Author: Don W. Fostle
Publisher: Scribner Book Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 744
Book Description
For generations, the name Steinway has been synonymous with both high culture and American business prowess. Based on exclusive access to family and corporate archives, this vivid and informative book tells the definitive story of the truth behind the myths of the house of Steinway and Sons. Photos.
The Steinway Saga
Author: Don W. Fostle
Publisher: Scribner Book Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 744
Book Description
For generations, the name Steinway has been synonymous with both high culture and American business prowess. Based on exclusive access to family and corporate archives, this vivid and informative book tells the definitive story of the truth behind the myths of the house of Steinway and Sons. Photos.
Publisher: Scribner Book Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 744
Book Description
For generations, the name Steinway has been synonymous with both high culture and American business prowess. Based on exclusive access to family and corporate archives, this vivid and informative book tells the definitive story of the truth behind the myths of the house of Steinway and Sons. Photos.
Piano
Author: James Barron
Publisher: Macmillan
ISBN: 1429900121
Category : Music
Languages : en
Pages : 308
Book Description
An alluring exploration of the people and the legendary craftsmanship behind a single Steinway piano Like no other instrument, a grand piano melds engineering feats with the magical sounds of great music: the thunder of a full-throated bass, the bright, delicate trill of the upper treble. Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand. In this captivating narrative, James Barron of The New York Times tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano-known by its number, K0862-on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women-some second- and third-generation employees, some recently arrived immigrants-who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons-a family that soared to prominence in the music world and, for a while, in New York City's political and economic life. Barron also explores the art and science of developing a piano's timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend? From start to finish, Piano will charm and enlighten music lovers.
Publisher: Macmillan
ISBN: 1429900121
Category : Music
Languages : en
Pages : 308
Book Description
An alluring exploration of the people and the legendary craftsmanship behind a single Steinway piano Like no other instrument, a grand piano melds engineering feats with the magical sounds of great music: the thunder of a full-throated bass, the bright, delicate trill of the upper treble. Alone among the big piano companies, Steinway still crafts all of its pianos largely by hand, imbuing each one with the promise and burden of its brand. In this captivating narrative, James Barron of The New York Times tells the story of one Steinway piano, from raw lumber to finished instrument. Barron follows that brand-new piano-known by its number, K0862-on its eleven-month journey through the Steinway factory, where time-honored manufacturing methods vie with modern-day industrial efficiency. He looks over the shoulders of men and women-some second- and third-generation employees, some recently arrived immigrants-who transform wood and steel into a concert grand. Together, they carry on the traditions begun more than 150 years ago by the immigrants who founded Steinway & Sons-a family that soared to prominence in the music world and, for a while, in New York City's political and economic life. Barron also explores the art and science of developing a piano's timbre and character before its first performance, when the essential question will be answered: Does K0862 live up to the Steinway legend? From start to finish, Piano will charm and enlighten music lovers.
Saga-book of the Viking Club
Author:
Publisher:
ISBN:
Category : Icelandic literature
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Icelandic literature
Languages : en
Pages : 356
Book Description
Steinway
Author: Ronald V. Ratcliffe
Publisher: Chronicle Books
ISBN: 0811833895
Category : Music
Languages : en
Pages : 226
Book Description
"The exquisite pianos produced by Steinway & Sons are revered by musicians, music lovers, and collectors around the world. Publishing to coincide with the firms 150th anniversary, this beautiful new edition celebrates the history of the family and the instruments it creates with fully updated text and a striking new cover. Interweaving the stories of the pianos, their creation, and the music they inspire with more than 200 photos, designs, sketches, and paintings,Steinway pays elegant tribute to these incomparable instruments."--Publisher's description.
Publisher: Chronicle Books
ISBN: 0811833895
Category : Music
Languages : en
Pages : 226
Book Description
"The exquisite pianos produced by Steinway & Sons are revered by musicians, music lovers, and collectors around the world. Publishing to coincide with the firms 150th anniversary, this beautiful new edition celebrates the history of the family and the instruments it creates with fully updated text and a striking new cover. Interweaving the stories of the pianos, their creation, and the music they inspire with more than 200 photos, designs, sketches, and paintings,Steinway pays elegant tribute to these incomparable instruments."--Publisher's description.
New York Recentered
Author: Kara Murphy Schlichting
Publisher: University of Chicago Press
ISBN: 022661302X
Category : History
Languages : en
Pages : 329
Book Description
The history of New York City’s urban development often centers on titanic municipal figures like Robert Moses and on prominent inner Manhattan sites like Central Park. New York Recentered boldly shifts the focus to the city’s geographic edges—the coastlines and waterways—and to the small-time unelected locals who quietly shaped the modern city. Kara Murphy Schlichting details how the vernacular planning done by small businessmen and real estate operators, performed independently of large scale governmental efforts, refigured marginal locales like Flushing Meadows and the shores of Long Island Sound and the East River in the late nineteenth and early twentieth centuries. The result is a synthesis of planning history, environmental history, and urban history that recasts the story of New York as we know it.
Publisher: University of Chicago Press
ISBN: 022661302X
Category : History
Languages : en
Pages : 329
Book Description
The history of New York City’s urban development often centers on titanic municipal figures like Robert Moses and on prominent inner Manhattan sites like Central Park. New York Recentered boldly shifts the focus to the city’s geographic edges—the coastlines and waterways—and to the small-time unelected locals who quietly shaped the modern city. Kara Murphy Schlichting details how the vernacular planning done by small businessmen and real estate operators, performed independently of large scale governmental efforts, refigured marginal locales like Flushing Meadows and the shores of Long Island Sound and the East River in the late nineteenth and early twentieth centuries. The result is a synthesis of planning history, environmental history, and urban history that recasts the story of New York as we know it.
The Psychophysical Ear
Author: Alexandra Hui
Publisher: MIT Press
ISBN: 0262018381
Category : Science
Languages : en
Pages : 257
Book Description
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.
Publisher: MIT Press
ISBN: 0262018381
Category : Science
Languages : en
Pages : 257
Book Description
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.
The Pianist's Bookshelf, Second Edition
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253067294
Category : Music
Languages : en
Pages : 310
Book Description
Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.
Publisher: Indiana University Press
ISBN: 0253067294
Category : Music
Languages : en
Pages : 310
Book Description
Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.
A Romance on Three Legs
Author: Katie Hafner
Publisher: Bloomsbury Publishing USA
ISBN: 1608190455
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Glenn Gould was famous for his obsessions: the scarves, sweaters and fingerless gloves that he wore even on the hottest summer days; his deep fear of germs and illness; the odd wooden "pygmy" chair that he carried with him wherever he performed; and his sudden withdrawal from the public stage at the peak of his career. But perhaps Gould's greatest obsession of all was for a particular piano, a Steinway concert grand known as CD318 (C, meaning for the use of Steinway Concert Artists only, and D, denoting it as the largest that Steinway built). A Romance on Three Legs is the story of Gould's love for this piano, from the first moment of discovery, in a Toronto dept. store, to the tragic moment when the piano was dropped and seriously damaged while being transported from a concert overseas. Hafner also introduces us to the world and art of piano tuning, including a central character in Gould's life, the blind tuner Verne Edquist, who lovingly attended to CD318 for more than two decades. We learn how a concert grand is built, and the fascinating story of how Steinway & Sons weathered the war years by supplying materials for the military effort. Indeed, CD318 came very close to ending up as a series of glider parts or, worse, a casket. The book has already been lauded by Kevin Bazzana, author of the definitive Gould biography, who notes that Hafner "has clarified some old mysteries and turned up many fresh details."
Publisher: Bloomsbury Publishing USA
ISBN: 1608190455
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
Glenn Gould was famous for his obsessions: the scarves, sweaters and fingerless gloves that he wore even on the hottest summer days; his deep fear of germs and illness; the odd wooden "pygmy" chair that he carried with him wherever he performed; and his sudden withdrawal from the public stage at the peak of his career. But perhaps Gould's greatest obsession of all was for a particular piano, a Steinway concert grand known as CD318 (C, meaning for the use of Steinway Concert Artists only, and D, denoting it as the largest that Steinway built). A Romance on Three Legs is the story of Gould's love for this piano, from the first moment of discovery, in a Toronto dept. store, to the tragic moment when the piano was dropped and seriously damaged while being transported from a concert overseas. Hafner also introduces us to the world and art of piano tuning, including a central character in Gould's life, the blind tuner Verne Edquist, who lovingly attended to CD318 for more than two decades. We learn how a concert grand is built, and the fascinating story of how Steinway & Sons weathered the war years by supplying materials for the military effort. Indeed, CD318 came very close to ending up as a series of glider parts or, worse, a casket. The book has already been lauded by Kevin Bazzana, author of the definitive Gould biography, who notes that Hafner "has clarified some old mysteries and turned up many fresh details."
Saga Book of the Viking Society for Northern Research
Author: Viking Society for Northern Research
Publisher:
ISBN:
Category : Northmen
Languages : en
Pages : 888
Book Description
List of members in v. 3, 5.
Publisher:
ISBN:
Category : Northmen
Languages : en
Pages : 888
Book Description
List of members in v. 3, 5.
From Paris to Peoria
Author: R. Allen Lott
Publisher: Oxford University Press
ISBN: 9780195348897
Category : Music
Languages : en
Pages : 400
Book Description
It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.
Publisher: Oxford University Press
ISBN: 9780195348897
Category : Music
Languages : en
Pages : 400
Book Description
It's difficult to imagine Franz Liszt performing in Peoria, but his contemporary and foremost rival, Sigismund Thalberg, did just that. During the mid-nineteenth century, Americans in more than a hundred cities--from Portland, Maine to Dubuque, Iowa to Mobile, Alabama--were treated to performances by some of Europe's most celebrated pianists. From Paris to Peoria deftly chronicles the visits of five of these pianists to the America of Mark Twain. Whether performing in small railroad towns throughout the Midwest or in gold-rush era California, these five charismatic pianists--Leopold de Meyer, Henri Herz, Sigismund Thalberg, Anton Rubinstein, and Hans von Bülow--introduced many Americans to the delights of the concert hall. With humor and insight, R. Allen Lott describes the glamour and the drudgery of the touring life, the transformation of American audiences from boisterous to reverent, and the establishment of the piano recital as a viable artistic and financial enterprise. Lott also explores the creative and sometimes outlandish publicity techniques of managers seeking to capitalize on prosperous but uncharted American markets. The result of extensive archival research, From Paris to Peoria is richly illustrated with concert programs, handbills, caricatures, and maps. A companion website, www.rallenlott.info, includes a comprehensive list of repertoires and itineraries, audio music examples, and transcriptions of selected primary sources. Certain to delight pianists, musicologists, and historians, From Paris to Peoria is an engaging, thoroughly researched, and often funny account of music and culture in nineteenth-century America.