Author: Jeanne Addison Roberts
Publisher: U of Nebraska Press
ISBN: 9780803289505
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Socrates is said to have thanked the gods that he was born neither barbarian nor female nor animal. His words conjure up the image of a human being, a Greek male, at the center of the universe, surrounded by "wild" and threatening forces. To the Western imagination the civilized standard has always been masculine, and taken for granted as so until recently. Shakespeare's works, for all their genius and astonishing empathy, are inevitably products of a culture that regards women, animals, and foreigners as peripheral and threatening to its chief interests. "We have been so hypnotized by the most powerful male voice in ourl anguage, interpreted for us by a long line of male critics and teachers, that we have seen nothing exceptionable in his patriarchal premises," writes Jeanne Addison Roberts. If the culture-induced hypnosis is wearing off, it is partly because of studies like The Shakespearean Wild. Plunging into a psychological jungle, Roberts examines the distinctions in various Shakespeare plays between wild nature and subduing civilization and shows how gender stereotypes are affixed to those distinctions. Taking her cue from Socrates, Roberts transports the reader to three kinds of "Wilds" that impinge on Shakespeare's literary world: the mysterious "female Wild, often associated with the malign and benign forces of [nature]; the animal Wild, which offers both reassurance of special human status and the threat of the loss of that status; and the barbarian Wild populated by marginal figures such as the Moor and the Jew as well as various hybrids." The Shakespearean Wild brims with mystery and menace, the exotic and erotic; with male and female archetypes, projections of suppressed fears and fantasies. The reader will see how the male vision of culture—exemplified in Shakespeare's work—has reduced, distorted, and oversimplified the potentiality of women.
The Shakespearean Wild
Author: Jeanne Addison Roberts
Publisher: U of Nebraska Press
ISBN: 9780803289505
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Socrates is said to have thanked the gods that he was born neither barbarian nor female nor animal. His words conjure up the image of a human being, a Greek male, at the center of the universe, surrounded by "wild" and threatening forces. To the Western imagination the civilized standard has always been masculine, and taken for granted as so until recently. Shakespeare's works, for all their genius and astonishing empathy, are inevitably products of a culture that regards women, animals, and foreigners as peripheral and threatening to its chief interests. "We have been so hypnotized by the most powerful male voice in ourl anguage, interpreted for us by a long line of male critics and teachers, that we have seen nothing exceptionable in his patriarchal premises," writes Jeanne Addison Roberts. If the culture-induced hypnosis is wearing off, it is partly because of studies like The Shakespearean Wild. Plunging into a psychological jungle, Roberts examines the distinctions in various Shakespeare plays between wild nature and subduing civilization and shows how gender stereotypes are affixed to those distinctions. Taking her cue from Socrates, Roberts transports the reader to three kinds of "Wilds" that impinge on Shakespeare's literary world: the mysterious "female Wild, often associated with the malign and benign forces of [nature]; the animal Wild, which offers both reassurance of special human status and the threat of the loss of that status; and the barbarian Wild populated by marginal figures such as the Moor and the Jew as well as various hybrids." The Shakespearean Wild brims with mystery and menace, the exotic and erotic; with male and female archetypes, projections of suppressed fears and fantasies. The reader will see how the male vision of culture—exemplified in Shakespeare's work—has reduced, distorted, and oversimplified the potentiality of women.
Publisher: U of Nebraska Press
ISBN: 9780803289505
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Socrates is said to have thanked the gods that he was born neither barbarian nor female nor animal. His words conjure up the image of a human being, a Greek male, at the center of the universe, surrounded by "wild" and threatening forces. To the Western imagination the civilized standard has always been masculine, and taken for granted as so until recently. Shakespeare's works, for all their genius and astonishing empathy, are inevitably products of a culture that regards women, animals, and foreigners as peripheral and threatening to its chief interests. "We have been so hypnotized by the most powerful male voice in ourl anguage, interpreted for us by a long line of male critics and teachers, that we have seen nothing exceptionable in his patriarchal premises," writes Jeanne Addison Roberts. If the culture-induced hypnosis is wearing off, it is partly because of studies like The Shakespearean Wild. Plunging into a psychological jungle, Roberts examines the distinctions in various Shakespeare plays between wild nature and subduing civilization and shows how gender stereotypes are affixed to those distinctions. Taking her cue from Socrates, Roberts transports the reader to three kinds of "Wilds" that impinge on Shakespeare's literary world: the mysterious "female Wild, often associated with the malign and benign forces of [nature]; the animal Wild, which offers both reassurance of special human status and the threat of the loss of that status; and the barbarian Wild populated by marginal figures such as the Moor and the Jew as well as various hybrids." The Shakespearean Wild brims with mystery and menace, the exotic and erotic; with male and female archetypes, projections of suppressed fears and fantasies. The reader will see how the male vision of culture—exemplified in Shakespeare's work—has reduced, distorted, and oversimplified the potentiality of women.
A Kind of Wild Justice
Author: Linda Anderson
Publisher: University of Delaware Press
ISBN: 9780874133196
Category : Drama
Languages : en
Pages : 204
Book Description
This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.
Publisher: University of Delaware Press
ISBN: 9780874133196
Category : Drama
Languages : en
Pages : 204
Book Description
This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.
The Wild Waves Whist
Author: Erin Nelsen Parekh
Publisher: Drivel & Drool
ISBN: 9780998439730
Category : Adventure stories
Languages : en
Pages : 0
Book Description
Two friends and their irrepressible dog explore an island full of adventure--to the words of Ariel's famous songs from Shakespeare's The Tempest.
Publisher: Drivel & Drool
ISBN: 9780998439730
Category : Adventure stories
Languages : en
Pages : 0
Book Description
Two friends and their irrepressible dog explore an island full of adventure--to the words of Ariel's famous songs from Shakespeare's The Tempest.
The Shakespearean Forest
Author: Anne Barton
Publisher: Cambridge University Press
ISBN: 1108394078
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.
Publisher: Cambridge University Press
ISBN: 1108394078
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.
Wild Bios: William Sheepspeare
Author: Courtney Acampora
Publisher: Silver Dolphin Books
ISBN: 9781684126194
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
William Sheepspeare’s plays were shear genius! Meet one of history’s greatest figures in this adorable board book with an animal twist! Dive into the life of the eloquent Baa-rd of Avon and the plays that shaped our language today. William Sheepspeare’s human themes have resonated with every generation. With hilarious puns and colorful illustrations, this book brings his legacy to life for babies and parents alike! 2019 National Parenting Product Award Winner
Publisher: Silver Dolphin Books
ISBN: 9781684126194
Category : Juvenile Fiction
Languages : en
Pages : 0
Book Description
William Sheepspeare’s plays were shear genius! Meet one of history’s greatest figures in this adorable board book with an animal twist! Dive into the life of the eloquent Baa-rd of Avon and the plays that shaped our language today. William Sheepspeare’s human themes have resonated with every generation. With hilarious puns and colorful illustrations, this book brings his legacy to life for babies and parents alike! 2019 National Parenting Product Award Winner
How to Teach Your Children Shakespeare
Author: Ken Ludwig
Publisher: Crown
ISBN: 0307951499
Category :
Languages : en
Pages : 369
Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
Publisher: Crown
ISBN: 0307951499
Category :
Languages : en
Pages : 369
Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
The Shakespearean Forest
Author:
Publisher: Cambridge University Press
ISBN: 0521573440
Category :
Languages : en
Pages : 205
Book Description
Publisher: Cambridge University Press
ISBN: 0521573440
Category :
Languages : en
Pages : 205
Book Description
The Shakespearean Myth
Author: James Appleton Morgan
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Age in Love
Author: Jacqueline Vanhoutte
Publisher: U of Nebraska Press
ISBN: 1496207599
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
The title Age in Love is taken from Shakespeare’s sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, “vainly” performs the role of “some untutor’d youth.” Jacqueline Vanhoutte argues that this pattern of “age in love” pervades Shakespeare’s mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes—Shakespeare’s old-men-in-love turn in boundary-blurring performances that probe the gendered and generational categories by which early modern subjects conceived of identity. In Age in Love Vanhoutte shows that questions we have come to regard as quintessentially Shakespearean—about the limits of social mobility, the nature of political authority, the transformative powers of the theater, the vagaries of human memory, or the possibility of secular immortality—come to indelible expression through Shakespeare’s artful deployment of the “age in love” trope. Age in Love contributes to the ongoing debate about the emergence of a Tudor public sphere, building on the current interest in premodern constructions of aging and ultimately demonstrating that the Elizabethan court shaped Shakespeare’s plays in unexpected and previously undocumented ways.
Publisher: U of Nebraska Press
ISBN: 1496207599
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
The title Age in Love is taken from Shakespeare’s sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, “vainly” performs the role of “some untutor’d youth.” Jacqueline Vanhoutte argues that this pattern of “age in love” pervades Shakespeare’s mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes—Shakespeare’s old-men-in-love turn in boundary-blurring performances that probe the gendered and generational categories by which early modern subjects conceived of identity. In Age in Love Vanhoutte shows that questions we have come to regard as quintessentially Shakespearean—about the limits of social mobility, the nature of political authority, the transformative powers of the theater, the vagaries of human memory, or the possibility of secular immortality—come to indelible expression through Shakespeare’s artful deployment of the “age in love” trope. Age in Love contributes to the ongoing debate about the emergence of a Tudor public sphere, building on the current interest in premodern constructions of aging and ultimately demonstrating that the Elizabethan court shaped Shakespeare’s plays in unexpected and previously undocumented ways.
The Shakespearean Myth
Author: Appleton Morgan
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 366
Book Description