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Author: John G. Cawelti
Publisher: Popular Press
ISBN: 9780879727857
Category : Art
Languages : en
Pages : 232
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Book Description
To this structural analysis he adds a new account of the genre's history and its relationship to the myths of the West which have played such an influential role in American history."--BOOK JACKET.
Author: John G. Cawelti
Publisher: Popular Press
ISBN: 9780879727857
Category : Art
Languages : en
Pages : 232
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Book Description
To this structural analysis he adds a new account of the genre's history and its relationship to the myths of the West which have played such an influential role in American history."--BOOK JACKET.
Author: Andrew Patrick Nelson
Publisher: Scarecrow Press
ISBN: 081089257X
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
Though one of the most popular genres for decades, the western started to lose its relevance in the 1960s and 1970s, and by the early 1980s it had ridden into the sunset on screens both big and small. The genre has enjoyed a resurgence, however, and in the past few decades some remarkable westerns have appeared on television and in movie theaters. From independent films to critically acclaimed Hollywood productions and television series, the western remains an important part of American popular culture. Running the gamut from traditional to revisionist, with settings ranging from the old West to the “new Wests” of the present day and distant future, contemporary westerns continue to explore the history, geography, myths, and legends of the American frontier. In Contemporary Westerns: Film and Television since 1990, Andrew P. Nelson has collected essays that examine the trends and transformations in this underexplored period in Western film and television history. Addressing the new Western, they argue for the continued relevance and vibrancy of the genre as a narrative form. The book is organized into two sections: “Old West, New Stories” examines Westerns with common frontier locales, such as Dances with Wolves, Unforgiven, Deadwood, and True Grit. “New Wests, Old Stories” explores works in which familiar Western narratives, characters, and values are represented in more modern—and in one case futuristic—settings. Included are the films No Country for Old Men and There Will Be Blood, as well as the shows Firefly and Justified. With a foreword by Edward Buscombe, as well as an introduction that provides a comprehensive overview, this volume offers readers a compelling argument for the healthy survival of the Western. Written for scholars as well as educated viewers, Contemporary Westerns explores the genre’s evolving relationship with American culture, history, and politics.
Author: Ronald Wayne Rodman
Publisher: Oxford University Press, USA
ISBN: 0195340248
Category : Language Arts & Disciplines
Languages : en
Pages : 369
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Book Description
Television has been called the "boob tube," "goof box," and even a "vast wasteland" of American culture. Yet, for all its banality, television is in many ways a mirror of culture, and communicates messages within culture through the multiple channels of visual images, language, sound, and music. All of these channels contain their own unique coded messages to create the larger meaningful text of television. As one of these sensory channels, music contributes to meaning in television through its artistic language and through television viewers' association of music with certain aspects of culture. Music has always been an integral part of the American television, even from its earliest days. Like its parent medium of radio, television broadcasts music to entertain viewers with live and video taped performances, but music has also come to play a much larger role in television beyond its pleasurable performance aspects. Music is used in narrative programs to evoke moods and identify characters and setting, it is used to sell products through commercial jingles, and most importantly, music generally aids broadcast television in navigating through the continuous "flow" of daily programming. This navigational aspect of television music is a distinctive feature, and functions to transport the viewer through three "spaces" of TV: the flow of the televisual apparatus, with commercials, newbreaks, and promos; the storyworld of each narrative program, and the representational space between narrative and flow. As Heard on TV is an examination and analysis of music in American television during the first fifty years of its history. The book focuses on how music has functioned to serve as a navigator through the flow of television and contributing to structure narrative programs, while also conveying meaning to its viewers by correlating with the images and sounds that it accompanies. Drawing from precedents of the cinema and radio, the book examines music in a number of "classic" television genres by positing a theory of "functional musical spaces" adapted from theories of Charles Morris, Umberto Eco, John Fiske, and others.
Author: Kristin Ramsdell
Publisher: Bloomsbury Publishing USA
ISBN: 0313054053
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.
Author: Nina Baym
Publisher: University of Illinois Press
ISBN: 0252078845
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
Author: Christine Bold
Publisher: Oxford University Press
ISBN: 0199731799
Category : Fiction
Languages : en
Pages : 319
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Book Description
The Frontier Club delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western.
Author: Nanna Verhoeff
Publisher: Amsterdam University Press
ISBN: 905356831X
Category : Performing Arts
Languages : en
Pages : 463
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Book Description
Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.
Author: Benjamín Franklin
Publisher: Infobase Publishing
ISBN: 1438132425
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Presents American literature from the beginnings to the Revolutionary War, including essays, narratives and more.
Author: Jason P. Vest
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism. David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers. The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.
Author: Peter C. Rollins
Publisher: University Press of Kentucky
ISBN: 0813138558
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
“An excellent study that should interest film buffs, academics, and non-academics alike” (Journal of the West). Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.
