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Author:
Publisher: Penn State Press
ISBN: 0271045442
Category :
Languages : en
Pages : 122
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Book Description
Author:
Publisher: Penn State Press
ISBN: 0271045442
Category :
Languages : en
Pages : 122
Get Book Here
Book Description
Author: Tara Ward
Publisher: Univ of California Press
ISBN: 0520398777
Category : Art
Languages : en
Pages : 321
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Book Description
"What does an art history of Instagram look like? In this text Tara Ward addresses this question to show that Instagram is best understood as a structure of the visual, which includes not just the process of looking, but what can be seen and by whom. Tracing the platform's own mythology for how it will be integrated into users' lives, Appreciation Post highlights the ways the constraints imposed by the experience of viewing limit the kinds of selves that can be presented on it, showing how the proliferation of technical knowledge, especially amongst younger women, has produced a revitalization of the myth of the masculine genius and a corresponding reinvigoration of masculine audience for art. Ward prompts contemplation of the meaning of various aspects of Instagram and the deliberate choices on the part of actual Instagrammers: exploring what it is like to scroll through images on a phone, the skill involved in taking an 'Instagram worthy' picture, and the desires created by following influencers. This approach reveals how Instagram is shifting long-established ways of interacting with images and makes an argument for art history's value as a way of understanding the contemporary world and the visual nature of identity today"--
Author: James Elkins
Publisher: Routledge
ISBN: 1135902453
Category : Art
Languages : en
Pages : 818
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Book Description
Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
Author: Bruce A. Barber
Publisher: Common Ground Research Networks
ISBN: 1863352171
Category : Art
Languages : en
Pages : 327
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Book Description
Popular Modernisms examines a process that has occurred throughout the history of art; one that accelerated with the social effects of the industrial revolution, the development of capitalism and the inception of modern social relations. It argues that the shocks of modernist art encouraged the production of visual satires, parodies, ironies and pastiches; and that, in the company of other forms of text or performance-based criticism, these were the means by which those in marginal, or subordinate social positions could exercise their displeasure and opposition to the ruling ideas and dominant classes of the day. Expressing feelings ranging from mild discomfort to pure rage, this criticism enabled social subordinates to contest or resist the dominance of high culture over low; in terms eloquently described by Antonio Gramsci, as the hegemony of the dominant centre culture over its margins. The focus upon graphic satires (cartoons and comics) of modern art attempts to provide some practical explication of the symbolic contest of power as this process represents the struggle to achieve and maintain, cultural hegemony. A further aim in this book is to investigate the symbolic contestation of cultural meanings in social terms and thereby enrich our understanding of classed society. There are, I believe, many social and political confluences that intersect within the symbolic construction and interpretation of culture. This contest of power can be read as ideological conflict between various dominant, and subordinate groups, classes and class.
Author: Georges Didi-Huberman
Publisher: Penn State Press
ISBN: 9780271024714
Category : Philosophy
Languages : en
Pages : 354
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Book Description
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Author: PROF. DR. Patricia Emison
Publisher: Film Culture in Transition
ISBN: 9789463724036
Category :
Languages : en
Pages : 642
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Book Description
Film, like the printed imagery inaugurated during the Renaissance, spread ideas---not least the idea of the power of visual art---across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, 1920s-mid-60s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, narrative and visual composition shifted in both cases toward acknowledging the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates and preoccupations are part of the story told here.
Author: Monica Juneja
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311121706X
Category : Art
Languages : en
Pages : 352
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Book Description
The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Author: Donald Preziosi
Publisher: Yale University Press
ISBN: 9780300049831
Category : Art
Languages : en
Pages : 290
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Book Description
A general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in crisis, Preziosi asserts that many of the dilemmas and contradictions of art history today are not new but can be traced back to problems surrounding the founding of the discipline, its institutionalization, and its academic expansion since the 1870s. "Donald Preziosi has written a timely and incisive study of the methods and assumptions of art history in the modern period. As the book unfolds, one realizes that art history was never as unitary and monolithic as the phrase 'the discipline of art history' suggests, but is in fact a complicated and highly contradictory range of practices whose disciplinary coherence may be more mythical than real. This is a deliberately discomforting book; however, for its clear-sightedness, rigor, and wit, it is a book to be welcomes by everyone concerned with the present condition and future direction of visual studies."--Norman Bryson, Harvard University "An important and courageous book, Rethinking Art History is a rigorous and original contribution to the current post-structuralist and postmodernist debates in cultural studies here and abroad."--Steven Z. Levine, Bryn Mawr College "Through this kind of reading of the discourse of art history, Preziosi provides some acute analysis of the metaphors and stratagems which continue to discipline the discipline of art history."
Author:
Publisher: K.G. Saur Verlag
ISBN: 9783598694530
Category : Reference
Languages : en
Pages : 910
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Book Description
Reviews are an important aspect of scholarly discussion because they help filter out which works are relevant in the yearly flood of publications and are thus influential in determining how a work is received. The IBR, published again since 1971 as an interdisciplinary, international bibliography of reviews, it is a unique source of bibliographical information. The database contains entries on over 1.2 million book reviews of literature dealing primarily with the humanities and social sciences published in 6,820, mainly European scholarly journals. Reviews of more than 560,000 scholarly works are listed. The database increases every year by 60,000 entries. Every entry contains the following information: On the work reviewed: author, title On the review: reviewer, periodical (year, edition, page, ISSN), language, subject area (in German, English, Italian) Publisher, address of journal
Author: Alexander Nagel
Publisher: Routledge
ISBN: 135154750X
Category : Art
Languages : en
Pages : 272
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Book Description
The studies in this volume focus on works of art that generate bafflement, and that make that difficulty of reading part of their rhetorical structure. These are works whose subjects are not easily identifiable or can be readily associated with more than one subject at the same time; works that take a subject into a new genre or format (pagan into Christian, for example, or vice versa), and thus destabilize the subject itself; works that concentrate on the marginal rather than the central episode; and works that introduce elements of the preparatory phase-the indeterminacy that are native to the sketch or drawing, for example-into the realm of finished works. Unable to settle on a single reading, the effort of interpretation doubles back on its own procedures. This aporia, according to Aristotle, serves as the initial impulse to philosophical inquiry. Although the works studied here are in many ways exceptional, the aporias they raise register larger structural problems belonging to the artistic culture as a whole. Between 1400 and 1700, we see the emergence of new formats, new genres, new subjects, and new techniques, as well as new venues for the display of art. It is an implicit thesis of this book that the systemic shifts occurring in the early modern period made the emergence of aporetic works of art, and of aporia as a problem for art, a structural inevitability.
