Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Stage-struck Yankee
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Stage-struck Yankee
Author: Oliver Everett Durivage
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
The Stage-struck Yankee
Author: O. E. Durivage
Publisher:
ISBN:
Category : Congress of Vienna
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Congress of Vienna
Languages : en
Pages : 26
Book Description
Stagestruck Filmmaker
Author: David Mayer
Publisher: University of Iowa Press
ISBN: 1587298406
Category : Performing Arts
Languages : en
Pages : 311
Book Description
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.
Publisher: University of Iowa Press
ISBN: 1587298406
Category : Performing Arts
Languages : en
Pages : 311
Book Description
An actor, a vaudevillian, and a dramatist before he became a filmmaker, D. W. Griffith used the resources of theatre to great purpose and to great ends. In pioneering the quintessentially modern medium of film from the 1890s to the 1930s, he drew from older, more broadly appealing stage forms of melodrama, comedy, vaudeville, and variety. In Stagestruck Filmmaker, David Mayer brings Griffith’s process vividly to life, offering detailed and valuable insights into the racial, ethnic, class, and gender issues of these transitional decades. Combining the raw materials of theatre, circus, minstrelsy, and dance with the newer visual codes of motion pictures, Griffith became the first acknowledged artist of American film. Birth of a Nation in particular demonstrates the degree to which he was influenced by the racist justifications and distorting interpretations of the Civil War and the Reconstruction era. Moving through the major phases of Griffith’s career in chapters organized around key films or groups of films, Mayer provides a mesmerizing account of the American stage and cinema in the final years of the nineteenth century and the first three decades of the twentieth century. Griffith’s relationship to the theatre was intricate, complex, and enduring. Long recognized as the dominant creative figure of American motion pictures, throughout twenty-six years of making more than five hundred films he pillaged, adapted, reshaped, revitalized, preserved, and extolled. By historicizing his representations of race, ethnicity, and otherness, Mayer places Griffith within an overall template of American life in the years when film rivaled and then surpassed the theatre in popularity.
The Stage-struck Darkey
Author:
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ISBN:
Category :
Languages : en
Pages : 20
Book Description
Publisher:
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Category :
Languages : en
Pages : 20
Book Description
The Stage-struck Yankee. A Farce in One Act [and in Prose], Etc
Author: O. E. DU RIVAGE
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Stagestruck
Author: Burt Hirschfeld
Publisher:
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Category : Theater
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 216
Book Description
Josh Winchester
Author: T. Wilson Rodebaugh
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 42
Book Description
Publisher:
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Category : Drama
Languages : en
Pages : 42
Book Description
Plays of the 19th and 20th Centuries
Author:
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Category :
Languages : en
Pages : 548
Book Description
Publisher:
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Category :
Languages : en
Pages : 548
Book Description
A Southern Rose
Author: J. S. Brown
Publisher:
ISBN:
Category : Southern States
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Southern States
Languages : en
Pages : 36
Book Description