Author: Chris Stolz
Publisher: Stolz Productions
ISBN:
Category : Performing Arts
Languages : en
Pages : 22
Book Description
This is the first volume in Chris Stolz’s Theatre Illusions series. This series is meant to provide theatre productions with solutions to those special effects so often called for in the story or script. These can be illusions, special theatre props, transformations and much more. Each ebook in the series focuses on a different popular show. In this first installment, Chris focuses on the magical props and effects for Beauty and the Beast. Audiences are always prepared to suspend their disbelief. It’s when they don’t have to that you have something truly special. Beauty and the Beast is one of the most popular shows out there. It also has a ton of magical effects baked right into the story. Unfortunately, the script doesn’t come with explanations of how to pull them off. This leads to most theatre companies having to cut the effects, come up with alternative and usually less impactful effects or hire someone like Chris. What often surprises his clients is just how simple, cost-effective and yet visually stunning some of these effects can be. The methods outlined here have been used in real productions, for actual living and breathing audiences. They are practical, reliable and they look great all the way from row A to the lighting booth. It’s important to note that while these effects have been created with the community production budget in mind, there is nothing here that won’t up in a professional production. With simplicity often comes reliability and whether you’re doing 8 performances a week or 3, it just has to work. The following effects have been created for Beauty and the Beast and are outlined in this ebook. - The Floating Enchanted Rose Prop - The Chip Cart - The Enchantresses Fire 1: Fire from Hands - The Enchantresses Fire 2: Flash Staff - Beast Transformation 1: Mock Levitation - Beast Transformation 2: Shadow Morph Each effect is described first in construction and then in how to perform the effect. All of the major details are provided for each of these original magical creations for Beauty and the Beast.
The Stage Effects of Beauty & The Beast
Author: Chris Stolz
Publisher: Stolz Productions
ISBN:
Category : Performing Arts
Languages : en
Pages : 22
Book Description
This is the first volume in Chris Stolz’s Theatre Illusions series. This series is meant to provide theatre productions with solutions to those special effects so often called for in the story or script. These can be illusions, special theatre props, transformations and much more. Each ebook in the series focuses on a different popular show. In this first installment, Chris focuses on the magical props and effects for Beauty and the Beast. Audiences are always prepared to suspend their disbelief. It’s when they don’t have to that you have something truly special. Beauty and the Beast is one of the most popular shows out there. It also has a ton of magical effects baked right into the story. Unfortunately, the script doesn’t come with explanations of how to pull them off. This leads to most theatre companies having to cut the effects, come up with alternative and usually less impactful effects or hire someone like Chris. What often surprises his clients is just how simple, cost-effective and yet visually stunning some of these effects can be. The methods outlined here have been used in real productions, for actual living and breathing audiences. They are practical, reliable and they look great all the way from row A to the lighting booth. It’s important to note that while these effects have been created with the community production budget in mind, there is nothing here that won’t up in a professional production. With simplicity often comes reliability and whether you’re doing 8 performances a week or 3, it just has to work. The following effects have been created for Beauty and the Beast and are outlined in this ebook. - The Floating Enchanted Rose Prop - The Chip Cart - The Enchantresses Fire 1: Fire from Hands - The Enchantresses Fire 2: Flash Staff - Beast Transformation 1: Mock Levitation - Beast Transformation 2: Shadow Morph Each effect is described first in construction and then in how to perform the effect. All of the major details are provided for each of these original magical creations for Beauty and the Beast.
Publisher: Stolz Productions
ISBN:
Category : Performing Arts
Languages : en
Pages : 22
Book Description
This is the first volume in Chris Stolz’s Theatre Illusions series. This series is meant to provide theatre productions with solutions to those special effects so often called for in the story or script. These can be illusions, special theatre props, transformations and much more. Each ebook in the series focuses on a different popular show. In this first installment, Chris focuses on the magical props and effects for Beauty and the Beast. Audiences are always prepared to suspend their disbelief. It’s when they don’t have to that you have something truly special. Beauty and the Beast is one of the most popular shows out there. It also has a ton of magical effects baked right into the story. Unfortunately, the script doesn’t come with explanations of how to pull them off. This leads to most theatre companies having to cut the effects, come up with alternative and usually less impactful effects or hire someone like Chris. What often surprises his clients is just how simple, cost-effective and yet visually stunning some of these effects can be. The methods outlined here have been used in real productions, for actual living and breathing audiences. They are practical, reliable and they look great all the way from row A to the lighting booth. It’s important to note that while these effects have been created with the community production budget in mind, there is nothing here that won’t up in a professional production. With simplicity often comes reliability and whether you’re doing 8 performances a week or 3, it just has to work. The following effects have been created for Beauty and the Beast and are outlined in this ebook. - The Floating Enchanted Rose Prop - The Chip Cart - The Enchantresses Fire 1: Fire from Hands - The Enchantresses Fire 2: Flash Staff - Beast Transformation 1: Mock Levitation - Beast Transformation 2: Shadow Morph Each effect is described first in construction and then in how to perform the effect. All of the major details are provided for each of these original magical creations for Beauty and the Beast.
Beauty and the Beast
Author:
Publisher:
ISBN: 9780721441443
Category : Coloring books
Languages : en
Pages : 12
Book Description
Publisher:
ISBN: 9780721441443
Category : Coloring books
Languages : en
Pages : 12
Book Description
The Brickbuilder
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 632
Book Description
An architectural monthly.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 632
Book Description
An architectural monthly.
Julius Cahn's Official Theatrical Guide
Author:
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 908
Book Description
Publisher:
ISBN:
Category : Motion picture theaters
Languages : en
Pages : 908
Book Description
The Theatre
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 784
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 784
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Our Musicals, Ourselves
Author: John Bush Jones
Publisher: Brandeis University Press
ISBN: 1611682231
Category : Performing Arts
Languages : en
Pages : 650
Book Description
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.
Publisher: Brandeis University Press
ISBN: 1611682231
Category : Performing Arts
Languages : en
Pages : 650
Book Description
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.
Hollywood Musicals Nominated for Best Picture
Author: Frederick G. Vogel
Publisher: McFarland
ISBN: 1476611572
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Only one year after the presentation of the first Academy Awards on May 16, 1929, two musicals joined the select group of five films nominated for Best Picture. One, The Broadway Melody, won the award, and since then, 37 additional musicals have received Best Picture nominations. Of those, nine have won the award. This book covers all 39 Hollywood musicals nominated for Best Picture. It explains why each film was nominated and why the winners won, points out the influences that guided the productions, and discusses these films' influences on succeeding films. Plot descriptions are provided, along with facts about the acting, direction, choreography, and orchestration; complete cast and production credits; and comments from critics.
Publisher: McFarland
ISBN: 1476611572
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Only one year after the presentation of the first Academy Awards on May 16, 1929, two musicals joined the select group of five films nominated for Best Picture. One, The Broadway Melody, won the award, and since then, 37 additional musicals have received Best Picture nominations. Of those, nine have won the award. This book covers all 39 Hollywood musicals nominated for Best Picture. It explains why each film was nominated and why the winners won, points out the influences that guided the productions, and discusses these films' influences on succeeding films. Plot descriptions are provided, along with facts about the acting, direction, choreography, and orchestration; complete cast and production credits; and comments from critics.
Unions and Class Transformation
Author: Catherine P. Mulder
Publisher: Routledge
ISBN: 1135843384
Category : Business & Economics
Languages : en
Pages : 162
Book Description
Unions and class transformation : the case of the Broadway musicians -- The Broadway musicians : a case study -- Subjects of concern for Broadway musicians -- Class transformation -- Post class transformation : applications on Broadway and beyond.
Publisher: Routledge
ISBN: 1135843384
Category : Business & Economics
Languages : en
Pages : 162
Book Description
Unions and class transformation : the case of the Broadway musicians -- The Broadway musicians : a case study -- Subjects of concern for Broadway musicians -- Class transformation -- Post class transformation : applications on Broadway and beyond.
Bloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance
Author: Jennifer McClure
Publisher: Routledge
ISBN: 1000573184
Category : Performing Arts
Languages : en
Pages : 174
Book Description
Bloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance offers methods and techniques for delivering this special effect on the stage. The world of live theatre presents its own set of unique challenges when creating special effects, particularly blood. There are no cropped-view frames, multiple angles, or reshoots – everything is live and in view of the audience. This book provides helpful insight, information, techniques, and tricks for producing reliable and repeatable blood effects, covering everything from design and budgeting to safety and clean-up. Filled with easy-to-follow descriptions and full-color artwork, this text includes: Practical examples of blood effect budgets, outlining not just money but also labor needs. A breakdown of the components for making an original blood recipe, as well as reliable, industry-tested recipes. Options for dispensing blood to create realistic effects for any budget size. A comprehensive wash-testing database of over 500 examples of fabrics and blood combinations. Prop managers and builders in professional, educational, and regional theatre are sure to benefit from the tips outlined in this book.
Publisher: Routledge
ISBN: 1000573184
Category : Performing Arts
Languages : en
Pages : 174
Book Description
Bloody Brilliant: How to Develop, Execute, and Clean Up Blood Effects for Live Performance offers methods and techniques for delivering this special effect on the stage. The world of live theatre presents its own set of unique challenges when creating special effects, particularly blood. There are no cropped-view frames, multiple angles, or reshoots – everything is live and in view of the audience. This book provides helpful insight, information, techniques, and tricks for producing reliable and repeatable blood effects, covering everything from design and budgeting to safety and clean-up. Filled with easy-to-follow descriptions and full-color artwork, this text includes: Practical examples of blood effect budgets, outlining not just money but also labor needs. A breakdown of the components for making an original blood recipe, as well as reliable, industry-tested recipes. Options for dispensing blood to create realistic effects for any budget size. A comprehensive wash-testing database of over 500 examples of fabrics and blood combinations. Prop managers and builders in professional, educational, and regional theatre are sure to benefit from the tips outlined in this book.
Magic Flutes and Enchanted Forests
Author: David J. Buch
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.