The Shakespeare Productions of Max Reinhardt

The Shakespeare Productions of Max Reinhardt PDF Author: Frederick Paul Tollini
Publisher:
ISBN: 9780773462311
Category : Theater
Languages : en
Pages : 0

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Book Description
Tollini (theater, Santa Clara U.) analyzes the Shakespeare productions of Max Reinhardt. Coverage ranges from the 1905 production of A Midsummer Night's Dream that won him the directorship of Berlin's Deutsches Theater through the extravagant 1935 film version of the same work that brought him to the attention of American audiences. The volume features color paintings and b&w photographs of the productions and concludes with a chronology. Annotation: 2004 Book News, Inc., Portland, OR (booknews.com).

The Shakespeare Productions of Max Reinhardt

The Shakespeare Productions of Max Reinhardt PDF Author: Frederick Paul Tollini
Publisher:
ISBN: 9780773462311
Category : Theater
Languages : en
Pages : 0

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Book Description
Tollini (theater, Santa Clara U.) analyzes the Shakespeare productions of Max Reinhardt. Coverage ranges from the 1905 production of A Midsummer Night's Dream that won him the directorship of Berlin's Deutsches Theater through the extravagant 1935 film version of the same work that brought him to the attention of American audiences. The volume features color paintings and b&w photographs of the productions and concludes with a chronology. Annotation: 2004 Book News, Inc., Portland, OR (booknews.com).

Max Reinhardt

Max Reinhardt PDF Author: John L. Styan
Publisher: Cambridge University Press
ISBN: 9780521295048
Category : Drama
Languages : en
Pages : 188

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Book Description
Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.

The Theatre of Max Reinhardt

The Theatre of Max Reinhardt PDF Author: Huntly Carter
Publisher:
ISBN:
Category : Jewish theatrical producers and directors
Languages : en
Pages : 380

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Book Description
A survey of the process of Max Reinhardt's directorial development as it has influenced the theater of today. The author reviews the forces that made for playhouse progress at the time of Mr. Reinhardt's entry into the profession. Considers the German influences on Mr. Reinhardt's individual development, the effects of this development as reflected in his aims, and his conceptions of drama, the stage, the player, and theater organization. The author analyzes the influence of Gordon Craig's "On the Art of the Theatre" on Reinhardt, in the context of his subsequent technical experiments in service to the demands of specific productions.

Max Reinhardt and His Theatre

Max Reinhardt and His Theatre PDF Author: Oliver M. Sayler
Publisher: New York : Brentano's
ISBN:
Category : Theater
Languages : en
Pages : 614

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Book Description


Shakespeare on the German Stage: Volume 1, 1586-1914

Shakespeare on the German Stage: Volume 1, 1586-1914 PDF Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521611930
Category : Drama
Languages : en
Pages : 264

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Book Description
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.

Shakespeare on the German Stage: Volume 1, 1586-1914

Shakespeare on the German Stage: Volume 1, 1586-1914 PDF Author: Simon Williams
Publisher: Cambridge University Press
ISBN: 9780521344647
Category : Drama
Languages : en
Pages : 259

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Book Description
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day.

The Eternal Road; a Drama in Four Parts

The Eternal Road; a Drama in Four Parts PDF Author: Franz 1890-1945 Werfel
Publisher: Hassell Street Press
ISBN: 9781014053107
Category :
Languages : en
Pages : 166

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Routledge Companion to Directors' Shakespeare

The Routledge Companion to Directors' Shakespeare PDF Author: John Russell Brown
Publisher: Routledge
ISBN: 1134146485
Category : Drama
Languages : en
Pages : 594

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Book Description
The Routledge Companion to Directors' Shakespeare is a major collaborative book about plays in performance. Thirty authoritative accounts describe in illuminating detail how some of theatre’s most talented directors have brought Shakespeare’s texts to the stage. Each chapter has a revealing story to tell as it explores a new and revitalising approach to the most familiar works in the English language. A must-have work of reference for students of both Shakespeare and theatre, this book presents some of the most acclaimed productions of the last hundred years in a variety of cultural and political contexts. Each entry describes a director’s own theatrical vision, and methods of rehearsal and production. These studies chart the extraordinary feats of interpretation and innovation that have given Shakespeare’s plays enduring life in the theatre. Notable entries include: Ingmar Bergman * Peter Brook * Declan Donnellan * Tyrone Guthrie * Peter Hall * Fritz Kortner * Robert Lepage * Joan Littlewood * Ninagawa Yukio * Joseph Papp * Roger Planchon * Max Reinhardt * Giorgio Strehler * Deborah Warner * Orson Welles * Franco Zeffirelli

Weathering Shakespeare

Weathering Shakespeare PDF Author: Evelyn O'Malley
Publisher: Bloomsbury Publishing
ISBN: 1350078077
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
From The Pastoral Players' 1884 performance of As You Like It to contemporary site-specific productions activist interventions, there is a rich history of open air performances of Shakespeare's plays beyond their early modern origins. Weathering Shakespeare reveals how new insights from the environmental humanities can transform our understanding of this popular performance practice. Drawing on audience accounts of outdoor productions of those plays most commonly chosen for open air performance – including A Midsummer Night's Dream and The Tempest – the book examines how performers and audiences alike have reacted to unpredictable natural environments.

Shakespeare's Tercentenary

Shakespeare's Tercentenary PDF Author: Monika Smialkowska
Publisher: Cambridge University Press
ISBN: 1009280864
Category : Literary Criticism
Languages : en
Pages : 331

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Book Description
The worldwide commemorations of the three-hundredth anniversary of Shakespeare's death were held amid the global upheaval of the First World War. As empires battled for world domination and nations sought self-determination, diverse communities vied to claim Shakespeare as their own, to underpin their sense of collective identity and cohesion. Unearthing previously unknown Tercentenary events in Europe, the British Empire, and the USA, Monika Smialkowska demonstrates that the 1916 Shakespeare commemorators did not speak with one unified voice. Tributes by marginalised social, ethnic, and racial groups often challenged the homogenising narratives of the official celebrations. Rather than the traditionally patriotic Bard, used to support totalising versions of national or imperial identity, this study reveals Shakespeare as a site of debate and contestation, in which diverse voices – local and global, nationalist and universalist, militant and pacifist – combined and clashed in a fascinating, open-ended dialogue.