Gaming the Stage PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Gaming the Stage PDF full book. Access full book title Gaming the Stage by Gina Bloom. Download full books in PDF and EPUB format.
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472053817
Category : Literary Criticism
Languages : en
Pages : 305
Get Book Here
Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472053817
Category : Literary Criticism
Languages : en
Pages : 305
Get Book Here
Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Author: Lisa Bany-Winters
Publisher:
ISBN: 9781556523243
Category : Acting games
Languages : en
Pages : 0
Get Book Here
Book Description
Kids learn about theater with games and activities that cover basic theater vocabulary, puppetry and pantomime, sound effects, costumes, props, makeup, and more.
Author: Steven Mullaney
Publisher: University of Michigan Press
ISBN: 9780472083466
Category : History
Languages : en
Pages : 196
Get Book Here
Book Description
Probes English society in the age of Shakespeare
Author: Kate Bredeson
Publisher: Northwestern University Press
ISBN: 0810138174
Category : Performing Arts
Languages : en
Pages : 271
Get Book Here
Book Description
Occupying the Stage: the Theater of May '68 tells the story of student and worker uprisings in France through the lens of theater history, and the story of French theater through the lens of May '68. Based on detailed archival research and original translations, close readings of plays and historical documents, and a rigorous assessment of avant-garde theater history and theory, Occupying the Stage proposes that the French theater of 1959–71 forms a standalone paradigm called "The Theater of May '68." The book shows how French theater artists during this period used a strategy of occupation-occupying buildings, streets, language, words, traditions, and artistic processes-as their central tactic of protest and transformation. It further proposes that the Theater of May '68 has left imprints on contemporary artists and activists, and that this theater offers a scaffolding on which to build a meaningful analysis of contemporary protest and performance in France, North America, and beyond. At the book's heart is an inquiry into how artists of the period used theater as a way to engage in political work and, concurrently, questioned and overhauled traditional theater practices so their art would better reflect the way they wanted the world to be. Occupying the Stage embraces the utopic vision of May '68 while probing the period's many contradictions. It thus affirms the vital role theater can play in the ongoing work of social change.
Author: Michael Ingham
Publisher: Taylor & Francis
ISBN: 131755521X
Category : Performing Arts
Languages : en
Pages : 239
Get Book Here
Book Description
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Author: William Schwenck Gilbert
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
Get Book Here
Book Description
An essay by William Schenck Gilbert, a playwright of Victorian theatre, in which he examines the role of the theatre. In it he pleads for the mutual tolerance between Church and stage.
Author: Edward Braun
Publisher: A&C Black
ISBN: 1408149257
Category : Performing Arts
Languages : en
Pages : 229
Get Book Here
Book Description
Beginning with the triple impulses of Naturalism, symbolism and the grotesque, the bulk of the book concentrates on the most famous directors of this century - Stanislavski, Reinhardt, Graig, Meyerhold, Piscator, Brecht, Artuaud and Grotowski. Braun's guide is more practical than theoretical, delineating how each director changed the tradition that came before him.
Author: Paul Sills
Publisher: Samuel French, Inc.
ISBN: 9780573615870
Category : Drama
Languages : en
Pages : 100
Get Book Here
Book Description
Ten one-act plays, including "The Bremen Town Musicians, " "The Fisherman and His Wife, " and "The Golden Goose, " which may be used together as one production.
Author: Jeffrey K. Coleman
Publisher: Northwestern University Press
ISBN: 0810141876
Category : Performing Arts
Languages : en
Pages : 234
Get Book Here
Book Description
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Author: John Patrick Shanley
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822209904
Category : Bronx (New York, N.Y.)
Languages : en
Pages : 48
Get Book Here
Book Description
THE STORY: The setting is a slightly seedy neighborhood bar in the Bronx, where a group of regulars (who all happen to be the same age--thirty-two) seek relief from the disappointments and tedium of the outside world. The first to arrive is Denise S
