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Author: ZHANG MU
Publisher: American Academic Press
ISBN: 1631816748
Category : History
Languages : zh-CN
Pages : 148
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Book Description
Tian Han is the lyricist of the Chinese National Anthem. Not only was he cruelly persecuted to death in the Cultural Revolution, but also for which the Chinese National Anthem was revised several times. Wang Xin created the song of "Ode to Motherland", which is known as the "Second National Anthem", and the president of the state was the leading singer at the major national celebrations. However, during the Cultural Revolution, Wang Xin was criticized and beaten almost to death. Li Jiefu, a famous composer who wrote for Chairman Mao's quotations and for Lin Biao's quotations, was put into "Study Class" with his wife after Lin Biao's downfall. The couple found that the spiritual devastation of "Study Class" was severer than that of prison, and Li Jiefu died in the Class. Yu Huiyong, the chief music creator of the “Revolutionary Model Opera”, and the National Cultural Minister, was criticized and killed himself under pressure after the Cultural Revolution. This book mainly uses the photos, newspapers and other materials of that years to reproduce the suffering experiences before and after the Cultural Revolution, which helps us to understand how “Much distress regenerates a nation”.
Author: ZHANG MU
Publisher: American Academic Press
ISBN: 1631816748
Category : History
Languages : zh-CN
Pages : 148
Get Book Here
Book Description
Tian Han is the lyricist of the Chinese National Anthem. Not only was he cruelly persecuted to death in the Cultural Revolution, but also for which the Chinese National Anthem was revised several times. Wang Xin created the song of "Ode to Motherland", which is known as the "Second National Anthem", and the president of the state was the leading singer at the major national celebrations. However, during the Cultural Revolution, Wang Xin was criticized and beaten almost to death. Li Jiefu, a famous composer who wrote for Chairman Mao's quotations and for Lin Biao's quotations, was put into "Study Class" with his wife after Lin Biao's downfall. The couple found that the spiritual devastation of "Study Class" was severer than that of prison, and Li Jiefu died in the Class. Yu Huiyong, the chief music creator of the “Revolutionary Model Opera”, and the National Cultural Minister, was criticized and killed himself under pressure after the Cultural Revolution. This book mainly uses the photos, newspapers and other materials of that years to reproduce the suffering experiences before and after the Cultural Revolution, which helps us to understand how “Much distress regenerates a nation”.
Author: Yuejin Liu
Publisher: Springer Nature
ISBN: 9819958148
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
This book includes the history of Chinese literature before 1949. It firstly outlines the development process of Chinese literature and basic features and then discusses them according to the literary genre, for the literature of each era. This book gathers established scholars in the field and presents their latest research in the Chinese literature history studies. Moreover, it has included the literature history of different nationalities in the history of China and the records of folk literature history, reflecting literature from different classes. In the limited space of this book, the writers who have been loved by the Chinese people for three thousand years are discussed, such as Qu Yuan, Tao Yuanming, Li Bai, Du Fu, Su Shi, Xin Qiji, Yuan Haowen, Nalan Xingde, and so on. Careful elaborations are made on each writer together with quotations and analysis of their work.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 614
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Book Description
Author: Herbert Allen Giles
Publisher:
ISBN:
Category : Chinese literature
Languages : en
Pages : 474
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Book Description
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 890
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Book Description
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434877
Category : Art
Languages : en
Pages : 206
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Book Description
Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Victor H. Mair
Publisher: Columbia University Press
ISBN: 0231153120
Category : Education
Languages : en
Pages : 662
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Book Description
In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1460
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Book Description
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
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Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author: Yanbing Zeng
Publisher: Springer Nature
ISBN: 9811926042
Category : Social Science
Languages : en
Pages : 241
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Book Description
This book conducts a comprehensive and in-depth analysis of Franz Kafka’s relation to China. Commencing with an examination of the myriad Chinese cultural influences to which Kafka was exposed, it goes on to explore the ways in which they manifest themselves in canonical stories, such as Description of A Struggle, The Great Wall of China, and An Old Manuscript. This leads the way to thought-provoking comparative studies of Kafka and major Chinese writers and philosophers, such as Zhuang Tzu, Pu Songling, Qian Zhongshu, and Lu Xun. Highlighting kindred philosophical concepts, shared aesthetic tastes, and parallel narrative strategies, these comparisons transcend mere textual analysis, to explore the profound cultural, historical, and philosophical implications of Kafka’s works. Finally, the book turns to an examination Kafka’s impact on modern life in China, including its translation studies, literature, and even its mass culture.
