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Author: Louis Kaplan
Publisher: U of Minnesota Press
ISBN: 0816651566
Category : Photography
Languages : en
Pages : 305
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Book Description
In the 1860s, William Mumler photographed ghostsa or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. The practice came to be known as spirit photography, and some believed Mumler was channeling the dead. Skeptics, however, called it a fraudulent trick on the gullible, taking advantage of the grieving at a time of suffering and loss. Mumlera s insistence that his work brought back the dead led to a sensational trial in 1869 that was the talk of the nation.
Author: Louis Kaplan
Publisher: U of Minnesota Press
ISBN: 0816651566
Category : Photography
Languages : en
Pages : 305
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Book Description
In the 1860s, William Mumler photographed ghostsa or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. The practice came to be known as spirit photography, and some believed Mumler was channeling the dead. Skeptics, however, called it a fraudulent trick on the gullible, taking advantage of the grieving at a time of suffering and loss. Mumlera s insistence that his work brought back the dead led to a sensational trial in 1869 that was the talk of the nation.
Author: Peter Manseau
Publisher: Houghton Mifflin Harcourt
ISBN: 0544745973
Category : Biography & Autobiography
Languages : en
Pages : 357
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Book Description
A story of faith and fraud in post-Civil War America told through the lens of a photographer who claimed he could capture images of the dead
Author: Arthur Conan Doyle
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 160
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Book Description
The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates.
Author: Adrian Van Young
Publisher: Open Road Media
ISBN: 1504063112
Category : Fiction
Languages : en
Pages : 406
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Book Description
“An extraordinary novel sure to enchant readers of Sarah Waters as well as those looking for a thrilling and transporting gothic tale.” —Julia Fierro, author of The Gypsy Moth Summer The author of The Man Who Noticed Everything, an award-winning collection of short stories, presents his debut work of full-length fiction, “a witty and disturbing horror novel . . . as if Henry James had written an issue of Tales from the Crypt” (Bennett Sims, author of A Questionable Shape). Loosely based on the lives of spirit photographer William H. Mumler and his wife, Shadows in Summerland transports readers to 1859 Boston, where those who promise access to the otherworldly—mediums, spiritualists, and psychics—are celebrated. This embrace of illusion and intrigue provides the perfect hunting ground for con artists and charlatans—men like William Mumler. When William teams up with Hannah, a shy young girl who sees and manifests the dead, they are welcomed into the drawing rooms of the city’s elite. But the couple’s newfound fame and fortune draw grifters and rogues into their circle, including someone who will bring the afterlife closer to them than they could ever imagine. Spanning three decades, Shadows in Summerland “recalls an era no less gullible than the present one . . . Van Young’s prose skillfully illuminates his gothic tale of greed, obsession, and murder” (Publishers Weekly). “A fabulous and weird addition to the contemporary fantastic.” —Laird Barron, author of Black Mountain
Author: Clément Chéroux
Publisher: Yale University Press
ISBN: 0300111363
Category : Photography
Languages : en
Pages : 294
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Book Description
In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published. The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.
Author: Avery F. Gordon
Publisher: U of Minnesota Press
ISBN: 1452913862
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
“Avery Gordon’s stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. ” —George Lipsitz “The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny.” —American Studies International “Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book.” —Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara. Janice Radway is professor of literature at Duke University.
Author: Louis Kaplan
Publisher: Fordham University Press
ISBN: 0823287572
Category : Social Science
Languages : en
Pages : 334
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Book Description
CHOICE: OUTSTANDING ACADEMIC TITLE A scholarly and thought-provoking work that places Jewish humor at the center of a discourse about Jewish and German relations through most of the twentieth century. At Wit’s End explores the fascinating discourse on Jewish wit in the twentieth century when the Jewish joke became the subject of serious humanistic inquiry and inserted itself into the cultural and political debates among Germans and Jews against the ideologically charged backdrop of anti-Semitism, the Jewish question, and the Holocaust. The first in-depth study to explore the Jewish joke as a crucial rhetorical figure in larger cultural debates in Germany, author Louis Kaplan presents an engrossing and lucid work of scholarship that examines how “der jüdische Witz” (referring to both Jewish wit and jokes) was utilized differently in a number of texts, from the Weimar Republic to the rise of National Socialism, and how it was re-introduced into the public sphere after the Holocaust with the controversial publication of Salcia Landmann’s collection of Jewish jokes in the reparations era (Wiedergutmachung). Kaplan reviews the claims made about the Jewish joke and its provocative laughter by notable writers from a variety of ideological perspectives, demonstrating how their reflections on this complex cultural trope enable a better understanding of German–Jewish intercultural relations and their eventual breakdown in the Third Reich. He also illustrates how selfcritical and self-ironic Jewish Witz maintained a fraught and ambivalent relationship with anti-Semitism. In reviewing this critical and traumatic moment in modern German–Jewish history through the deadly discourse on the Jewish joke, At Wit’s End includes chapters on the virulent Austrian anti-Semitic racial theorist Arthur Trebitsch, the Nazi racial propagandist Siegfried Kadner, the German Marxist cultural historian Eduard Fuchs, the Jewish diasporic historian Erich Kahler, and the Jewish cabaret impresario Kurt Robitschek, among others. Shedding new light on anti-Semitism and on the Jewish question leading up to the Holocaust, At Wit’s End provides readers with a unique perspective by which to gain important insights about this crucial historical period that reverberates into the present day, when potentially offensive humor coupled with a toxic political climate and xenophobia can have deadly consequences.
Author: Yi-Fu Tuan
Publisher: Pantheon
ISBN: 0307819027
Category : Social Science
Languages : en
Pages : 346
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Book Description
To be human is to experience fear, but what is it exactly that makes us fearful? Here is one geographer’s striking exploration of our landscapes of fear as they change throughout our lives and have changed throughout history. Yi-fu Tuan investigates landscapes of the natural environment which are threatening, and landscapes filled with the dark imageries of the mind; fears of drought, flood, famine, and disease, shared by all members of a community, and fears of the particular ghosts which haunt the individual imagination. In this lucidly-written, ground-breaking survey, Professor Tuan delves into many cultures and reaches back into our prehistory to discover what is universal and what is particular in our inheritance of fear. Starting with fear in animals, he raises and explores a variety of questions: What is specifically human about fear? Is there or has there ever been a “fearless” society? Professor Tuan examines the most specific forms fear takes in the mind of the child, among hunters and agriculturists, inside the walls of a medieval Chinese city, among Navaho Indians and American immigrants. He explores the ways in which authorities create landscapes of terror to instill fear in their own populations; and he probes that most basic of all contradictions between the need for human security and the fear of human nature. Professor Tuan particularly emphasizes how, in coping with fears of enemies, strangers, the insane, wolves, wind, witches, mountains, dragons, rain, or the terror that the universe itself might crumble, humans respond adventurously by creating “shelters,” ranging from fairy tales to cosmological myths. We watch as human beings continually draw and redraw their “circles of safety,” never feeling entirely at peace within them.
Author: Harry Houdini
Publisher:
ISBN:
Category : Spiritualism
Languages : en
Pages : 362
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Book Description
Author: Vinciane Despret
Publisher: U of Minnesota Press
ISBN: 1452965935
Category : Social Science
Languages : en
Pages : 182
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Book Description
An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
