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Author: Cuvelier (trouvère)
Publisher:
ISBN: 9781783272273
Category : History
Languages : en
Pages : 0
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Book Description
Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him. Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis. NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Author: Cuvelier (trouvère)
Publisher:
ISBN: 9781783272273
Category : History
Languages : en
Pages : 0
Get Book Here
Book Description
Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him. Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis. NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chrétien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Author: Andrew Harper
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 172
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Book Description
Author: Margaret Bent
Publisher: Oxford University Press
ISBN: 0190063793
Category : Music
Languages : en
Pages : 777
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Book Description
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1058
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Book Description
Author: Frances Marion Gostling
Publisher:
ISBN:
Category : History
Languages : en
Pages : 466
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Book Description
Author: Edward Livermore Burlingame
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 814
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Book Description
Author: New Rochelle Public Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 398
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Book Description
Author: Robert W. Jones
Publisher: Boydell & Brewer
ISBN: 1843835614
Category : Antiques & Collectibles
Languages : en
Pages : 230
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Book Description
Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance. `A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite. Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning. ROBERT W. JONES gained his PhD from Cardiff University.
Author: Richard Monckton Milnes Baron Houghton
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Nigel Bryant
Publisher: Boydell & Brewer
ISBN: 1783276517
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
Contains detailed, eyewitness accounts of the most memorable exploits of Jacques de Lalaing, and leaves little reason to doubt that he was fit to be memorialised as a model of ideal knighthood. 'My honoured lord, I am sending you certain recollections of the high and admirable deeds of arms performed in the lists by your late son Jacques de Lalaing... But they are small memories in relation to the greatness of his deeds.' So begins a letter that Lefèvre de Saint-Remy, 'King of Arms' of one of the grandest orders of chivalry, the Burgundian Order of the Golden Fleece, wrote to Jacques's father following the young knight's dramatic death. It contains detailed, eyewitness accounts of many of his most memorable exploits, and leaves little reason to doubt that Jacques de Lalaing was a genuinely exceptional knight, fit to be memorialised as a model of ideal knighthood. This letter is just one of several components of the fascinating Book of the Deeds of the Good Knight Jacques de Lalaing. Not a biography by a single hand but a herald's compilation of existing documents - Lefèvre's letter, the records of other heralds and a previously lost section of Lefèvre's fine chronicle - the book traces Lalaing's career in absorbing detail. It is a remarkable story. After serving in the Burgundian conquest of Luxembourg, Lalaing set out across Europe, challenging and jousting wherever he went from Portugal to Scotland. Most famous of all was his elaborately staged deed of arms called the Fountain of Tears. Here, on a river island in Burgundy, he stood and fought all comers for an entire year in 1449-50. With grim irony Lalaing, as glamorous in his time as any sporting hero of today, was then killed by an unglamorous cannon ball in the Ghent War of 1453. Compiled largely from the work of heralds whose prime concern was accuracy, this book holds rich seams of information to be mined, offering invaluable insights into the behaviour and thinking of the nobility in the late Middle Ages. The Book of the Deeds of Jacques de Lalaing follows Nigel Bryant's previous translations of chivalric biographies from earlier centuries - those of William Marshal, Bertrand du Guesclin and Geoffroi de Charny. It shows that the ideals of chivalry - including even a commitment to crusade - were still very much alive even as the nature of warfare changed, and Jacques was a complete model of those ideals, a model which remained real, attainable and absolutely relevant.
