The Shakespeare Canon ...: The "acceptance" of "Shakespeare". "All's well that ends well." "Romeo and Juliet."

The Shakespeare Canon ...: The Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Shakespeare Canon ...: The "acceptance" of "Shakespeare". "All's well that ends well." "Romeo and Juliet."

The Shakespeare Canon ...: The Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


The Shakespeare Canon: The "acceptance" of "Shakespeare."

The Shakespeare Canon: The Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 232

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Book Description


The Shakespeare Canon

The Shakespeare Canon PDF Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 232

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Book Description


The Shakespeare Canon

The Shakespeare Canon PDF Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 164

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The Shakespeare Canon: division I] The course of criticism

The Shakespeare Canon: division I] The course of criticism PDF Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 164

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Reference Catalogue of Current Literature

Reference Catalogue of Current Literature PDF Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 2088

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J.M. Robertson

J.M. Robertson PDF Author: Odin Dekkers
Publisher: Routledge
ISBN: 0429836597
Category : Social Science
Languages : en
Pages : 281

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Book Description
Published in 1998, J. M. Robertson: Rationalist and Literary Critic is a study of the life of one of the most erudite and prolific critics of the late nineteenth and early twentieth centuries. The Scotsman John MacKinnon Robertson (1856-1933), rationalist and enemy of religion to the core, published over one hundred books and thousands of articles in fields as diverse as sociology, economics, history, anthropology, biblical criticism and literary criticism. This once widely known (and feared!) author was all too quickly forgotten after his death and his work is now seldom read. The aim of this book is to demonstrate that Robertson’s writings and in particular his acute and powerful literary criticism – much respected by T. S. Eliot – have not lost their relevance for late twentieth century readers. Moreover, through the examinations of Robertson’s work in its contextual framework, this study provides a wide-ranging perspective on the late-Victorian literary scene, which perhaps present-day literary historians have not given the detailed attention it deserves.

The Shakespeare Canon: division II] The second part of "Henry VI."

The Shakespeare Canon: division II] The second part of Author: John Mackinnon Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 164

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Catalogue

Catalogue PDF Author: Dulau & Co., ltd., Booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 198

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The Oxford Handbook of Shakespeare and Performance

The Oxford Handbook of Shakespeare and Performance PDF Author: James C. Bulman
Publisher: Oxford University Press
ISBN: 0191510823
Category : Drama
Languages : en
Pages : 766

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Book Description
The Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespeare specialists. Each of these volumes is edited by one or more internationally distinguished Shakespeareans; together, they comprehensively survey the entire field. Shakespearean performance criticism has firmly established itself as a discipline accessible to scholars and general readers alike. And just as performances of the plays expand audiences' understanding of how Shakespeare speaks to them, so performance criticism is continually shifting the contours of the discipline. The 36 contributions in this volume represent the most current approaches to Shakespeare in performance. They are divided into four parts. Part I explores how experimental modes of performance ensure Shakespeare's contemporaneity. Part II tackles the burgeoning field of reception: how and why audiences respond to performances as they do. Part III addresses the ways in which technology has revolutionized our access to Shakespeare, both through the mediums of film and sound recording and through digitalization. Part IV grapples with 'global' Shakespeare, considering matters of cultural appropriation in productions played for international audiences. Together, these ground-breaking essays attest to the richness and diversity of Shakespearean performance criticism as it is practiced today