The State of Recorded Sound Preservation in the United States PDF Download
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Author: Robert Bamberger
Publisher: Library of Congress
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
"This study was written by Rob Bamberger and Sam Brylawski on behalf of the National Recording Preservation Board"--P. iv.
Author: Robert Bamberger
Publisher: Library of Congress
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
"This study was written by Rob Bamberger and Sam Brylawski on behalf of the National Recording Preservation Board"--P. iv.
Author: Sam Brylawski
Publisher:
ISBN: 9781932326505
Category :
Languages : en
Pages : 220
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 50
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Book Description
The report investigates "procedures to reformat sound on analog carriers to digital media or files. It summarizes discussions and recommendations emerging from a meeting of leading audio preservation engineers held January 29-30, 2004, to assess the present state of standards and best practices for capturing sound from analog discs and tapes"--Page v.
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 108
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Book Description
The United States Congress in December 2000 appropriated funds to the Library of Congress (LC) to spearhead an effort to develop a national strategy for the preservation of digital information. LC staff scheduled a series of conversations with representatives from the technology, business, entertainment, academic, legal, archival, and library communities, and asked the Council on Library and Information Resources to commission background papers for these sessions and to summarize the meetings. The resulting papers, along with an integrative essay by Amy Friedlander, are presented in this document. Contents include: "Summary of Findings" (Amy Friedlander); "Preserving Digital Periodicals" (Dale Flecker); "E-Books and the Challenge of Preservation" (Frank Romano); "Archiving the World Wide Web" (Peter Lyman); "Preservation of Digitally Recorded Sound" (Samuel Brylawski); "Understanding the Preservation Challenge of Digital Television" (Mary Ide, Dave MacCarn, Thom Shepard, and Leah Weisse); and "Digital Video Archives: Managing through Metadata" (Howard D. Wactlar and Michael G. Christel). (AEF).
Author: Trevor Owens
Publisher: JHU Press
ISBN: 1421426986
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
A guide to managing data in the digital age. Winner of the ALCTS Outstanding Publication Award by the Association for Library Collections & Technical Services, Winner of the Waldo Gifford Leland Award by the Society of American Archivists Many people believe that what is on the Internet will be around forever. At the same time, warnings of an impending "digital dark age"—where records of the recent past become completely lost or inaccessible—appear with regular frequency in the popular press. It's as if we need a system to safeguard our digital records for future scholars and researchers. Digital preservation experts, however, suggest that this is an illusory dream not worth chasing. Ensuring long-term access to digital information is not that straightforward; it is a complex issue with a significant ethical dimension. It is a vocation. In The Theory and Craft of Digital Preservation, librarian Trevor Owens establishes a baseline for practice in this field. In the first section of the book, Owens synthesizes work on the history of preservation in a range of areas (archives, manuscripts, recorded sound, etc.) and sets that history in dialogue with work in new media studies, platform studies, and media archeology. In later chapters, Owens builds from this theoretical framework and maps out a more deliberate and intentional approach to digital preservation. A basic introduction to the issues and practices of digital preservation, the book is anchored in an understanding of the traditions of preservation and the nature of digital objects and media. Based on extensive reading, research, and writing on digital preservation, Owens's work will prove an invaluable reference for archivists, librarians, and museum professionals, as well as scholars and researchers in the digital humanities.
Author: A G (Andrew G ) Pickett
Publisher: Hassell Street Press
ISBN: 9781014315236
Category :
Languages : en
Pages : 88
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Council on Library and Information Resources
Publisher: Washington, D.C. : Council on Library and Infomation Resources
ISBN:
Category : Computers
Languages : en
Pages : 88
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Book Description
On January 24, 2000, the Council on Library and Information Resources (CLIR) convened a group of experts from different domains of the information resources community to address the question, "What is an authentic digital object?" Five writers--an archivist, a digital library expert, a documentary editor and special collections librarian, an expert on documentary theory, and a computer scientist--were asked to write position papers that identify the attributes that define authentic digital data over time. These papers, together with a brief reflection on the major outcomes of the workshop, are presented in this document. The papers are: "Authentication of Digital Objects: Lessons from a Historian's Research" (Charles T. Cullen); "Archival Authenticity in a Digital Age" (Peter B. Hirtle); "Where's Waldo? Reflections on Copies and Authenticity in a Digital Environment" (David M. Levy); "Authenticity and Integrity in the Digital Environment: An Exploratory Analysis of the Central Role of Trust" (Clifford Lynch); "Preserving Authentic Digital Information" (Jeff Rothenberg); and "Authenticity in Perspective" (Abby Smith). An appendix lists the conference participants. (AEF)
Author: June M. Besek
Publisher: Library of Congress
ISBN:
Category : Music
Languages : en
Pages : 70
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Book Description
This report addresses the question of what libraries and archives are legally empowered to do to preserve and make accessible for research their holdings of pre-1972 commercial recordings, the large aural legacy that is not protected by federal copyright. As the first in-depth analysis by a nationally known expert in copyright law, this report will also be a timely and authoritative aid to the many librarians and archivists who face decisions daily about how to establish priorities for sound preservation.This report is one of several studies that CLIR is undertaking on behalf of the Library of Congress and the National Recording Preservation Board.
Author: Guy A. Marco
Publisher: New York : Garland Pub.
ISBN:
Category : Music
Languages : en
Pages : 978
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Book Description
This alphabetical reference covers the entire spectrum of the recording of sound, from Edison's experimental cylinders to contemporary high technology. The major focus is on the recorded sound industry in the US, with additional material on Canada, Europe, Australia, and New Zealand. The coverage is particularly strong on the earliest periods of recorded sound history--1877-1948, the 78 rpm era and 1949-1982, the LP era. In addition to performers and their work, entries also cover important commercial organizations, individuals who made significant technical contributions, societies and associations, sound archives and libraries, magazines, catalogs, award winners, technical topics, special and foreign terms, copyright laws, and other areas of interest. Annotation copyright by Book News, Inc., Portland, OR
Author: Norie Guthrie
Publisher: Rowman & Littlefield
ISBN: 1538102951
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.
