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Author: Annette Schellenberg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110750821
Category : Religion
Languages : en
Pages : 613
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Book Description
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Author: Ann W. Astell
Publisher: Cornell University Press
ISBN: 1501720694
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal. Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century—ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize—the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas. The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
Author: Annette Schellenberg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110750821
Category : Religion
Languages : en
Pages : 613
Get Book Here
Book Description
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Author: Debra Band
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Now, in The Song of Songs: The Honeybee in the Garden, author and artist Debra Band presents a breathtakingly beautiful illuminated work in which these two lines of interpretation are harmonized within a stunning visual context.
Author: Hannah W. Matis
Publisher: BRILL
ISBN: 9004389253
Category : History
Languages : en
Pages : 263
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Book Description
In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.
Author: James M. Hamilton, Jr.
Publisher: Focus on the Bible
ISBN: 9781781915608
Category : Bible
Languages : en
Pages : 0
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Book Description
The love poem of the Old Testament Fresh insight on this under preached book Latest addition to the Focus on the Bible Series
Author: Annette Schellenberg
Publisher:
ISBN: 9789042933743
Category : Bible
Languages : en
Pages : 0
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Book Description
The Song of Songs is one of the most often interpreted books of the Bible. Through the ages interpreters have agreed that it is a highly poetic piece of literature, but their interpretations have differed fundamentally. After a centuries-long consensus that the Song must be interpreted allegorically as reflecting the relationship of God and humans and a shorter consensus that the Song must be interpreted literally as a composition of profane love lyrics, the discussion in recent years has once again become more controversial, as a growing number of exegetes have been more open to theological interpretations. This volume offers contibutions that take different stands in this newly inflamed discussion. It thus enables readers to further think about the question and come to their own conclusions.
Author: Ashok G P
Publisher: OrangeBooks Publication
ISBN:
Category : Music
Languages : en
Pages : 73
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Book Description
Music Through the Ages is intended to help musicians, music students, and music lovers understand how the history of Western music has spanned since documented history has been in existence, the different genres as they developed over time, what each development has led to, and how it has shaped the very fabric of culture and society. This book provides a very concise view of music history and, in many senses, an introduction to the subject. The idea of this book is to ignite the desire to know more and dig further for the quest of the ever-learning and ever-inquisitive music lover, regardless. The information has been carefully broken down into eras that capture the essence of music in a chronological format. The author hopes to spread the message that knowledge of music and its history is well within the reach of anyone who desires to learn and appreciate it, regardless of their complete lack of any prior knowledge.
Author: James Hastings
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 1020
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Book Description
Author: Annette Schellenberg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110750791
Category : Religion
Languages : en
Pages : 522
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Book Description
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Author: Stanley R. McDaniel
Publisher: Wipf and Stock Publishers
ISBN: 1666755958
Category : Music
Languages : en
Pages : 613
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Book Description
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship--Black and White, Protestant and Catholic--is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music--whatever the genre--must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
