The Society of Artists of Great Britain, 1760-1791; the Free Society of Artists, 1761-1783 PDF Download
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Author: Algernon Graves
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Author: Algernon Graves
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Get Book Here
Book Description
Author: Algernon Graves
Publisher: Legare Street Press
ISBN: 9781016212465
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Algernon Graves
Publisher: Forgotten Books
ISBN: 9780282059712
Category :
Languages : en
Pages : 0
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Book Description
Excerpt from The Society of Artists of Great Britain, 1760-1791, the Free Society of Artists, 1761-1783: A Complete Dictionary of Contributors and Their Work From the Foundation of the Societies to 1791 The Royal Academy Exhibitors have induced me to continue the series by producing a companion volume of the two earlier Societies, thereby carrying the records of the works of English artists back to the year 1760, when the first public exhibition took place in England. In common with the Lists of Exhibitors at other London Exhibitions, this work was compiled over thirty years ago, and the manuscript volumes have ever since been of great use for reference. The catalogues of these early exhibitions are very difficult to obtain, and there is, I believe, no complete set of printed copies in existence, those in public institutions being completed by manuscript copies. To lovers of art this volume will present the only easily available means of knowing what pictures were exhibited by well-known artists before the foundation of the Royal Academy. Upwards of works were Shown at these exhibitions. To make the volume still more interesting, I have endeavoured to give an account of these Societies by reprinting portions of books written at the time of the exhibitions, or shortly afterwards. In this very little attempt has been made to introduce original matter, but I feel that the extracts from books now exceedingly scarce will prove of value. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Algernon Graves
Publisher: Nabu Press
ISBN: 9781294685524
Category :
Languages : en
Pages : 392
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Michael Lapidge
Publisher: Cambridge University Press
ISBN: 9780521652032
Category : History
Languages : en
Pages : 464
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Book Description
This volume is framed by articles that throw interesting light on the achievement and reputation of the greatest of Anglo-Saxon kings - Alfred.
Author: Holger Hoock
Publisher: Clarendon Press
ISBN: 9780191556104
Category : Art
Languages : en
Pages : 396
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Book Description
This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.
Author: Robert A. Smith
Publisher: Cambridge University Press
ISBN: 9780521528641
Category : History
Languages : en
Pages : 132
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Book Description
A guide to historical literature on England between 1760 and 1837, emphasising more recent work.
Author: Leonard Forrer
Publisher:
ISBN:
Category : Medalists
Languages : en
Pages : 590
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Book Description
Author: Valerie Hedquist
Publisher: Routledge
ISBN: 1351006843
Category : Art
Languages : en
Pages : 214
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Book Description
The reception of Thomas Gainsborough’s Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough’s painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed.
Author: Anne MacLeod
Publisher: Birlinn
ISBN: 1907909079
Category : History
Languages : en
Pages : 449
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Book Description
This book looks at visual images as an alternative and undervalued source of evidence for ideas about the Scottish Gaidhealtachd in the period 1700 - 1880. Illustrated with 100 plates, it brings together many little known and previously unrelated images. Addressing the textual bias inherent in Scottish historical studies, the book examines a broad range of maps, plans, paintings, drawings, sketches and printed images, arguing that the concept of antiquity was the single most powerful influence driving the visual representation of the Highlands and Islands from 1700 to 1880, and indeed beyond. Successive chapters look at archaeological, ethnological and geological motives for visualising the Highlands, and at the bias in favour of antiquity which resulted from the spread of these intellectual influences into the fine arts. The book concludes that the shadow of time which hallmarked visual representations of the region resulted in a preservationist mentality which has had powerful repercussions for approaches to Highland issues down to the present day. The book will appeal to historians, art historians, cultural geographers, and the general reader interested in Highland history and culture.
