Author: Haresh Bakshi
Publisher: Trafford Publishing
ISBN: 1412231353
Category : Music
Languages : en
Pages : 99
Book Description
Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
101 Raga-S for the 21St Century and Beyond
Author: Haresh Bakshi
Publisher: Trafford Publishing
ISBN: 1412231353
Category : Music
Languages : en
Pages : 99
Book Description
Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
Publisher: Trafford Publishing
ISBN: 1412231353
Category : Music
Languages : en
Pages : 99
Book Description
Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
Sound of Indian Music
Author: Ganavya Doraiswamy
Publisher: Lulu.com
ISBN: 1304504093
Category : Education
Languages : en
Pages : 114
Book Description
A text that can serve to provide a brief introduction to Indian music with a specific focus on Carnatic (South Indian) music, that was designed by Ganavya Doraiswamy during her Post-Graduate Fellowship at Berklee College of Music. This text acted as a supplement to an eight-week certification course and was crafted specifically for that purpose. For any further inquiries, please contact [email protected].
Publisher: Lulu.com
ISBN: 1304504093
Category : Education
Languages : en
Pages : 114
Book Description
A text that can serve to provide a brief introduction to Indian music with a specific focus on Carnatic (South Indian) music, that was designed by Ganavya Doraiswamy during her Post-Graduate Fellowship at Berklee College of Music. This text acted as a supplement to an eight-week certification course and was crafted specifically for that purpose. For any further inquiries, please contact [email protected].
Finding The Raga
Author: Amit Chaudhuri
Publisher: Penguin Random House India Private Limited
ISBN: 9390914493
Category : Biography & Autobiography
Languages : en
Pages : 169
Book Description
By turns essay, memoir and cultural study, Finding the Raga is Amit Chaudhuri's singular account of his discovery of, and enduring passion for, North Indian music: an ancient, evolving tradition whose principles and practices will alter the reader's notion of what music might - and can - be. Tracing the music's development, Finding the Raga dwells on its most distinctive and mysterious characteristics: its extraordinary approach to time, language and silence; its embrace of confoundment, and its ethos of evocation over representation. The result is a strange gift of a book, for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration.
Publisher: Penguin Random House India Private Limited
ISBN: 9390914493
Category : Biography & Autobiography
Languages : en
Pages : 169
Book Description
By turns essay, memoir and cultural study, Finding the Raga is Amit Chaudhuri's singular account of his discovery of, and enduring passion for, North Indian music: an ancient, evolving tradition whose principles and practices will alter the reader's notion of what music might - and can - be. Tracing the music's development, Finding the Raga dwells on its most distinctive and mysterious characteristics: its extraordinary approach to time, language and silence; its embrace of confoundment, and its ethos of evocation over representation. The result is a strange gift of a book, for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration.
Music and Musical Thought in Early India
Author: Lewis Rowell
Publisher: University of Chicago Press
ISBN: 0226730344
Category : History
Languages : en
Pages : 428
Book Description
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
Publisher: University of Chicago Press
ISBN: 0226730344
Category : History
Languages : en
Pages : 428
Book Description
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
The Marriage Bureau for Rich People
Author: Farahad Zama
Publisher: Penguin
ISBN: 1101060158
Category : Fiction
Languages : en
Pages : 312
Book Description
Bored with retirement, Mr. Ali sets up a desk, puts up a sign, and waits for customers for his new matchmaking business. Some clients are a mystery. Some are a challenge. Mr. Ali's assistant, Aruna, finds it a learning experience. But without a dowry, Aruna has no expectation of a match for herself. Then again, as people go about planning their lives, sometimes fate is making other arrangements.
Publisher: Penguin
ISBN: 1101060158
Category : Fiction
Languages : en
Pages : 312
Book Description
Bored with retirement, Mr. Ali sets up a desk, puts up a sign, and waits for customers for his new matchmaking business. Some clients are a mystery. Some are a challenge. Mr. Ali's assistant, Aruna, finds it a learning experience. But without a dowry, Aruna has no expectation of a match for herself. Then again, as people go about planning their lives, sometimes fate is making other arrangements.
Ancient Traditions--future Possibilities
Author: Matthew Montfort
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 156
Book Description
The Sound of Indian Music
Author: Raghava R. Menon
Publisher: New Delhi : Indian Book Company
ISBN:
Category : India
Languages : en
Pages : 96
Book Description
Introduction to Indian classical music, with particular reference to vocal melodic patterns.
Publisher: New Delhi : Indian Book Company
ISBN:
Category : India
Languages : en
Pages : 96
Book Description
Introduction to Indian classical music, with particular reference to vocal melodic patterns.
Sanskrit Non-Translatables
Author: Rajiv Malhotra
Publisher: Manjul Publishing
ISBN: 9390085489
Category : Foreign Language Study
Languages : en
Pages : 304
Book Description
Sanskrit Non-Translatables is a path-breaking and audacious attempt at Sanskritizing the English language and enriching it with powerful Sanskrit words. It continues the original and innovative idea of nontranslatability of Sanskrit, first introduced in the book, Being Different. For English readers, this should be the starting point of the movement to resist the digestion of Sanskrit into English, by introducing loanwords into their English vocabulary without translation. The book presents a thorough mechanism of the process of digestion and examines the loss of adhikara for Sanskrit because of translating its core ideas into English. The movement launched by this book will resist this and stop the programs that seek to turn Sanskrit into a dead language by translating all its treasures to render it redundant. It discusses fifty-four non-translatables across various genres that are being commonly mistranslated. It empowers English speakers with the knowledge and arguments to introduce these Sanskrit words into their daily speech with confidence. Every lover of India’s sanskriti will benefit from the book and become a cultural ambassador propagating it through routine communications.
Publisher: Manjul Publishing
ISBN: 9390085489
Category : Foreign Language Study
Languages : en
Pages : 304
Book Description
Sanskrit Non-Translatables is a path-breaking and audacious attempt at Sanskritizing the English language and enriching it with powerful Sanskrit words. It continues the original and innovative idea of nontranslatability of Sanskrit, first introduced in the book, Being Different. For English readers, this should be the starting point of the movement to resist the digestion of Sanskrit into English, by introducing loanwords into their English vocabulary without translation. The book presents a thorough mechanism of the process of digestion and examines the loss of adhikara for Sanskrit because of translating its core ideas into English. The movement launched by this book will resist this and stop the programs that seek to turn Sanskrit into a dead language by translating all its treasures to render it redundant. It discusses fifty-four non-translatables across various genres that are being commonly mistranslated. It empowers English speakers with the knowledge and arguments to introduce these Sanskrit words into their daily speech with confidence. Every lover of India’s sanskriti will benefit from the book and become a cultural ambassador propagating it through routine communications.
Sounds from the Other Side
Author: Elliott H. Powell
Publisher: U of Minnesota Press
ISBN: 1452964424
Category : Music
Languages : en
Pages : 189
Book Description
A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
Publisher: U of Minnesota Press
ISBN: 1452964424
Category : Music
Languages : en
Pages : 189
Book Description
A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
Indian Sound Cultures, Indian Sound Citizenship
Author: Laura Brueck
Publisher: University of Michigan Press
ISBN: 0472054341
Category : Social Science
Languages : en
Pages : 339
Book Description
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
Publisher: University of Michigan Press
ISBN: 0472054341
Category : Social Science
Languages : en
Pages : 339
Book Description
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.