Author: Grant Amyot
Publisher: Routledge
ISBN: 9780709901907
Category : Communism
Languages : en
Pages : 252
Book Description
The Italian Communist Party
Author: Grant Amyot
Publisher: Routledge
ISBN: 9780709901907
Category : Communism
Languages : en
Pages : 252
Book Description
Publisher: Routledge
ISBN: 9780709901907
Category : Communism
Languages : en
Pages : 252
Book Description
Communism in Italy and France
Author: Donald L. M. Blackmer
Publisher:
ISBN: 9780691636221
Category : POLITICAL SCIENCE
Languages : en
Pages : 0
Book Description
The contributors to this volume address themselves to the growth, behavior, and prospects of the two largest Communist parties in Western Europe. The book deals in particular with the adaptation of the French and Italian Communist parties to the secular changes in their advanced societies. It emphasizes the different attempts made by each party's leaders to participate actively and fruitfully in parliamentary political systems. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher:
ISBN: 9780691636221
Category : POLITICAL SCIENCE
Languages : en
Pages : 0
Book Description
The contributors to this volume address themselves to the growth, behavior, and prospects of the two largest Communist parties in Western Europe. The book deals in particular with the adaptation of the French and Italian Communist parties to the secular changes in their advanced societies. It emphasizes the different attempts made by each party's leaders to participate actively and fruitfully in parliamentary political systems. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The PCI Artists
Author: Juan José Gómez Gutiérrez
Publisher: Cambridge Scholars Publishing
ISBN: 1443882143
Category : Art
Languages : en
Pages : 255
Book Description
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.
Publisher: Cambridge Scholars Publishing
ISBN: 1443882143
Category : Art
Languages : en
Pages : 255
Book Description
This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944–1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists’ political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immediate strategy of the Communists was not revolution, but liberation from Fascism and the establishment of a democratic system from which a genuine Italian path to Socialism could be found. Taking Antonio Gramsci’s notion of hegemony as a theoretical basis, the Communists intended to generate a progressive social bloc capable of achieving wide consensus within civil society before taking power. In order to accomplish this goal, the collaboration from intellectuals was necessary. The artistic policy of the Italian Communist Party was tailored to this end, counting on representatives from all groups and tendencies of the time, particularly those artists who rejected the imperialistic, autarchic pseudo-classicism that characterised most of Italian art throughout the Fascist years. In the 1930s, international, Modernist and cosmopolitan European culture became an escape route to artists seeking a way out of the oppressive cultural atmosphere of inter-war Italy. However, in the 1940s and 1950s, many of these artists experienced a deep transformation in their work after they became politically involved with the PCI, and were exposed to international Communist culture – and Socialist Realism in particular. This was conveyed not only by conscious changes in their subjects, their style and their material means of expression, but also in the public they addressed and in their own conception of themselves as artistic authors. Hence, at a time when the world was divided into two opposed camps, each heavily inflected by ideological allegiance and supported by powerful propaganda apparatuses, Italian Communist artists became the protagonists of a novel intellectual-political project which pursued the synthesis between antagonistic cultural blocs.
The Strategy of the Italian Communist Party
Author: Donald Sassoon
Publisher: Burns & Oates
ISBN:
Category : Communism
Languages : en
Pages : 278
Book Description
Publisher: Burns & Oates
ISBN:
Category : Communism
Languages : en
Pages : 278
Book Description
The Tailor of Ulm
Author: Lucio Magri
Publisher: Verso Books
ISBN: 1786635569
Category : Political Science
Languages : en
Pages : 449
Book Description
Twenty years have passed since the Italian Communists’ last Congress in 1991, in which the death of their party was decreed. It was a deliberate death, accelerated by the desire for a “new beginning.” That new beginning never came, and the world lost an invaluable, complex political, organizational and theoretical heritage. In this detailed and probing work, Lucio Magri, one of the towering intellectual figures of the Italian Left, assesses the causes for the demise of what was once one of the most powerful and vibrant communist parties of the West. The PCI marked almost a century of Italian history, from its founding in 1921 to the partisan resistance, the turning point of Salerno in 1944 to the de-Stalinization of 1956, the long ’68 to the “historic compromise,” and to the opportunity—missed forever—of democratic transformation. With rigor and passion, The Tailor of Ulm merges an original and enlightening interpretation of Italian communism with the experience of a militant “heretic” into a riveting read—capable of broadening our insights into contemporary Italy, and the twentieth-century communist experience.
Publisher: Verso Books
ISBN: 1786635569
Category : Political Science
Languages : en
Pages : 449
Book Description
Twenty years have passed since the Italian Communists’ last Congress in 1991, in which the death of their party was decreed. It was a deliberate death, accelerated by the desire for a “new beginning.” That new beginning never came, and the world lost an invaluable, complex political, organizational and theoretical heritage. In this detailed and probing work, Lucio Magri, one of the towering intellectual figures of the Italian Left, assesses the causes for the demise of what was once one of the most powerful and vibrant communist parties of the West. The PCI marked almost a century of Italian history, from its founding in 1921 to the partisan resistance, the turning point of Salerno in 1944 to the de-Stalinization of 1956, the long ’68 to the “historic compromise,” and to the opportunity—missed forever—of democratic transformation. With rigor and passion, The Tailor of Ulm merges an original and enlightening interpretation of Italian communism with the experience of a militant “heretic” into a riveting read—capable of broadening our insights into contemporary Italy, and the twentieth-century communist experience.
Between Hollywood and Moscow
Author: Stephen Gundle
Publisher: Duke University Press
ISBN: 9780822325635
Category : History
Languages : en
Pages : 284
Book Description
DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div
Publisher: Duke University Press
ISBN: 9780822325635
Category : History
Languages : en
Pages : 284
Book Description
DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div
The Cambridge History of Communism
Author: Norman Naimark
Publisher: Cambridge University Press
ISBN: 9781107133549
Category : History
Languages : en
Pages : 700
Book Description
The second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.
Publisher: Cambridge University Press
ISBN: 9781107133549
Category : History
Languages : en
Pages : 700
Book Description
The second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.
The Italian Communist Party
Author: Grant Amyot
Publisher: Taylor & Francis
ISBN: 1000964167
Category : Political Science
Languages : en
Pages : 237
Book Description
First published in 1981 The Italian Communist Party looks at the debate within the party and how its strategy was forged. It considers the development of Eurocommunism, the rise and fall of the Ingrao Left and many other topics related to the formulation of the PCI. Based on original research by the author, it explores how key issues were debated and resolved in various representative provincial organisations of the party. It shows how changing ideals affected policy and the party’s organisation and how different attitudes emerged from the diverse social and economic conditions in the different parts of Italy. This book is an important historical document for scholars and researchers of Italian communism, European communism and political studies.
Publisher: Taylor & Francis
ISBN: 1000964167
Category : Political Science
Languages : en
Pages : 237
Book Description
First published in 1981 The Italian Communist Party looks at the debate within the party and how its strategy was forged. It considers the development of Eurocommunism, the rise and fall of the Ingrao Left and many other topics related to the formulation of the PCI. Based on original research by the author, it explores how key issues were debated and resolved in various representative provincial organisations of the party. It shows how changing ideals affected policy and the party’s organisation and how different attitudes emerged from the diverse social and economic conditions in the different parts of Italy. This book is an important historical document for scholars and researchers of Italian communism, European communism and political studies.
Italy through the Red Lens
Author: Gianluca Fantoni
Publisher: Springer Nature
ISBN: 3030691977
Category : History
Languages : en
Pages : 292
Book Description
This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI’s relationship with the student movements in 1968 and 1977, and the PCI’s response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI’s propaganda effort.
Publisher: Springer Nature
ISBN: 3030691977
Category : History
Languages : en
Pages : 292
Book Description
This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI’s relationship with the student movements in 1968 and 1977, and the PCI’s response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI’s propaganda effort.
Red Bologna
Author: Max Jäggi
Publisher:
ISBN:
Category : Bologna (Italy)
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Bologna (Italy)
Languages : en
Pages : 216
Book Description