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Author: Peire Vidal
Publisher: Peter Lang
ISBN: 9780820479224
Category : History
Languages : en
Pages : 278
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Book Description
Peire Vidal, one of the most celebrated of the Occitan troubadours, was a favorite performer at the courts of France, Spain, Italy, Malta, and Palestine during the late twelfth and early thirteenth centuries. His witty and humorous love-songs and satires provide a fascinating insight into the courtly society of his times. This book includes the first English translation and commentary of the complete works of Peire Vidal. It is a useful and accessible text for students and specialists of medieval literature.
Author: Peire Vidal
Publisher: Peter Lang
ISBN: 9780820479224
Category : History
Languages : en
Pages : 278
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Book Description
Peire Vidal, one of the most celebrated of the Occitan troubadours, was a favorite performer at the courts of France, Spain, Italy, Malta, and Palestine during the late twelfth and early thirteenth centuries. His witty and humorous love-songs and satires provide a fascinating insight into the courtly society of his times. This book includes the first English translation and commentary of the complete works of Peire Vidal. It is a useful and accessible text for students and specialists of medieval literature.
Author: Samuel N. Rosenberg
Publisher: Routledge
ISBN: 1134819218
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Eliza Zingesser
Publisher: Cornell University Press
ISBN: 1501747649
Category : History
Languages : en
Pages : 257
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Book Description
Stolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs. Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history. Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.
Author: Rachel May Golden
Publisher: Oxford University Press
ISBN: 0190948620
Category : Music
Languages : en
Pages : 272
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Book Description
In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.
Author: Sir John Hope Simpson
Publisher:
ISBN: 9780802007193
Category : Depressions
Languages : en
Pages : 828
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Book Description
Blending poetic language and scientific fact, Carolyn Lesser explores how one magnificent bear lives throughout the year. Impressionistic paintings follow the bear as he hunts, swims, plays, and journeys in the far north. “Lyrical in tone and accurate in zoological detail, the narrative is ideal for one-on-one sharing.”--School Library Journal
Author: Elizabeth Aubrey
Publisher: Indiana University Press
ISBN: 9780253213891
Category : History
Languages : en
Pages : 356
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Book Description
"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover
Author: James J. Wilhelm
Publisher: Routledge
ISBN: 0429603096
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Originally published in 1990, this book contains the full text and translation of razos and troubadour songs. The coupling of the razos and songs in this edition is based on the conviction that though the lyrics should first be read on their own, it is highly instructive to read the two together, as the razo authors intended. This allows the reader to attempt to read as a thirteenth-century contemporary might have.
Author: Jaufré Rudel
Publisher: PIMS
ISBN: 9780888440419
Category : Literary Collections
Languages : en
Pages : 294
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Book Description
Author: Zoltán Falvy
Publisher: Pendragon Press
ISBN: 9789630540629
Category : Juvenile Nonfiction
Languages : en
Pages : 232
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Book Description
Mediterranean Culture and Troubadour Music by Zoltan Falvy. The volume gives an account of the origins of troubadour music and the development of European secular music. It focuses on the Spanish cantiga manuscript and the troubadour manuscript group. A significant part of the book deals with the Arab thesis modifying the theory by asserting that Arabic poetry was but one of the mediterranean influences on the troubadours. In an important chapter the author examines with musical orientation the social history of the 13th century period of Alphonse the Wise. A special chapter is de- voted to the clarification of the role of the heretic movements. The stylistical analysis of all the extant melodies of Peire Vidal and Gaucelm Faidit brings out the interesting discovery that troubadour music has archaic features that may be close to European folk music. Zoltan Falvy's book has a completely new approach to troubadour music demonstrating that court music adapted to court poetry has a structure independent of the poem.
Author: Gregory B. Stone
Publisher: University of Pennsylvania Press
ISBN: 1512807338
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Death of the Troubadour offers new insight into the emergence of the autonomous "self," which has often been taken as a marker of the end of the Middle Ages and the beginning of the Renaissance. Gregory B. Stone argues that the anonymity of late medieval texts, and specifically of the troubadour song, is not a sign of naïveté but rather that of a mature, deliberate resistance to the advent of individualism. Moreover, this anonymity reveals that medieval lyric, with a melancholy knowledge of the inevitable triumph of the specific over the general, of private over public subjectivity, lurks at the heart of narrative, ready to wield a retributive violence. Through a series of detailed readings of a colorful selection of texts which mourn "the death of the troubadour"—including old French lais, old Provençal vidas and razos, Italian novella, and Chaucer's Book of the Duchess—Stone locates various strategies of resistance to bourgeois individualism and to the emerging notion that literature is the realistic mimesis of historical fact. He offers brief narratives recounting the biographies of specifically identified troubadour poets and the events that led those individuals to compose specific verses for individual ladies. This narrative birth of the individual is, indeed, the death of the troubadour. The Death of the Troubadour will interest students and scholars of medieval and Renaissance literature, and of literary theory.
