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Author: David L. Hoffmann
Publisher: Cambridge University Press
ISBN: 1107007089
Category : History
Languages : en
Pages : 217
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Book Description
Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.
Author: David L. Hoffmann
Publisher: Cambridge University Press
ISBN: 1107007089
Category : History
Languages : en
Pages : 217
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Book Description
Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.
Author: Philip Boobbyer
Publisher: Routledge
ISBN: 1134739370
Category : History
Languages : en
Pages : 274
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Book Description
This book provides a wide-ranging history of every aspect of Stalin's dictatorship over the peoples of the Soviet Union. Drawing upon a huge array of primary and secondary sources, The Stalin Era is a first-hand account of Stalinist thought, policy and and their effects. It places the man and his ideology into context both within pre-Revolutionary Russia, Lenin's Soviet Union and post-Stalinist Russia. The Stalin Era examines: * collectivisation * industrialisation * terror * government * the Cult of Stalin * education and Science * family * religion: The Russian Orthodox Church * art and the state.
Author: Melanie Ilic
Publisher: Springer
ISBN: 0230523420
Category : History
Languages : en
Pages : 270
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Book Description
This book brings together for the first time a collection of essays by western scholars about women in the Stalin era (1928-53). It explores both the realities of women's lived experience in the 1930s and 1940s, and the various forms in which womanhood and femininity were represented and constructed in these decades. Women in the Stalin Era challenges the scholarly neglect women's history has suffered at the hands, and pens, of Russian and western historians of the Stalin period.
Author: Evgeny Dobrenko
Publisher: Yale University Press
ISBN: 0300252846
Category : History
Languages : en
Pages : 585
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Book Description
How the last years of Stalin’s rule led to the formation ofan imperial Soviet consciousness In this nuanced historical analysis of late Stalinism organized chronologically around the main events of the period—beginning with Victory in May 1945 and concluding with the death of Stalin in March 1953—Evgeny Dobrenko analyzes key cultural texts to trace the emergence of an imperial Soviet consciousness that, he argues, still defines the political and cultural profile of modern Russia.
Author: G. Alexopoulos
Publisher: Springer
ISBN: 0230116426
Category : History
Languages : en
Pages : 474
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Book Description
Covering topics such as the Soviet monopoly over information and communication, violence in the gulags, and gender relations after World War II, this festschrift volume highlights the work and legacy of Sheila Fitzpatrick offers a cross-section of some of the best work being done on a critical period of Russia and the Soviet Union.
Author: Anders Åman
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 304
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Book Description
Since 1978, Anders Åman has been researching, photographing, and documenting the architectural style known as Socialist Realism. In the midst of the current statue toppling, this book records in over 200 illustrations the government-planned buildings, cities, parks, and monuments from the Stalinist postwar period in Eastern Europe, providing a valuable record and analysis of the relation between architecture and the state in Poland, Czechoslovakia, Hungary, Romania, Bulgaria, and former East Germany. Very little has been written on architecture and politics during the Cold War period for any country, and next to nothing is known about the architecture, or about state policies reflected in the architecture, of Eastern Europe. Åman not only illuminates these issues but also reveals the influence they had on the course of architectural history in the West. Following an overview of the Stalinist era and the ideological spread of Socialist Realism, Åman investigates several buildings in detail monumental structures such as the Palace of Culture in Warsaw and Stalinallee in East Berlin - and the socialist cities of Stalinstadt, Nowa Huta, Szt & a ́linv & a ́ros, and Dimitrovgrad. Sketching the lives of eight selected architects, he illuminates how their profession was affected by Socialist Realism. Åman also takes up such political works of art as the influential Polish painting "Pass me a brick!" and the Stalin monuments in Budapest and Prague, noting that even as history is being obliterated, Socialist Realism remains a key to understanding pictorial art and the built environment in Eastern Europe. He concludes with a discussion of how architecture is related to political ideologies. Anders Åman is Professor of the History and Theory of Art at Ume & a ́ University, Sweden. An Architectural History Foundation Book
Author: Evgeny Dobrenko
Publisher: Edinburgh University Press
ISBN: 0748632433
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cinema's role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this 'most important of arts' the most effective form of propaganda and 'organisation of the masses'. By examining the works of the greatest Soviet filmmakers of the Stalin era--Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler--the author explores the role of the cinema in the formation of the Soviet political imagination.
Author: Sheila Fitzpatrick
Publisher: Oxford University Press
ISBN: 0195050002
Category : History
Languages : en
Pages : 312
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Book Description
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
Author: Hans Gunther
Publisher: Springer
ISBN: 1349206512
Category : History
Languages : en
Pages : 326
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Book Description
Up to now the culture of the Stalin period has been studied mainly from a political or ideological point of view. In this book renowned specialists from many countries approach the problem rather 'from inside'. The authors deal with numerous aspects of Stalinist culture such as art, literature, architecture, film and popular culture. Yet the volume is more than a mere collection of studies on special issues. It is an inquiry into the very nature of a certain type of culture, its symbols, rites and myths. The book will be useful not only for students of Soviet culture but also for a wider audience.
Author: Lilya Kaganovsky
Publisher: University of Pittsburgh Pre
ISBN: 9780822973430
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.
