bad Verse has its canons, like Good Verse. There is bad Bad Verse and good Bad Verse. It has been the constant preoccupation of the compilers to include in this book chiefiy good Bad Verse." Here indeed one finds the best of the worst of the greatest poets of the English language, masterpieces of the maladroit by Dryden, Wordsworth, and Keats, among many others, together with an index ("Maiden, feathered, uncontrolled appetites of, 59;. . . Manure, adjudged a fit subject for the Muse, 91") that is itself an inspired work of folly.
Publisher: New York Review of Books
ISBN: 9781590170380
Category : Poetry
Languages : en
Pages : 324
Book Description
The editors of this legendary and hilarious anthology write: "It would seem at a hasty glance that to make an anthology of Bad Verse is on the whole a simple matter . . . On the contrary . . . Bad Verse has its canons, like Good Verse. There is bad Bad Verse and good Bad Verse. It has been the constant preoccupation of the compilers to include in this book chiefiy good Bad Verse." Here indeed one finds the best of the worst of the greatest poets of the English language, masterpieces of the maladroit by Dryden, Wordsworth, and Keats, among many others, together with an index ("Maiden, feathered, uncontrolled appetites of, 59;. . . Manure, adjudged a fit subject for the Muse, 91") that is itself an inspired work of folly.