The Story of the Metropolitan Opera, 1883-1950 PDF Download
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Author: Irving Kolodin
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 607
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Book Description
Author: Irving Kolodin
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 607
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Book Description
Author: Donald Jay Grout
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
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Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Author: Clifton Hood
Publisher: Columbia University Press
ISBN: 023154295X
Category : History
Languages : en
Pages : 509
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Book Description
A history that extends from the 1750s to the present, In Pursuit of Privilege recounts upper-class New Yorkers' struggle to create a distinct world guarded against outsiders, even as economic growth and democratic opportunity enabled aspirants to gain entrance. Despite their efforts, New York City's upper class has been drawn into the larger story of the city both through class conflict and through their role in building New York's cultural and economic foundations. In Pursuit of Privilege describes the famous and infamous characters and events at the center of this extraordinary history, from the elite families and wealthy tycoons of the eighteenth and nineteenth centuries to the Wall Street executives of today. From the start, upper-class New Yorkers have been open and aggressive in their behavior, keen on attaining prestige, power, and wealth. Clifton Hood sharpens this characterization by merging a history of the New York economy in the eighteenth century with the story of Wall Street's emergence as an international financial center in the late nineteenth and early twentieth centuries, as well as the dominance of New York's financial and service sectors in the 1980s. Bringing together several decades of upheaval and change, he shows that New York's upper class did not rise exclusively from the Gilded Age but rather from a relentless pursuit of privilege, affecting not just the urban elite but the city's entire cultural, economic, and political fabric.
Author: Paul Jackson
Publisher: Hal Leonard Corporation
ISBN: 9780931340482
Category : Performing Arts
Languages : en
Pages : 594
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Book Description
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Author: Richard Dellamora
Publisher: Columbia University Press
ISBN: 9780231109451
Category : Music
Languages : en
Pages : 366
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Book Description
In this significant collection of original essays, preeminent literary and cultural critics, musicologists, and queer theorists delve into the way opera shapes national character through its representations of gender, sexuality, and class. The book includes essays on the works of Mozart, Verdi, Wagner, and others and examines the impact of such modern phenomena as AIDS. 10 photos. 15 music examples.
Author: Willa Cather
Publisher: U of Nebraska Press
ISBN: 9780803215450
Category : Literary Criticism
Languages : en
Pages : 562
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Book Description
"One of the few really helpful words I ever heard from an older writer," Willa Cather declared in 1922, "I had from Sarah Orne Jewett when she said to me: 'Of course, one day you will write about your own country. In the meantime, get all you can. One must know the world so well before one can know the parish.'" Although Cather's first novel about her own country, O Pioneers!, did not appear until 1913, the process of knowing the world and of mastering her craft, so far as it can be traced in her published writing, already had been going on for some twenty years. The World and the Parish: Willa Cather's Articles and Reviews, 1893-1902, is the fourth in a series collecting the work of these years of experiment and discovery. More specifically, it offers a representative collection of Cather's nonfiction writing for newspapers and periodicals during her first decade as a professional writer. Selected from 520 articles and columns, the text is divided into three parts corresponding to major developments in Cather's career?the period from 1893 to 1896 when she first began to write regularly for Lincoln newspapers; the years in Pittsburgh when she was working for the Home Monthly and the Leader and sending her famous "Passing Show" column back to Nebraska; and the period from the spring of 1900 to 1903, when she freelanced in Pittsburgh and Washington, taught in a Pittsburgh high school, and made her first trip abroad. The text has been edited with three main objectives: 1) to enable the reader to trace Cather's development as a writer; 2) to group the material so that the reader interested in a particular subject?the theatre, or music, or literature, for example?can readily locate pertinent selections; and 3) to provide a context sufficient to relate these pieces to Willa Cather's life and to the times, and to suggest some of their connections with the body of her work. Chronologies have been included for each of the three parts; and the Bibliography is the most complete yet available for the for the nonfiction writing up to 1903. Not the least remarkable feature of this collection is the range and variety of forms and subject matter?reviews (of books, plays, operas, concerts, art exhibits, lectures), feature stories, interviews, straight reportage, columns of miscellaneous comment, and travel letters. Seemingly, with no apparent effort Willa Cather could adjust her sights to any assignment and any audience. And if it is astonishing that she could write so much about so many matters at so many levels, it is perhaps even more astonishing that so much of it was so good. Undeniably, however, the chief interest to the general reader and the peculiar value to the scholar of these journalistic writings reside in their manifold and crucial connections with Cather's later work and in the unparalleled insights they afford into the process by which a gifted writer becomes a great artist.
Author:
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1824
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Book Description
Author: Radcliffe College
Publisher: Harvard University Press
ISBN: 9780674627345
Category : Biography & Autobiography
Languages : en
Pages : 2172
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Book Description
Vol. 1. A-F, Vol. 2. G-O, Vol. 3. P-Z modern period.
Author: Eva Rieger
Publisher: Boydell & Brewer Ltd
ISBN: 1843838648
Category : Biography & Autobiography
Languages : en
Pages : 366
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Book Description
The first-ever biography of Richard Wagner's artistically gifted granddaughter who fought against Hitler's Germany but achieved no personal success for her troubles. She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother'sclose liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled toLondon and published articles pillorying the Nazi élite. All the same, her former proximity to Hitler & Co. made her suspicious in the eyes of the authorities, who promptly interned her. Even the British Parliament debated her fate. Only with the help of the world-famous conductor Arturo Toscanini was she able to gain an exit visa. Once she arrived in New York she broadcast, lectured and published against the Nazis, wrote an autobiography, and became friends with many other emigrants including singers who had themselves abandoned Bayreuth. After the war the Mayor of Bayreuth asked her to run the Festival, but she declined in favour of her brothers. They showed little gratitude, however, for after Friedelind returned to Germany in 1953 she found herself manoeuvred out of any role in the Festival management. She still made a remarkable effort to find a niche in post-war German society and culture, and did her best to cope with a family notorious for its intrigues past and present. Friedelind Wagner remained a staunch friend of artists such as Wilhelm Furtwängler, Frida Leider, Otto Klemperer, Erich Kleiber, Leonard Bernstein, WalterFelsenstein, Michael Tilson Thomas and many others. Drawing on archival research in many countries, Eva Rieger has here written the first-ever biography of Richard Wagner's talented, artistic granddaughter who fought againstHitler's Germany, but achieved no personal success for her troubles. Her book gives many new insights into wartime and postwar musical life in Germany, Europe and the United States. EVA RIEGER is a feminist musicologist and author of many books on music.
Author: Benjamin Britten
Publisher: Faber & Faber
ISBN: 0571279937
Category : Music
Languages : en
Pages : 781
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Book Description
The third volume of the annotated selected letters of composer Benjamin Britten covers the years 1946-51, during which he wrote many of his best-known works, founded and developed the English Opera Group and the Aldeburgh Festival, and toured widely in Europe and the United States as a pianist and conductor.Correspondents include librettists Ronald Duncan (The Rape of Lucretia), Eric Crozier (Albert Herring, Saint Nicolas, The Little Sweep) and E. M. Forster (Billy Budd); conductor Ernest Ansermet and composer Lennox Berkeley; publishers Ralph Hawkes and Erwin Stein of Boosey & Hawkes; and the celebrated tenor Peter Pears, Britten's partner. Among friends in the United States are Christopher Isherwood, Elizabeth Mayer and Aaron Copland, and there is a significant meeting with Igor Stravinsky.This often startling and innovative period is vividly evoked by the comprehensive and scholarly annotations, which offer a wide range of detailed information fascinating for both the Britten specialist and the general reader.Donald Mitchell contributes a challenging introduction exploring the interaction of life and work in Britten's creativity, and an essay examining for the first time, through their correspondence, the complex relationship between the composer and the writer Edward Sackville-West.
