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Author: Pierre Lasserre
Publisher: London : K. Paul, Trench, Trubner ; New York : E.P. Dutton
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: Pierre Lasserre
Publisher: London : K. Paul, Trench, Trubner ; New York : E.P. Dutton
ISBN:
Category : Music
Languages : en
Pages : 236
Get Book Here
Book Description
Author: Pierre Lasserre
Publisher: Forgotten Books
ISBN: 9781330114612
Category : Music
Languages : en
Pages : 232
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Book Description
Excerpt from The Spirit of French Music My Dear Master, An artist favoured by the Muse that inspired of old Grétry, Monsigny and Boïeldieu has every right to the homage of a book in which the praise of French music is sung. It would have been enough for me to have inscribed your name at the head of these studies, had I had no motive but this for dedicating them to you. But your generous welcome of the first musical work for which I sought a public hearing gives me another motive gratitude. My prayer is that I may deserve well enough of musical art for it to be said that in giving me access to this second career you have not served it ill. Is this the time to give ourselves up to such dreams? When the majority of French families are in mourning, while War continues to reap its harvest of the youth of this country, ought we writers and artists to devote ourselves passionately to our work? Yes, more than ever we should. After the cataclysm the needs of human nature will be unchanged; a long privation will have rendered them more pressing. What we do goes beyond the sphere of utility. But the need of truth and beauty lies closer to the heart of humanity than the need of what is useful; and a period which does not satisfy this superior need, or which only provides it with clouded and alloyed satisfactions, is a period in which many things are not well, in which what are called practical interests themselves suffer deep injury. This truth is applicable to all civilised peoples, and eminently so to France. Our works represent the most precious part of the nations capital, the part whose decline would bring with it the decadence of all other parts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Georges Jean-Aubry
Publisher: Forgotten Books
ISBN: 9780267195763
Category : Music
Languages : en
Pages : 82
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Book Description
Excerpt from An Introduction to French Music In the domain Of Art especially this mutual knowledge is likely to be of profit. Britain and France, particularly during the past five cen tuties have dowered the world with master pieces. Right through her excitements, her political Changes and her revolutions, France has Shewn an inexhaustible power of artistic invention. The most troubled moments of her history have not diminished her intellectual energy. It may even be said that the saddest hours of her national life have been marked by a reawakening of artistic effort. In this the history of French art (in particular of French musical art) teaches a lesson Of great moral value. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Agnes Rush Burr
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 229
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Book Description
The Work and the Man (Classic Reprint) by Agnes Rush Burr offers a thought-provoking examination of the relationship between labor and character. This thought-provoking book argues that the work a person does can shape their character, and conversely, the character can influence their work. Through insightful commentary and vivid illustrations, Burr creates a compelling discourse on the importance of work in personal development. The Work and the Man is a timeless book that will inspire and challenge you to reflect on your own work and its impact on your character. Delve into the intriguing relationship between work and character with The Work and the Man by Agnes Rush Burr. Discover the profound insights within this classic reprint today!
Author: Georges Jean-Aubry
Publisher: Forgotten Books
ISBN: 9780331826654
Category : Music
Languages : en
Pages : 302
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Book Description
Excerpt from French Music of to-Day The untiring activities of M. G. Jean-aubry in fostering international amenities in literary, artistic, and musical circles have made his name familiar not only in France and England, but throughout Western Europe. The official mission with which he has recently been entrusted by the French Government is no more than a just recognition of a course of action upon which he had already been privately engaged for many years, and which he would doubtless have continued Without such recognition. Primarily his mission has been to spread the knowledge of French achievements in these spheres not only abroad but at home, for even Frenchmen were at first slow to realise the im portance of the rejuvenation that had taken place in all the arts during the concluding decades of the nineteenth century. But the same curiosity that led him to the study of recent French achievements was bound eventually to extend itself to correspond ing movements in other countries with which his missionary work had brought him into relations. He thus became a sympathetic student first of our poets and then of our musicians, and he is an enthusiastic advocate, not only of contemporary French com posers, but of those English, Spanish, and Italian composers whose works place them in the vanguard of present-day music. Thus it comes about that he. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sophie Cornu
Publisher: Forgotten Books
ISBN: 9780260320865
Category : Music
Languages : en
Pages : 34
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Book Description
Excerpt from List of French Fiction The sub-title indicates the spirit of this Charmin novel and one sentence resumes the whole book. T is not on I; his money that a Frenchman owes to France, but his cart, his arm, and, if needs be, his life.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Deborah Mawer
Publisher: Boydell & Brewer
ISBN: 1837650322
Category : Music
Languages : en
Pages : 383
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Book Description
Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique. French composers, performers and musicologists acted as editors of eighteenth- and nineteenth-century European 'classics', primarily for piano. Among these editors were Fauré, Saint-Saëns, Debussy, Ravel and Dukas; the objects of their enquiries included core works by Rameau, Bach, Mozart, Beethoven, Mendelssohn, Schumann and Chopin. Presenting six composer-editor case studies, the volume shows that the French 'accent', both musical and cultural, upon this predominantly Austro-German music was highly varied. Editorial responses range from scholarly approaches to those directed by performance or compositional agendas, and from pan-European to strongly patriotic stances. Intriguing intersections are revealed between old and new, and between French and cross-European canons. Beyond editing, the book explores the Édition's role in pedagogy and performance, including by pianists Robert Casadesus and Yvonne Loriod, and in the reassertion of contemporary French composition, especially regarding innovation around neoclassicism. It will interest a wide readership, including musicologists, performers and concert-goers, cultural historians and other humanities scholars.
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 1316194612
Category : Music
Languages : en
Pages : 321
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Book Description
French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.
Author: Georges Jean-Aubry
Publisher: Forgotten Books
ISBN: 9780265570791
Category : Music
Languages : en
Pages : 628
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Book Description
Excerpt from French Music of to-Day and Musicians of to-Day The work of M. G. Jean-aubry can thus in no sense be regarded as animated by chauvinism. He is a resolute champion of the free exchange of artistic ideas between all nations, believing that therein lies the surest protection against intellectual domination by any one of them. He is the enemy of all exclusiveness, and has played an active part in arousing the curiosity of his own countrymen in the artistic life of other nations. His book on modern French music represents an accumulation from several years of missionary work. It is far from complete, but he has preferred to place it on record in its present form, the only addition made since the outbreak of war being the first chapter, for which there was an actual need. The appearance of the volume early in the war was due partly to considerations arising out of the war itself, and partly to a very natural desire, with which I have good reason to sympathise, to show that his interest in French music is not of yesterday. Since August, 1914, so many who were hitherto apathetic or even hostile have suddenly declared themselves enthusiastic, that it is really necessary to make some distinction between pioneers and these converts of the eleventh hour. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Kate van Orden
Publisher: Univ of California Press
ISBN: 0520957113
Category : Music
Languages : en
Pages : 257
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Book Description
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
