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Author: M. Elizabeth Boone
Publisher: Penn State Press
ISBN: 0271085266
Category : Art
Languages : en
Pages : 273
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Book Description
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
Author: M. Elizabeth Boone
Publisher: Penn State Press
ISBN: 0271085266
Category : Art
Languages : en
Pages : 273
Get Book Here
Book Description
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
Author: Mary Elizabeth Boone
Publisher: Penn State University Press
ISBN: 9780271083315
Category : Art
Languages : en
Pages : 0
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Book Description
Uses Spanish participation at a series of international exhibitions to explore the transnational histories of Spain, the United States, Europe, and America in order to understand how and why the Spanishness of U.S. national identity has been subverted, marginalized, and largely forgotten.
Author: Felipe Fernández-Armesto
Publisher: W. W. Norton & Company
ISBN: 0393242854
Category : History
Languages : en
Pages : 436
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Book Description
“A rich and moving chronicle for our very present.” —Julio Ortega, New York Times Book Review The United States is still typically conceived of as an offshoot of England, with our history unfolding east to west beginning with the first English settlers in Jamestown. This view overlooks the significance of America’s Hispanic past. With the profile of the United States increasingly Hispanic, the importance of recovering the Hispanic dimension to our national story has never been greater. This absorbing narrative begins with the explorers and conquistadores who planted Spain’s first colonies in Puerto Rico, Florida, and the Southwest. Missionaries and rancheros carry Spain’s expansive impulse into the late eighteenth century, settling California, mapping the American interior to the Rockies, and charting the Pacific coast. During the nineteenth century Anglo-America expands west under the banner of “Manifest Destiny” and consolidates control through war with Mexico. In the Hispanic resurgence that follows, it is the peoples of Latin America who overspread the continent, from the Hispanic heartland in the West to major cities such as Chicago, Miami, New York, and Boston. The United States clearly has a Hispanic present and future. And here is its Hispanic past, presented with characteristic insight and wit by one of our greatest historians.
Author: Walt Whitman
Publisher: IndyPublish.com
ISBN:
Category : Poetry
Languages : en
Pages : 536
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Book Description
Author: William Peterfield Trent
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 682
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
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Book Description
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691973865
Category : Art
Languages : en
Pages : 225
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Book Description
A revealing and beautifully illustrated critical edition of Gardner’s collaged travel albums In 1865, art collector and philanthropist Isabella Stewart Gardner (1840–1924) lost her only child to pneumonia at less than two years old. In an effort to rouse her from depression, Gardner and her husband, Jack, travelled to northern Europe and Russia. It was the first of many trips abroad that would eventually take her from the Middle East to Asia—trips that she documented in exquisitely crafted collaged travel albums. Fellow Wanderer brings together nearly thirty of Gardner’s striking travelogues, spanning some thirty-nine countries and offering invaluable perspective on the global influences on this legendary collector and patron of the arts. This book features beautiful facsimiles of Gardner’s travel albums—largely unpublished until now—along with essays by leading scholars who place these diaries and sketchbooks within the context of the art and culture of Europe, the Middle East, and Asia in the nineteenth century. The essays explore a host of topics, such as Gardner’s engagement with world religions while abroad, how she incorporated designs and ideas from around the globe into her Boston museum, and the ways in which the imperial power structures of the era facilitated her travels. Lushly illustrated, Fellow Wanderer provides a uniquely intimate look at how Gardner’s rich and diverse experiences abroad instilled her collecting and patronage with a truly global vision of art. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston February 16–May 21, 2023
Author: Rafael Bernabe
Publisher: BRILL
ISBN: 9004462740
Category : Political Science
Languages : en
Pages : 301
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Book Description
Walt Whitman and His Caribbean Interlocutors: José Martí, C.L.R. James, and Pedro Mir explores the writings of Whitman (1819-1892) and of three Caribbean authors who engaged with them: the Cuban poet, essayist and revolutionary José Martí (1853-1895); the Trinidadian activist, historian and cultural critic C.L.R. James (1901-1989), and the Dominican poet Pedro Mir (1913-2000). Whitman and his Caribbean interlocutors are discussed against the background of the contradictions of capitalist modernity, as exemplified by the United States between the 1840s and the 1940s. Marx's exploration of the liberating and oppressive dimensions of capitalist expansion frames the discussion of each author and of Martí's, James's and Mir's responses to Whitman and, more generally, to North American capitalist and industrial civilisation and its imperial projections.
Author: Jessica DeSpain
Publisher: Routledge
ISBN: 1317087240
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Until the Chace Act in 1891, no international copyright law existed between Britain and the United States, which meant publishers were free to edit text, excerpt whole passages, add new illustrations, and substantially redesign a book's appearance. In spite of this ongoing process of transatlantic transformation of texts, the metaphor of the book as a physical embodiment of its author persisted. Jessica DeSpain's study of this period of textual instability examines how the physical book acted as a major form of cultural exchange between Britain and the United States that called attention to volatile texts and the identities they manifested. Focusing on four influential works”Charles Dickens's American Notes for General Circulation, Susan Warner's The Wide, Wide World, Fanny Kemble's Journal of a Residence on a Georgian Plantation, and Walt Whitman's Democratic Vistas”DeSpain shows that for authors, readers, and publishers struggling with the unpredictability of the textual body, the physical book and the physical body became interchangeable metaphors of flux. At the same time, discourses of destabilized bodies inflected issues essential to transatlantic culture, including class, gender, religion, and slavery, while the practice of reprinting challenged the concepts of individual identity, personal property, and national identity.
Author: Taína Caragol
Publisher: Princeton University Press
ISBN: 0691246203
Category : Art
Languages : en
Pages : 329
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Book Description
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
