Author: Julie Sanders
Publisher: Polity
ISBN: 0745632971
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Book Description
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.
Shakespeare and Music
Author: Julie Sanders
Publisher: Polity
ISBN: 0745632971
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Book Description
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.
Publisher: Polity
ISBN: 0745632971
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Book Description
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.
The Shakespeare Symphony
Author: Harold Bayley
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 420
Book Description
Shakespeare, Music and Performance
Author: Bill Barclay
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303
Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303
Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
The Oxford Handbook of Shakespeare and Music
Author: Christopher R. Wilson
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289
Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289
Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Shakespeare
Author: Anthony Burgess
Publisher: Random House
ISBN: 1473512409
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess's well-known delight in language infuses his own writing about Shakespeare's works. And in the verve of his biography he conveys the energy of the Elizabethan age.
Publisher: Random House
ISBN: 1473512409
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess's well-known delight in language infuses his own writing about Shakespeare's works. And in the verve of his biography he conveys the energy of the Elizabethan age.
Bulletin
Author:
Publisher:
ISBN:
Category : Pageants
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category : Pageants
Languages : en
Pages : 126
Book Description
The Shakespeare Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Shakespeare and Music
Author: Edward W. Naylor
Publisher: BoD – Books on Demand
ISBN: 3734046866
Category : Fiction
Languages : en
Pages : 182
Book Description
Reproduction of the original: Shakespeare and Music by Edward W. Naylor
Publisher: BoD – Books on Demand
ISBN: 3734046866
Category : Fiction
Languages : en
Pages : 182
Book Description
Reproduction of the original: Shakespeare and Music by Edward W. Naylor
Shakespeare
Author: Peter Conrad
Publisher: Bloomsbury Publishing
ISBN: 1788540166
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
In 1623 the actors John Heminges and Henry Condell assembled Mr. William Shakespeare's Comedies, Histories, & Tragedies, better known as The First Folio. In doing so they preserved literature's most dramatically vital and poetically rich account of our human world. Endlessly reinterpreted by critics and performers, Shakespeare's inexhaustible work has remained abreast of contemporary concerns ever since, and it continues to hold a mirror up to the nature of our troubled society and our contradictory selves. The plays accompany us through the ages of mankind, from comic springtime to wintry age, compressing our life in time into the three hours' traffic of the stage; the characters in them have shaped the way we think about politics and war, consciousness and morality, love and death. Peter Conrad examines the world-view of the plays, their generic originality and their astonishingly inventive language. He goes on to explore Shakespeare's global legacy as his characters migrate to every continent and are reinvented by later writers, painters, composers, choreographers and film-makers.
Publisher: Bloomsbury Publishing
ISBN: 1788540166
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
In 1623 the actors John Heminges and Henry Condell assembled Mr. William Shakespeare's Comedies, Histories, & Tragedies, better known as The First Folio. In doing so they preserved literature's most dramatically vital and poetically rich account of our human world. Endlessly reinterpreted by critics and performers, Shakespeare's inexhaustible work has remained abreast of contemporary concerns ever since, and it continues to hold a mirror up to the nature of our troubled society and our contradictory selves. The plays accompany us through the ages of mankind, from comic springtime to wintry age, compressing our life in time into the three hours' traffic of the stage; the characters in them have shaped the way we think about politics and war, consciousness and morality, love and death. Peter Conrad examines the world-view of the plays, their generic originality and their astonishingly inventive language. He goes on to explore Shakespeare's global legacy as his characters migrate to every continent and are reinvented by later writers, painters, composers, choreographers and film-makers.
Musical Courier and Review of Recorded Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1324
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1324
Book Description